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In the Make: Online Toolbox, we try to focus on tools that fly under the radar of more conventional tool coverage: in-depth tool-making projects, strange or specialty tools unique to a trade or craft that can be useful elsewhere, tools and techniques you may not know about, but once you do, and incorporate them into your workflow, you'll wonder how you ever lived without them. And, in the spirit of the times, we pay close attention to tools that you can get on the cheap, make yourself, refurbish, etc.

Last week, we looked at Ten tools you won't want to live without. This week, we follow up with a piece on shop widgets for keeping your... ah... stuff together. Anyone who's done any sort of building project, from cabinet making to robot building to scale modeling to electronics projects, knows that, eventually, you're going to need more hands than you have on your torso and/or you're going to need hands that are more precise or can endure more clamp-time than those meatbot end-effectors you call hands. This is where all manner of mechanical aids -- clamps, vises, holders, third hands, and jigs -- come into play. We put the word out and asked makers to share some of their favorite jigs, clamps, and helping hands.
What are some of yours? Share your favorite mechanical helpmates in the comments, with links, if possible. Our favorites will be added to this posting and our favorite of the bunch will earn the poster a Maker's Notebook.
The first recommended tool is not a tool at all it's an attitude towards this entire category of tools. In the lighting toolbox piece, I talked about the importance of good lighting and what a revelation that was to me. It also took me too long to realize that having a decent collection of various kinds of clamps, jigs, and third-hands/helping hands was a huge part of successfully building things. As Jason Schlauch of Dorkbot DC so aptly put it: "Go to Harbor Freight and stock up with an amount and variety of clamps that seems unreasonable at the time. It won't seem unreasonable later." I have a "policy," when I go to Radio Shack, Home Depot, or similar. I always make sure to buy something I didn't come for, not a big-ticket item (er... usually), but something like a hardware assortment, a package of connectors of some sort, adapters, some cheap specialty tool that I might only need once or twice a year, or clamps and jigs. The wisdom of this has proven itself too many times to count. (Okay, and it's also jacked up the frustration factor when I have every variety of media cable, adapter, and connector in my media toolbox except the one I need, the one I hadn't gotten around to buying yet.)


Several people recommended magnets. Our very own Brian Jepson says: "Throwie-sized magnets are great for holding things in place, especially for temporary stuff: drop of glue, magnet, and you're done."


Andrew Righter says: "As for the handiest third hand, I bought this from Home Depot about six months back and it's worth its weight in gold. The first thing I did though was break the damn plastic nut that's supposed to lock it into place on a desk/lab table, so I ended up modifying it with a metal-based version and it works a lot better. The amazing thing is that the top part of the vise comes off completely so you have a nice desktop holder for multi-purpose projects. Good stuff."




MAKE contributing editor Charles Platt uses this simple yet ingenious method to create handles for carrying boxes:


DIY Box Handles
Make handles from half-inch plastic water pipe sawn into 5" lengths. My local Lowe's sold me six feet of pipe for around $3 and you can use any wood saw to cut it. You may feel this is a luxury, but if you want to protect your hands from the edges of the plastic tape, handles are nice to have.
Read the rest and see more pics on Kevin Kelly's Cool Tools, a great source of recommended helper tools and jigs.

There are many variations on the Third Hand. My friend, DC geek extraordinaire Tim Slagle, made himself a "Fourth Hand," seen above: "A milli-hack I did to a standard $5 "third hand" fixture with alligator clips and a magnifying glass was to buy two of them and put all four clip arms onto one of the bases - two on each side of the base support. That way, the inside two clips can be used to hold a small circuit board while the others hold wires, or you can have two clips on each wire for better strain relief and isolation from pulling. To do this, I removed the magnifying glasses from the moveable clamp that slides along the rod, put both clamps on the same rod, and stuck the alligator clamps and joint from the second unit onto the ball ends where the magnifying glass joints went."

My favorite Third Hand is the one I built myself, using the instructions in Best of Instructables (based on the Third Hand ++ Instructable found here). When I was editing the book, I couldn't wait to be done so that I could build this project. I literally placed the order for the parts within hours of sending off the final edits to Production. I ended up putting it together at last year's Maker Faire Austin and didn't have the right tap sizes for the mount so I ended up friction fitting the threaded ends into the holes on the aluminum base. Not elegant, but so far, they've held just fine. One of these days, I want to add another arm to it and make some of the specialty arms described in the Instructable.
See last week's Toolbox for information on two other indispensable clamps and helping hands: the Panavise and hemostats.
So, what are some your favorite jigs, clamps, and helping hands> Share your thoughts in comments.
More:
Carlo Longino is an expert at the Insight Community. To get insight and analysis from Carlo Longino and other experts on challenges your company faces, click here.
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"It is important for us to start experimenting with new distribution methods. We don't want to do like the music industry. Running around thinking that people will keep driving down to a record store when they can have the content delivered with the push of a button at home."If only some others in the entertainment industry would recognize the same thing.

