
Dan made an AVR-based logging wattmeter... He writes -
This device monitors household power usage and logs it to an SD card. A simple analog front-end amplifies the signals from voltage and current detectors and an ATmega168 microcontroller computes the power consumption using the formula P=V*I. The voltage and current are each sampled at 9615 Hz so the integration should be fairly accurate even for highly non-sinusoidal loads such as computers or fluorescent bulbs. A graphical LCD shows the power usage as a strip chart and can also act as an oscilloscope to display the voltage and current waveforms. The current is amplified in three stages (1x, 10x, and 100x) so that different gains can be used giving accurate readings for both high and low power usage.Read more | Permalink | Comments | Read more articles in DIY Projects | Digg this!
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Design it, build it, test it, fly it
In your classroom, students may be working with concepts like aerodynamics and the Design Process. Many kids use the CO2 dragster as a way of exploring these ideas. In MAKE: Volume 15 and MAKE: Volume 16, we have a couple of projects that can really help students turn on their minds while they get their hands on tools that enable them to work with the concepts of both planning a design and revising it based on testing as well as really seeing the affect of various custom made shapes on the fluid flowing over the form.
Designing and building in three dimensions
Designing a model on paper is one thing, but when you can hold it in your hand, everything seems clearer. A great quick way to make your own three dimensional shapes is the 5-Minute Foam Factory
http://www.make-digital.com/make/vol16/?pg=118 You can find detailed build instructions on how to build your own hot wire foam cutter on pages 116-120 of your print or digital edition of MAKE: Volume 16.
Once you have the cutter built, you can test out your designs.The promises of the online version of Make really comes out with the styrofoam cutter. There are loads of neat techniques in the online version of the project. Online, there are techniques that either didn't fit or were not developed in time for the print edition. There are some useful comments offering suggestions around materials and safety.
Keep it Safe
On safety with this project, there are a few things to keep in mind while working with kids: Toxic fumes and Fire. You will need to work out a way to deal with these. Using the foam cutter near a window and venting it to the outside might just be enough. As far as fire, supervision is the key, and making sure that every student is clear about the expectations of keeping themselves and their classmates safe. Having a reasonably sized fire extinguisher handy seems like a prudent safety measure with this project. If you still have questions or concerns, check with your local fire department and see what they have for suggestions.
Make your wind tunnel - http://www.make-digital.com/make/vol15/?pg=148
http://makezine.com/15/diyhome_wind/
Your wind tunnel could be made from lots of different materials. Many schools have at least a few paper boxes kicking around, which could provide some structure for the tunnel. Coroplast folds nice and tapes to close. Concrete footing tube would give you a round shape for the tunnel. A window fan could pull the air through, or you could even raid some out of some computer power supplies. For the straws you will need, you could raid the cafeteria or a burger joint for some drinking straws, though you should probably ask before cleaning out the straw bin.
What will your students learn and do?
Your wind tunnel and foam cutter help you to have students make a design based on the aerodynamics principles you specify, and then test the various designs they come up with, providing real data on their design choices. By trying several designs as individuals or as a group, students can start to see and visualize the shapes and surfaces that lend towards less drag and more lift. They can then start to recognize aerodynamic forms in the engineered world around them and understand why things look and function as they do.
Finding out more
Here are some resources from TeachEngineering on the subject of Aerodynamics.
If you are looking for lots of resources on teaching Engineering, Celeste Baine has a great collection of the top 10 List of K-12 Engineering Education Programs. Design Squad has a resource page for educators with lots of printable materials for classroom use.
While we are on the topic of aerodynamics, a look at Airplanes from How Stuff Works might come in handy. You might also find some ideas at Instructables on aerodynamics based projects.
What do you think?
Have you built the 5 Minute Foam Factory? Have you built the Model Wind Tunnel? What have you done with these projects on your own? What are the best resources you have found for teaching the Design Process in your classroom? What techniques help your students to stick with multiple versions of sketch models, appearance models and prototypes as they home in on a final design? What is the best way to get kids excited about aerodynamics, lift, drag and fluid friction? How can you help your students to visualize the effects of various shapes and surfaces on a design they are about to build? What are some other ways you could or have used these projects in your classroom? Join us in the conversation in the comments, and add your pictures and videos to the Make Flickr pool.
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The thought never occurred to me: scratch-building your own turntable. Paulo Rebordao writes:
This is a record player complete with a servo controlled arm that I've designed and built during the last 10 months. It has a few unusual features and I think it looks Way Cool!!!
Besides some general info on the workings, I also made available the schematics and software for downloading.
I love these literal versions of 80s music videos. Here's one for Billy Idol's "White Wedding."
UPDATE: I like the literal version of the Red Hot Chili Pepper's "Under the Bridge" even more. (Thanks, Antinous!)

Huh - this is really interesting, an "app store" from Liquidware....
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This is starting to look like an art project...
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Yikes, someone made a real "Fly Plane" Spatula writes -
After coming across this lovely image depicting the construction of a fly powered matchstick airplane, I had to try it for myself. Here are the flies, trapped within their impenetrable polyethylene terephthalate dungeon of doom. As difficult as it may be, avoid pouring the hydrochloric acid in with them. They find it very unpleasant, and may refuse to fly for you. Wait until after you get bored with the plane before you decide to bathe them.Read more | Permalink | Comments | Read more articles in Flying | Digg this!
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Meet CCRMA, a group of musical makers who stretch the sonic boundaries by turning personal computers into an electronic symphony. In the Workshop, John Park hacks a Wii controller and turns it into a personal flight recorder that can measure the G forces of roller coasters and other high-speed activities. In the Toolbox segment, William Gurstelle demonstrates the slick, back-cutting action of a super-sharp Japanese saw. The Maker Channel features a tesla coil-powered guitar amp, an RFID reader implanted in a human hand, and LED fan sign to bring to baseball games, and a solar powered bicycle gondola.