CGSociety's Steampunk art contest winners, incl. "Steamnocchio"

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Fellow mutants: A number of the residents of greater Boingdom (Boing Boing, Offworld, Boing Boing Gadgets, and Boing Boing Video) are heading to San Francisco from 23-27 March for the annual Game Developers Conference (GDC), and we're planning to do a comprehensive package of live and produced video reports for your enjoyment.
Boing Boing Video Live! @GDC09 will be a daily broadcast from our secret headquarters near the GDC, and want to invite you to join the Boing Boing luminaries, video game industry legends, veterans, grunts, Super Mario cosplayers, and telesynced viewers in a riot of awesomeness.
If you work in the game industry, have strong opinions about the future of gaming, or want to change other people's opinions about any area of game development, publishing, and distribution -- or just want to hang out with us and play Laser Twister(tm), give us some information about yourself and what you would bring to the broadcast here.
Mad was so successful that its publisher, EC, created its own knock-off called Panic. It wasn't edited by Harvey Kurtzman, though; it was edited by Al Feldstein. Here's the Wikipedia article abut Panic. From Steve Stiles' article, "It's a Panic!":
What Panic also earned was a storm of indignation that burst over Gaines' head with the very first issue, and all over the holiday of "Peace on Earth, Good Will Towards Men." It's strange that Gaines didn't see it coming, but some people got very annoyed with a satire of "The Night Before Christmas." To put it mildly.The lead story was provocative enough -- an eight-page satire, drawn by Jack Davis, of crime novelist (and comics writer) Mickey Spillane's work, titled "My Gun Is the Jury." Feldstein set about to parody Mike Hammer's rather gory crime solving techniques, labeling the satire "Sex and Sadism Department." In page after page "Mike Hammershlammer" blows away a variety of beautiful women ("I let her have it, right in the gut, a little below the belly-button..."). In the last few panels Mike has shot Stella --only to discover that "she" is a "he." Not only that, but Mike "himself" is a female transvestite! That was pretty heavy stuff for the 1950s and came to cause Gaines considerable grief, as did the last story in the first issue!
Incidentally, Feldstein took over Mad after Hugh Hefner lured Kurtzman away from Mad by offering him his own humor magazine called Trump. It folded after three issues.
You can download scans of all 12 issues of Panic. (They're in the cbr format -- download a reader here.)
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Stefan Hermann, a hardware hacker in Berlin, has come up with an interesting suite of plug-in sub-circuit prototyping modules for Arduino, called JEP ("Just Enough Prototyping") Shields.
JEP shields are complete circuits for Arduino microcontrollers. They are modular in construction such that the functionality of each can be stacked through pin headers.
Every JEP shield has its own patch panel - two rows of female pin headers, which give access to all Arduino pins. In/out pins of the JEP shields have their own screw terminals, providing a secure connection to peripheral components, like motors or sensors. Every shield has 3 onboard trimpots which can be used to calibrate sensors or digital inputs.
So far, Stefan has shields for FET-N (for juicing current and voltage on Ardunio projects when needed), Opto (3x Optocouplers), Relais (2x relays), Motor (2x motor drives), and Quadro-beta (4x motor drivers).
You can download the Eagle files now and Stefan will have boards available soon via Fritzing.
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Top to bottom: A voudun ceremony on the streets of Ouidah, men dressed in the regalia of the gods and ancestors.

A voudun fetish market in a village on the way to Ganvie -- you can see the carcasses of leopard and other wild cats and protected species in this particular market stall, along with python skins.

Gasoline for sale on the roadside. I'm told a lot of this is smuggled in from Nigeria, just next door.