Get the m4v, subscribe in iTunes, or what in HD on Blip.
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Here's the torrent of Episode 9 of Make: television!
Episode 109: Computer Making Music & Personal Flight RecorderMeet CCRMA, a group of musical makers who stretch the sonic boundaries by turning personal computers into an electronic symphony. In the Workshop, John Park hacks a Wii controller and turns it into a personal flight recorder that can measure the G forces of roller coasters and other high-speed activities. In the Toolbox segment, William Gurstelle demonstrates the slick, back-cutting action of a super-sharp Japanese saw. The Maker Channel features a tesla coil-powered guitar amp, an RFID reader implanted in a human hand, and LED fan sign to bring to baseball games, and a solar powered bicycle gondola.
Find PDFs to our projects and a guide to all of the previous episodes at makezine.tv
Make: is available in HD on Public Television, Vimeo, Blip, and YouTube.
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Meet CCRMA, a group of musical makers who stretch the sonic boundaries by turning personal computers into an electronic symphony. Based at Stanford University, CCRMA teams composers, artists and acoustical researchers together to meld music with new technology and explore the outer limits of audio from playground-activated sounds to laptop orchestras. Then see the origins of the synthesizer.
Learn more about CCRMA at http://ccrma.stanford.edu/, or visit Chris Warren's website and blog.
Get the m4v, subscribe in iTunes, watch on YouTube or Blip.
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John Park hacks a Wii controller and turns it into a personal flight recorder that can sense and measure the stomach-churning G forces of roller coasters and other high-speed, high-risk activities.
Download the PDF for this project.
Download the Personal Flight Recorder program for the Arduino.
Get the m4v, subscribe in iTunes, watch on YouTube or Blip.
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Make a versatile and rugged personal flight recorder that will record the g-forces during any type of ride or trip. Check out the details for the Personal Flight Recorder that John Park builds in the Maker Workshop, and don't forget to download the Personal Flight Recorder software for the Arduino.
Give this build a shot, and let us know how it turned out. We'd love to hear your feedback or see your pictures! Email us at maketelevision@makezine.com.
Watch the Maker Workshop - Personal Flight Recorder segment.
Or check it out on Vimeo, Blip, or YouTube.
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Here's the .zip file for the Personal Flight Recorder project from the Maker Workshop in Episode 9 of Make: television. Check out the PDFfor full instructions on how to build your own Personal Flight Recorder. Share your questions or comments in the comments section below.
Watch the Maker Workshop - Personal Flight Recorder segment.
Or check it out on Vimeo, Blip, or YouTube.
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In this Toolbox segment, William Gurstelle demonstrates the slick, back-cutting action of a super-sharp Japanese saw.
Get the m4v, subscribe in iTunes, watch on YouTube or Blip.
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Make: television presents:
Submit a video of your own project at makerchannel.org.
Get the m4v, subscribe in iTunes, watch on YouTube or Blip.
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The Bosto?n Skill?share? is an annua?l volun?teer-?run,? donat?ion-?based? weeke?nd event? that brings peopl?e toget?her to share? pract?ical skill?s.? It's happe?ning this year on Satur?day and Sunda?y,? April? 18 & 19 at M.?I.?T.? in Cambr?idge.? Every?one is invit?ed.?
Looking for an overview of the weekend? Take a look at the Info page, pretty good place to start. Their Points of Unity, lets you in on their great mindset.
If you would like to lead a workshop, then check out the Workshop Submission Form. Maybe you just want to go and learn loads of cool stuff, so explore the workshop page, which will fill up as the event approaches.
Right? now, we are looki?ng for peopl?e to lead works?hops.? That means? we need YOU to think? of your favor?ite thing? to teach? and sign up now to parti?cipat?e.? Anyon?e can lead a works?hop about? anything!? Past skill?share?s inclu?ded every?thing? from makin?g your own under?wear to bike mecha?nics to yoga.? Help make the world? a more inter?estin?g and skillful place?.
The Bosto?n Skill?share? aims to creat?e a tempo?rary space? for peopl?e to share? pract?ical skills,? which? help us to live happi?ly,? creat?ively? and susta?inabl?y.? The empha?sis is on actio?n over theor?y,? participat?ion over talk.? We want to live with enthu?siasm?,? so let us learn? with vigor?!?
So check it out and let us know what you think in the comments. Have you attended one of the previous
Boston Skill Share events? If you have pictures, please add them to the MAKE Flickr pool.

Without polling the server, an expensive operation, there isn't a simple way send a Javascript client frequently updated server data. This is a problem if you want to make a multiuser game or chat application in Javascript. A post on ajaxian proposes a solution: Daniel Prieler's jsSO library, which proxies real time communication between Javascript clients through Flash and an RTMP server:
The data-transfer and the connection to the server are maintained by a simple embedded Flashmovie in your page. The communication with other clients runs through the local Flashmovie and the Red5-Server.
The data-flow between two clients looks like this:Javascript/jsSO <-> Flashmovie <-> Red5-Server <-> Flashmovie <-> Javascript/jsSO
Red5, by the way, is an open source implementation of Adobe's Flash Server. It can be used to stream or record video, or provide low latency, event-based communication via remote shared objects.
Fast multiplayer Javascript games, here we come.
jsSO - Flash Shared Objects in Javascript [via ajaxian]
Red5
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free free free THE CROOKED LETTER free free freePyr has released my novel The Crooked Letter as a PDF, free to all, without DRM. _The Crooked Letter_ is kinda urban New Weird on a massive scale. It's been compared to China Mieville, Philip Pullman, Ursula K Le Guin, Stephen King, Neil Gaiman, Michael Moorcock, yada yada, and it won both the Aurealis and Ditmar Awards the year it was released (the first fantasy novel in the history of the awards do so). It's also my attempt to take all the world's religions and wrap them up in a crazy Darwinian package that even a hardcore atheist like me might be tempted to buy.
I'm particularly excited about this because I've been wanting to release my novels on the web for as long as the web has existed, and this is the first time one of my publishers has agreed to do it. If it does well, maybe others will follow. Huzzah!
(This may be of interest to readers of my novelisation of _Star Wars: The Force Unleashed_, which was the first game-related novel to debut at #1 on the NYT hardback list. The two books, however, could not be more different!)
The Crooked Letter on Amazon
(Thanks, Sean!)
Photo credit: Jason Rhode
Has the Web been helping the true growth of a greater freedom of thought, allowing individuals to develop a critical attitude and question their beliefs?
Tough the question remains open, it's certainly true that the Internet has greatly helped to foster the sharing of knowledge and the exchange of opinions. Forums, online communities, or even comments to a blog post, are often the occasion to start a debate and look at things from a different perspective.
As every week, you can use the pointers and open questions raised in this Digest as a compass helping you explore and make greater sense of the subtle, but disruptive changes that our society faces in these times.
Here all the details:
Mark Bullen's blog has changed from Net Gen Nonsense to Net Gen Skeptic (I criticized the first title when he set up the blog last May / June. Now I think I prefer it).
He reports on a recent survey at BCIT on the use of technologies by age.
Short answer of the outcome: “The results clearly show that generational differences are not the issue. Contextual issues such as the nature of the program are more important considerations when making decisions about the integration of learning technologies.”
As with any tool that embodies a potentially new medium of interaction, Second Life has been the subject of much hype. Many companies that first embraced SL as a tool for connecting with customers have since left. Reuters, for example, set up a news bureau, reporting on all things SL.
In October of last year, they closed it. The obvious response is to say something like “see, Second Life isn’t practical / useful… it’s over-hyped”.
I think it’s important for companies to experiment and explore how new technologies might inform their interaction with information and with others. I’m sure Reuters has learned much more through this “failure” than they would have if the project had been a success.
The value of experimenting is often found in the process, not in the outcome.
Libraries are often cited as a dying concept. In my home community, we recently built a new, expensive library… and it looks like a library. Bigger than the older building and with more books. Not much in the innovation category.
However, on universities campuses, libraries are often among the busiest areas on campus. It might have something to do with free wireless, Starbucks, comfortable seating, etc.
Regardless, the library field has managed to effectively reposition itself for the digital era. Academics have much to learn from the libraries to learning commons change.
Confessions of a Science Librarian has compiled a list of 29 reports on the future of academic libraries.
This afternoon, we held a wrapup conversation for CCK08… the recording is now available.
We discussed a wide-range of topics, including lurking in online environments, lessons learned from CCK08, Stephen’s serialized course feeds, what we’ll do differently for the September ‘09 offering of the course, etc.
At about the 40 minute mark, we had an interesting discussion on assessment in education.
My own view: assessment should be seen as matching patterns: what the learner knows and what she / he needs to know in order to achieve a degree / certificate. Instead of assessment conducted after a course, a combination of PLE / e-Portfolios and the patterns we exhibit through our daily online interaction / learning could serve as the basis for determining what field we are more qualified to work in.
If I decide I want a career change, I should be able to match my existing skill set and expertise against the established criteria of other fields… and receive information on transference of existing learning.
“George, you possess 48% of the needed knowledge to be a plumber, 35% to be a dentist, 105% to be an investment banker”… and then I should only be required to “gap fill” what I know vs. what I need to know. I could change careers every year!
Instead of an aversion to pain, I think I have a desire to walk toward it.
Last fall, during CCK08, I was blessed with the opportunity to experience Prokofy Neva (Catherine Fitzpatrick). Many course participants found her distracting (rude). I didn’t find myself nodding in agreement with her too often, but I valued her contrarian voice.
We should be questioning our assumptions, our broad frameworks.
I find Andrew Keen to be an important voice - not because he’s accurate or on target with his criticism - but because he is willing to question what many assume as given (though he does so in order to sell books, but similar criticism could be directed at Shirky, Scoble, and others).
Ideas in tension is a good thing. Whenever I find strong agreement on principles (such as is increasingly occurring at conferences touting the value of Web 2.0 in education), I find myself wanting to push back and take the other perspective.
Anyway, Tony Curzon Price discusses networks, individuals, and the collective: “We need to exercise our collective freedom to preserve our modern liberty… Society gave power to the individual, but also had absolute power over including or excluding the individual. Collective power was bought at the cost of individual rights and certainties. One of the most troubling aspects of the wired world, with its assault on privacy and its technologies of manipulation, may recreate and amplify this aspect of the world of the ancients.”The comment by Fitzpatrick, complete with techo-communism references (such as Stephen and I were subject to during CCK08), raises an issue I’ve been thinking about lately. What will become of the individual? Collectives are great for many things. But any view of society that does not start with the individual is disconcerting.
To learn more about George Siemens and to access extensive information and resources on elearning check out www.elearnspace.org. Explore also George Siemens connectivism site for resources on the changing nature of learning and check out his new book "Knowing Knowledge".
Well, let me tell you Billy, when I was a boy, there was an arcade at the Sheppard Centre, and we would sneak off there at lunch and after school and during spare periods and when we should have been in class. There were older teenagers, 18 or 19, who more or less lived there. One of them sold hash on the side, but mostly they just seemed to be bums. Really, really cool bums. One of them was amazingly good at Gauntlet. He'd play it all day long, spending an hour carefully honing a character to an incredibly buff state, and then he'd sell you his game for a couple bucks (the proto-goldfarmer of suburban Toronto!). We'd all crowd around and shout encouragement. The guy behind the counter, George, in his 20s, treated us like lovable scum, like you see bartenders treating the barflys in a sitcom from the era. We all knew whose initials were on the leaderboards. We were allowed to smoke in the arcade and we smoked like chimneys. All the games had volcano-crater burns from our butts. The worst offense in our universe was to pull the plug during someone's game. That always meant fights.
Downtown, on the Yonge Street sleaze strip, we had giant arcades, with pinball rooms at the back. These places moved a lot of hash, and no one seemed to know anyone else except for the hustlers, and theoretically they wouldn't let you in during school hours, but they also always had the latest games. Walking into one of those places was like attending Comdex -- a tour through the gimmicky universe of faster-than-light technological innovation, only we didn't have hucksters, we had to pay 25 cents for our demos (or lurk over someone's shoulder while they played).
There weren't many girls around the arcades -- later, a standard ironic/nostalgic boyfriend-girlfriend joke in my social circle was "Let's go to the arcade and you can hold my skateboard" -- but they were often very, very good. And tough. You had to swear like a sailor at the arcade.
In arcades, you queued up for popular or new games, usually. You set down a quarter or a button or something on the machine (quarters were the popular choice), and you watched, and when the next round came up (in fighting games, this was when someone lost, but in other games, it was when they ran out of quarters), you jumped in. This usually meant you were playing against someone else, so you got to know everyone who was a regular quick.What were arcades like? (via Waxy!)The 'no throwing' rule was kind of a house-rule for a lot of places. See, the older fighting games had really wonky response and collision detection, and in some of 'em (Mortal Kombat, for one), a throw did pretty decent damage and couldn't be interrupted in a lot of cases. If you wanted to, you could just drain down the other guy's health like that, and since everyone was paying to play, it was a dick move to do so. I know in our arcade, there was a little sticky on the Street Fighter machine, reading, "M.Bison is an automatic forfeit of next turn", which meant that, if someone chose Bison (who, in the older Street Fighters, was dangerous as hell in an experienced player's hands), they got to play one round with him, and, win or lose, they had to hand the controls over to the next player in line.
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Many of the works of REH were first published during or shortly after his lifetime, from 1922 through 1939. More came out over the decades that followed, with a large amount seeing first publication after 1964. Under US law, all of the REH works first published prior to 1964 were subject to the registration, renewal and notice requirements of the 1909 Copyright Act (“the 1909 Act”). Under the 1909 Act, copyright was not automatically applied to a published work, as it is under the current Act. Instead, to obtain copyright, the work had to be first published subject to a number of rules. These included proper notice affixed to the work, and prompt registration. If works were published without meeting these formalities, such works were usually injected into the Public Domain (“the PD”). Further, 28 years after publication there was a one year window in which certain classes of people or entities could file for a renewal of the copyright for an additional 28 year term (later extended by Congress to a total term of currently 95 years). In practice, the courts have said that as long as the original registration is filed prior or simultaneously with the renewal, the registration was still valid. Further, the courts have on occasion been forgiving of flawed but still present notice under the 1909 Act. But, the courts have been quite strict about the one year window for renewals. Complete lack of notice also generally automatically injected the work into the Public Domain, though the totality of the circumstances can affect that issue.THE COPYRIGHT AND OWNERSHIP STATUS OF THE WORKS AND WORDS OF ROBERT E. HOWARD (Thanks, Jeremy!)
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Instructables user Riblets writes:
Read more | Permalink | Comments | Read more articles in Paper Crafts | Digg this!This step by step tutorial will show you how to print, cut out, fold, and construct a gear to get you started building your own papercraft mechanical devices. There is still some small problems with the design, but I'm trying to balance ease of construction with functionality.
You will need:
1. A Laser Cutter or X-Acto Knife.
2. A T-Pin, Straight Pin, or Push Pin at least 5/8" in depth, (regular pushpins are too short and map pins bend too easily).
3. Stiff paper, Brochures and Junkmail like Restaurant Menus are a good choice as long as they fit into whatever printer you're using.
4. A half hour of time and Patience, this is very much like miniature model building.
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Kindle 2's experimental text-to-speech feature is legal: no copy is made, no derivative work is created, and no performance is being given. Furthermore, we ourselves are a major participant in the professionally narrated audiobooks business through our subsidiaries Audible and Brilliance. We believe text-to-speech will introduce new customers to the convenience of listening to books and thereby grow the professionally narrated audiobooks business.While this does, effectively, allow the copyright holders to shoot themselves in the foot yet again, it's disappointing that the company wasn't at least willing to stand up for its right to offer such a feature without needing permission.
Nevertheless, we strongly believe many rights-holders will be more comfortable with the text-to-speech feature if they are in the driver's seat.
Therefore, we are modifying our systems so that rightsholders can decide on a title by title basis whether they want text-to-speech enabled or disabled for any particular title.
Joyce is a teacher and librarian. She recently got an iPhone, and has fallen in love.
Consider the portability of texts, the potential for blogging or taking notes and pictures in the field, the use of GPS for science and geography, the possibilities for organizing learning, the options for the music classroom, the opportunities to collaborate with other learners in geography-agnostics ways.
Thanks Chris
How is your school using the great gadgets that all the kids seem to have such a thirst for? What phone applications are great for education? What are the institutional barriers to using powerful new technology to help kids learn? Post your ideas in the comments, and include your photos and video in the MAKE Flickr pool.
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Guest blogger Paul Spinrad is not unacquainted with the grape.
After our distant ancestors developed language, everyone could benefit from the experiences of others. But the bandwidth of speech is so low compared to one's own senses that it required huge compression and decompression at each end of the communication. This process of describing and interpreting was enabled by detailed world models that everyone carried in their heads.
Because these world models vary from person to person, the codec is lossy, and misunderstandings are inevitable. But the imprecision also makes words more timeless and intimate. If the impressions that some words convey to you resonate with you, it's because they are literally built out of the way you view the world.
Words can also lie, but along with interpreting words, we automatically assess the trustworthiness of their source. We can learn not to believe everything we hear, or to distrust certain people, and we can also set the Bible trust level to 100. No such counterpart exists for visual communication-- cameras, television, and Photoshop haven't been around long enough.
That's all background, and here's my point: It seems to me that every so often, the dominant political and cultural machine grows so large and incestuous that it loses its connection to people and makes them feel powerless and irrelevant. When this happens, in the West anyway, there's inevitably a revolution of words, of back-to-basics and idealism, against the image-conscious, superficial, wealth-obsessed Babylon. Because it's based on words, people can place their trust in it fully and spread it, and it will continue to make sense over time. It doesn't propagate through image, might, or personal influence. This empowers people again-- perhaps simply by making them feel empowered.
Big examples are the formation of Christianity and Islam, and the Protestant Reformation. Today we see other fundamentalisms. But the inevitable next one doesn't have to be intolerant and destructive. If we engage with the task of developing it, rather than avoiding it and leaving it to others, it can be a nice one.
Photo of 1522 edition of Martin Luther's 95 Theses, courtesy Wikimedia Commons.
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By audience "vote" with applause (applause meter!) at the GreenGadget design competition presented by Core77 - the Tweet-a-watt won 1st place!! The prize was $3,000 and we're donating it to Engineers without Borders - this open source hardware project, source code, schematics and all work present / future will be in the public domain. The audience at the conference seemed to value devices that could enact social change and our little twittering power meter fit the bill. Thank you so much!
Flash video embed above, click "full" icon inside the player to view it large. You can download the MP4 here. Our YouTube channel is here, you can subscribe to our daily video podcast on iTunes here. Get Twitter updates every time there's a new ep by following @boingboingvideo, and here are the archives for Boing Boing Video.
Today's Boing Boing Video is an excerpt from a new work by the avant-garde animator David O'Reilly -- a tale of love and domestic abuse involving a digital cat and mouse. We have featured David's work on Boing Boing before, and his innovative style is not easily described. What you see here is a brief snip of a longer, 9 minute saga due to be released later today -- the whole piece is amazing, and makes more sense as a narrative work in long form. But this will introduce you to the sometimes harsh, sometimes hypnotic alternate universe David has created with these characters, and this visual style. The complete version will be distributed exclusively by Future Shorts, subscribe to their youtube channel here."
Credits: Written and Directed by David OReilly, Sound design by David Kamp & Bram Meindersma.
Xeni: When we previously ran your work on Boing Boing, I described it as "vectorpunk," but you've since said you feel that wasn't the best word with which to describe what you were experimenting with. How do you describe it? Is there a term or an explanation for the process, and the aesthetic approach you're using? Talk to us about that.
David O'Reilly: Well, it's hard to pin down, but my way of working is like a path-of-least-resistance method, like when I'm building something in 3d, I just stop as soon as it looks like what it's supposed to. One of the reasons holding 3d back is that it takes so long to get anything done, I'm trying to reduce that as much as possible. With this film for instance I cut out the entire process of rendering and used previews, which take a fraction of the time to make.
Xeni: Can you tell us a little about this animation? The story, the inspiration, what you hope your audience will experience in watching it?
David: I just wanted to make something that would connect with an audience, it's a very simple story about a relationship that's hard to resolve. Underneath that I wanted to prove you could produce emotion and authenticity with something blatantly artificial and unrealistic. You can even do it without facial expressions.
Xeni: Where are you based these days? What are you up to, other than making totally mindblowingly awesome shorts like this?
David: Berlin is currently my adopted home, I want to set up a little studio here. I'm currently finishing off the opening animation for the Pictoplasma festival next month and a few other projects on the horizon. Keep checking the site!
Update: you can watch the entire 9 minute piece here.
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Once upon a time there were only four or five television channels. Hardly anyone had the money to broadcast a television signal, and if anyone did, there were only so many spots available on the dial.It's a great point, and it's something I call the "goldilocks argument" for regulation. The original content regulations were because there was "too little" content that could be delivered over TV. Thus, there "needed" to be regulation to ensure that in that limited and scarce space, that some of it would be Canadian. But the argument now is the reverse. It's that there's "too much" content online, and thus it's hard to find good Canadian content (apparently, some people up north haven't discovered Google). So, the argument seems to be that the CRTC is needed to make sure the content is "just right" whether there's too little content or too much content available.
In such a world of "spectrum scarcity," it was argued, government regulation was essential to ensure a diversity of content--and, in Canada, to ensure that some of that content was Canadian. Or as the cultural nationalists had it, to make it possible for Canadians to "tell ourselves our own stories." This was the world in which the CRTC was born.
Flash forward 40 or 50 years, to a very different world. Not only are there now hundreds of conventional television channels catering to every conceivable taste, but with the advent of Internet broadcasting the constraints of cost and spectrum have disappeared. There are literally hundreds of thousands of Canadian websites, each of them, post-YouTube, potentially a broadcaster in its own right. It is now possible for any Canadian with a video camera and a laptop to transmit to every other Canadian. And the cultural nationalists' response? This just makes the case for more regulation.
Steroids and the Lost Data of Self-ExperimentGW: How common is this sort of self-experimentation among athletes?
Phineus: Among athletes that perform in any strength-, speed-, or endurance-dependent sport at the highest levels, at least 80 percent use "drugs" of some type. I use this term very broadly, because from a training perspective a drug is a drug is a drug. The usual distinction between a nutritional supplement and a drug is not a biological distinction, but a legal distinction.
GW: The ones who get caught using banned drugs always say "I didn't know what I was taking!"
Phineus: Pro athletes who claim ignorance are using the only defense they can. "I thought I was injecting flaxseed oil to get bigger." Right. That would be like a NASCAR driver claiming he knows nothing about fuel or tires. His job requires he know the vehicle, and being a top professional athlete requires understanding exactly what you put in your body to get performance out of your organic machine. It could make the difference between a 7-figure or 8-figure income. Carl Lewis tested positive for performance enhancers - stimulants - the same year that Ben Johnson tested positive for anabolic steroids and had his gold medal revoked. How did Carl Lewis then inherit the gold by default? Lewis had a more developed defense - herbal tea consumption - and the term "inadvertent use" was used to dismiss the charges. Athletes know exactly what's banned -- the lists are beaten over their heads ad nauseum because sports franchises and amateur federations dislike the labor costs, PR headache, and revenue loss that scandals can produce.

We have our five winners for the Crown Publishing giveaway of The Paper Architect. They are:
Kelly Faerie
Sleep Goblin
Daniel Dorsen
WoofBoy111
Richard Kaufman
Congrats you guys! I'll send you an email and you can return your mailing addresses. And after you make some of the projects in the book, please send us pictures and we'll post them to the site!
More:
Book Giveaway: The Paper Architect by Marivi Garrido and Ingrid Siliakus
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A Toyota press spokesperson downplayed the news, saying it's merely an "emergency."
Toyota stores unsold cars aboard ship (Thanks, George Dyson!)

Alan Parekh, of Hacked Gadgets, write:
Using a DVD player screen, a rewired toy keyboard and toy laptop looks like it made a great start to this DIY Parallax Propeller Laptop.This project demonstrates the power of the Propeller microcontroller. Full documentation is available so that you could make your own.
"This is a Propeller laptop - with a 6502 co-processor and 64K of static RAM! The Propeller handles all I/O for the 6502 and runs an integrated debugger so you can program the computer. The Propeller serves as the programmable chipset for this 6502 laptop. You could use an FPGA in this capacity, but could you easily do this and implement visual debugger software inside an FPGA? Over the years hardware prototyping has evolved from building-block hardware (TTL) to programmable hardware (PLA's and FPGA's). I believe the Propeller represents the next revolution: 100% software-based virtual hardware - and I built this laptop to prove it!"
PROP-6502 Propeller Laptop [via HackedGadgets]
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"Thieves often tell the same disturbing story: they begin legitimately selling product on eBay and then become hooked by its addictive qualities, the anonymity it provides and the ease with which they gain exposure to millions of customers. When they run out of legitimate merchandise, they begin to steal intermittently, many times for the first time in their life, so they can continue selling online. The thefts then begin to spiral out of control and before they know it they quit their jobs, are recruiting accomplices and are crossing states lines to steal, all so they can support and perpetuate their online selling habit."While the three laws proposed last year went nowhere, it didn't take long for all three to be introduced again. The intended purpose of these three laws is to force these online platforms to interrogate every seller over every product they put online for sale. It goes against everything that's the basis of section 230 rules for online platforms, in that it says "you're not the tool someone uses, now you're liable for everything that happens with the tool." This is not, at all, about stopping crazy eBay addicts from shoplifting from big box stores. This is about making it tougher for people to buy and sell stuff online so that more people are forced to trek out to their local offline retailer to buy stuff.
In 1995 I wrote a piece that envisioned billions of websites, one for every person on the Internet. At the time this was considered unlikely by most experts, they believed the web would evolve to become like TV, with three major networks, Yahoo, Lycos and Alta Vista. Google wasn't even born yet, yet many thought it was already over. Having been around the loop several times by then, I was sure the shakeout hadn't happened. Today I am confident that there will be thousands of Twitters, maybe millions. Just as in 1995, there are arguments that say this is wrong. "Everyone's on twitter.com," seems to be the main one, and it's a good argument. But let me argue with it.
2. The fact that "Everyone's on twitter.com" in some ways works against twitter.com. It's become the honeypot for all kinds of crackpots and schemers. Some people are calling themselves Twitter Pros now. Social Media Marketing Experts. I got a reply from someone today thanking me for following them; I hadn't followed them. Everyone's getting huge numbers of DMs sent from robots representing people they don't know. They come to Twitter for the same reason Willie Sutton robbed banks.
"Jam-Packed with Mountain Humor!" and "Gumbo Galahad: Screwball o' th' Hills!"
Scans from several pages of this highly offensive 1950s comic book available at Again With the Comics.
The covers from this old UK comic book called Fantasy are sterling exemplars of bulldada. I like the cover lines on the issue with the flipper-armed dinosaur: "They were used to conquest but this was a strange enemy" and "Featuring! The Crusade that was different."
Lionel Fanthorpe Badger Books Cover Gallery (Via Pappy's Golden Age Comics Blogzine)
Cooler Master shows off a "because we can" mod of a five quad 2 core CPU system (20 x single cores) stuffed inside of a single ATCS 840 PC case. 53GHz worth of computing power. A Cooler Master 1000W Real Power M PSU was used to power everything. And they used 2.5 HDDs to reduce power consumption and noise. CPUs were water cooled, everything else was air cooled.
5 Full Systems on 1 x Real Power M1000W and Housed in a ATCS 840
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Church-goers bought less online porn on Sundays – a 1% increase in a postal code's religious attendance was associated with a 0.1% drop in subscriptions that day. However, expenditures on other days of the week brought them in line with the rest of the country, Edelman finds."Porn in the USA: Conservatives are biggest consumers" (New Scientist),
Residents of 27 states that passed laws banning gay marriages boasted 11% more porn subscribers than states that don't explicitly restrict gay marriage.
To get a better handle on other associations between social attitudes and pornography consumption, Edelman melded his data with a previous study on public attitudes toward religion.
States where a majority of residents agreed with the statement "I have old-fashioned values about family and marriage," bought 3.6 more subscriptions per thousand people than states where a majority disagreed. A similar difference emerged for the statement "AIDS might be God's punishment for immoral sexual behaviour."
"One natural hypothesis is something like repression: if you're told you can't have this, then you want it more," Edelman says.
Here's a 600 frames-per-second video showing what happens when you drop a magnet onto a grid of 90 small magnets.
Mark Henderson of the London Times reports that researchers at the University of Reading have developed a phrasebook that "could allow basic communication between modern English speakers and Stone Age cavemen."
“If a time traveller wanted to go back in time to a specific date, we could probably draw up a little phrasebook of the modern words that are likely to have sounded similar back then,” [Mark Pagel] told The Times. “You wouldn’t be able to discuss anything very complicated, but it might be enough to get you out of a tight spot.”A handy little guide to small talk in the Stone AgeDr Pagel’s research also predicts which parts of modern vocabulary are likely to survive into English as it will be spoken 1,000 years in the future, and which will die out.
By the year 3000, words such as “throw”, “stick”, “dirty”, “guts” and “squeeze” could easily be gone. These already differ greatly between related languages, such as English and German, and are good candidates to evolve into new forms.
Under the Radar with Unmanned Aerial VehiclesUnmanned and remote-controlled aircraft have a surprisingly long history. "The technology that goes into a UAV has been around for 100 years," (museum curator Dik) Daso says, "since before World War I." Henry Ford and other top engineers helped to design both full-size and scale planes that were radio-controlled. The Great War ended before any of them could go into action. Now, Daso adds, "there are so many UAVs in the air, it's hard to keep track of them all..."
So why did (Dragon Eye co-developer Rob Colbow) decide to include this duct-taped veteran in the UAV display? "I wanted it for all the kids who, like me, have built things like this."
Sage resulted from the realization that the needs and potentials of clinical and molecular data to inform drug development are greater than the resources or capacity of any one company or institute. Sage is a legacy of successful proof of principle work accomplished at Rosetta Inpharmatics, a subsidiary of Merck & Co., Inc. in Seattle. Core human and intellectual property resources from this effort are seeding Sage’s growth. The primary output from Sage will be an open access platform available in the public domain. An incubation period of three to five years is anticipated in which new project data are generated, critical tools for building and mining disease models are developed and governing rules for sharing, accessing, and contributing to the platform are established.Sage (Thanks, John!)Sage is a distributed research organization with nodes embedded within core academic partner facilities. Collaborating scientists from both the nonprofit and commercial sectors will contribute to projects building and using innovative new databases and tools. More detailed information will be available soon.
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"You can't allow other people to put a price on what you do, otherwise you don't consider what you do to have any value at all and that's nonsense. If I put a value on my music and no one's prepared to pay that, then more fool me, but the idea that the value is created by the consumer is an idiot plan...."Which, of course, has it backwards. If the music had no value, no one would want it, free or not. And, it's not that fans are "creating the value" in setting the price, it's that they're deciding how much they want to reward the artist. That's all. Perhaps instead of spending so much effort violently disagreeing, Smith should spend some time understanding the actual business models being put to good use by many different musicians, sometimes allowing them to do much better than the Cure... even if the music is "free."

I've featured interactive QuickTime VR panoramas from photographer Peter McCready previously on Boing Boing, and it looks like he has some lovely new work up. QTVRs aren't good for everything, but they're great for "big science" sites like the ones at CERN, featured here -- places best appreciated with all directions visible. Pete sends these links and says,
Whilst we ‘Big Science Porn’ (thank you for the term!) aficionados eagerly await the relaunch of the Large Hadron Collider this September, thought I’d share a few new Compact Muon Solenoid (CMS) Experiment VR panoramas with you that were taken days before ‘first beam’ last year from numerous locations within Underground Experimental Cavern UXC55.
Here are the panoramas: (one, two, three, four, five, six) and there's another up from the CMS Centre (where data quality monitoring, detector calibration, data analysis and computing operations take place).Previously on BB:
Like other frogfish — a subset of anglerfish — H. psychedelica has leglike fins on both sides of its body."PSYCHEDELIC" FISH PICTURE: New Species Bounces on Reef
But it has several traits not previously known among frogfish, wrote Pietsch, of the University of Washington.
Each time the fish strike the seabed, for instance, they push off with their fins and expel water from tiny gill openings to jet themselves forward. That and an off-centered tail cause them to bounce around in a bizarre, chaotic manner.
The fish, which has a gelatinous, fist-size body covered with thick folds of skin that protect it from sharp-edged corals, also has a flat face with eyes directed forward, like humans, and a huge, yawning mouth.
Nebula Awards® 2008 Final BallotLittle Brother - Doctorow, Cory (Tor, Apr08)
Powers - Le Guin, Ursula K. (Harcourt, Sep07)
Cauldron - McDevitt, Jack (Ace, Nov07)
Brasyl - McDonald, Ian (Pyr, May07)
Making Money - Pratchett, Terry (Harper, Sep07)
Superpowers - Schwartz, David J. (Three Rivers Press, Jun08)
A happy baby making some sweet synth music with stubby lil fingers on a big funky keyboard.
Midas Delight (YouTube, thanks to the person who submitted this but is too ashamed to admit they're obsessed with videos of babies playing synthesizers)
Previously on Boing Boing:
* Naked Baby Plays a Synthesizer (video)
* Yet Another Baby Playing a Synthesizer (video, this time with pants)
A quick note of update on a previously-announced contest that Boing Boing Video is running with the band Groove Armada and their "record label"/digital music distributor, Bacardi: details on the contest are here in a previous BB post, the news is that we're extending the contest through March 5 with winners to be announced shortly thereafter. How it works: you sign up to download DRM-free MP3s and share with other folks, and by doing so you're entered to win an Apple iPod Touch, courtesy of Boing Boing Video. If you'd like to participate, here's the magic link, and again, all the details on how it works and some notes on privacy/rights issues are in this previous BB post. As for the music: I've signed up to participate, and I've downloaded a number of tracks from the new EP this content is intended to promote. I am digging them mightily. Enjoy.
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Woo! We're here all day @ Greener Gadgets! Stop by! The first ever Twittering power meter (Tweet-a-Watt) is working and on display too!
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David sez, "On a decentralized network it's much harder to map blockages than to create them. Herdict.org takes a crowdsourcing approach. Install the add-on and click the button when you encounter a site that's down. Herdict aggregates this information, including your geographic location, to draw a map of the Internet's potholes, including the ones intentionally dug by frightened governments. If you have a few spare minutes, you can check sites others have reported as down, determining whether they're blocked in your part of the world as well. (www.AmIBlockedOrNot.org will take you to that part of the Herdict site.) Herdict is a project of Harvard's Berkman Center (sponsored by Jonathan Zittrain) and obeys all the appropriate privacy rules of the road."
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a court can infer from the social networking purpose of Facebook, and the applications it offers to users such as the posting of photographs, that users intend to take advantage of Facebook's applications to make personal information available to others. From the general evidence about Facebook filed on this motion it is clear that Facebook is not used as a means by which account holders carry on monologues with themselves; it is a device by which users share with others information about who they are, what they like, what they do, and where they go, in varying degrees of detail. Facebook profiles are not designed to function as diaries; they enable users to construct personal networks or communities of "friends" with whom they can share information about themselves, and on which "friends" can post information about the user.That's sort of true. It is for sharing content with others... but the very point is that you get to choose who those others will be. So, even if it's not exactly like a diary, it could be considered a diary that is just shared with a select group of individuals. Just because I share something secret with one other person, does not mean I automatically have consented to have that information shared with everyone. I wonder if this means that all of the judge's correspondences with others should be opened to the public. After all, the judge is obviously not conducting a monologue with himself, but uses things like email or letters or phone calls to share information with others.
Sita is a goddess separated from her beloved Lord and husband Rama. Nina is an animator whose husband moves to India, then dumps her by e-mail. Three hilarious shadow puppets narrate both ancient tragedy and modern comedy in this beautifully animated interpretation of the Indian epic Ramayana. Set to the 1920’s jazz vocals of Annette Hanshaw, Sita Sings the Blues earns its tagline as “The Greatest Break-Up Story Ever Told.”Watch “Sita Sings the Blues” online (Thanks, Robin!)
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Young maker Max Wallack designed this system for using plastic, wire, and packing peanuts to construct a shelter for homeless people and disaster victims, and he won a hefty design prize for it. Keep up the good work, Max! Via Geekologie.
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• Mat Honan finds a bedazzlingly ridiculous thread about ... well, you should just go and see it.
• Joel greeted you from outside Denver.
• In an unused ad, a BlackBerry destroys an Apple.
• There was a secret gathering of the Order of the Lamp
• We hid our spare keys in a sprinkler head.
• Big Dog, the military pack-bot, is back for more creepy robot ballet.
• Electrically-heated pants prove snowboarding is the new golf.
• You can buy tiny models of classic Sega arcade games.
• Behold! The world's smallest escalator.
• The iPhone is now free in Japan.
• Some Circuit City liquidators are being nice about testing stuff you've bought before you leave the store.
• Details emerge of Sony's Playstation Portable 2. CEO Stringer got a promotion, and a free hand to restructure the company.
• Small British ISPs declined to work with the self-appointed censors who blocked Wikipedia and The Internet Archive.
• Motorola "launched" a cellphone. Into a field.
• Google banned "Netbook" ads at Psion's behest.
• Would you like a Steampunk empire? Build one out of Lego!
• Datel made a NES-style Wii controller. Cheap!
• Verizon announced the LG Versa.
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Pre-PMA 2009: Epson has announced a new version of the R-D1 rangefinder on its Japanese website. The new R-D1x model maintains most of the features of the previous camera including a 6Mp APS-C sensor, but adds a larger 2.5" LCD screen, support for the higher-capacity SD-HC card format and a removable handgrip. Epson will start shipping the new rangefinder from April 2009, at a price to be confirmed.
Check out this circuit-bending Austin celebration tonight:

No cover charge, and all-ages friendly. Map here; hope to see you there!
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What is a Cellular Automata? It's a collection of colored cells on a grid that morphs through a number of time steps according to a set of rules based on the state of the neighboring cells. Put these endless patterns on your TV with this easy to construct kit from the Maker SHED.
Pick up the Cellular Automata Video Synthesizer kit here.
To download The Cellular Automata Video Synthesizer MP4 click here or subscribe in iTunes.