And those last three stills: en route to, and inside the village of Ganvie, which was founded in the 1700s as a refuge for people of the Tofinu ethnic group. They were trying to avoid being captured by the dominant, warring Dahomey ethnic group, who sold captives into the slave trade. The entire village is built on stilts, over the water. About 30,000 people live here now, I'm told. Everything is water, there's not really any land. Everyone moves around on the boats you see here, and even the market where women sell fish and cassava and herbs and fruits -- all of that is on boats, sitting in the water.
The women here traditionally wear intricate tattooing on their bodies, and some tattooing and scarification on their faces. As we were pulling up to the one shop/hotel/whatever that welcomes tourists, another boat pulled right up next to us, paddled by a beautiful tattooed/scarred young woman selling some kind of sweet starchy bread balls. I think the thing I'll remember most about Ganvie might be watching her flirt with and bat her eyelashes at our Beninois fixer/driver, who sat next to me on the boat.
There are a lot of really fascinating things about how daily life in this community works. One of these is how they farm fish. This lake, Lake Nokoué, is actually hard for things to grow in, so each family plants reeds to form "plots" in the water, to encourage fish to nest and breed there. The plots are carefully guarded and tended -- it's hard for me to imagine how they tell them apart, it's not like they have signs on them or something. If one family's plot is doing really well, they might sell the amount of fish beyond what they need to survive. If another family isn't doing well, they might work as laborers on a more successful family's plot.


uC Hobby has a new piece up on using Arduino, the Processing language, and a Sharp GP2Y0A21YK0F IR distance sensor to create a robot vision system. The builder, Cory Barton, writes:
I recently acquired a few Sharp GP2Y0A21YK0F IR distance sensors. This is an inexpensive proximity sensor which can detect objects from 10-80cm. These sensors only detect objects within a narrow beam, so I decided to mount mine on a servo, so that I could pan the sensor approximately 180 degrees, and take multiple readings to build up an idea of what obstacles are in front of my robot. I like to visualize things, so I decided to write a small program in processing to visualize the sensor data for debugging and to help me better understand what the sensor is seeing.
Visualizing Sensor With Arduino and Processing
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Ransom Riggs says
I just finished a new short film project [for mental_floss]. As far as I know, it's (one of) the only short films ever made with mocap technology (the actor wears a neoprene suit covered in reflective dots ... my animators learned from robert zemeckis himself) and almost certainly the only short film to ever dramatize the nightmarish "gray goo" scenario, in which, Sorcerer's-Apprentice-like, a hapless would-be evil genius unleashes a plague of nanorobots which devour the earth. It's on YouTube -- in HD.
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In September 2008, I got six baby Plymouth Barred Rock hens in the mail. They began laying eggs on March 6, 2009. The eggs are about 1/2 to 2/3 the size of "large" eggs I buy in the store (see the photo of the little egg on the left; click to make bigger).
Tthe eggs my hens have been laying have nice thick shells because I give my hens plenty of crushed osyter shells. But one egg, which I pulled from the nesting box on Saturday, had no shell. It was like a rubber trick egg. Enjoy this video of me prodding and squeezing it repeatedly.
Boingboing's current guestblogger Paul Spinrad is currently Projects Editor for MAKE magazine. He lives in San Francisco with his wife Wendy, their two children Clara and Simon, and their cats Ron and Nancy.
In this post I asked boingboing readers what mini-essays by me they would want to read, and now it's time to pay the piper. Here are the votes tallied from the first 103 comments, in descending order, followed by the goods. Since some interest was expressed in all of them, I'll hit them all with at least a line or two. The top vote-getter was "D) Guys need a coming-of-age ritual that has some teeth, like exist in other cultures," with 35 votes. I guess it's true! Anyway, for those interested, thank you for your interest!
D) Guys need a coming-of-age ritual that has some teeth, like exist in other cultures. (35 votes)
M) Styles of dress follow people's differing views of human perfectability (22 yes)
L) Laughter and crying serve to carve new cognitive pathways in a hurry. (20 yes)
H) Poetry will become popular again. (19 yes, 1 no)
B) My cynical Public Service Announcement campaign idea to get more people to major in Science and Engineering. (17 yes)
I) "Method" acting changed the role of celebrity in all cultural disciplines, starting in the late 1940's. (17 yes)
C) Was Jesus a comedian? (17 yes, 1 no)
J) The 6th-8th Century Iconoclast Controversy in Eastern Europe has fantastic dramatic potential. (16 yes)
F) Control vs. Love: breadth-first, top-down vs. depth-first, bottom up search strategies that work in opposition. (12 yes)
G) Some countries "get" rock 'n' roll better than others. (14 yes, 2 no)
K) Where there is vice, there is connoisseurship. (12 yes)
A) What is a crackpot? (7 yes, 1 no)
E) We need a communications language standard for networked devices, and why this is more of a social/political problem than a technical problem. (3 yes, 1 no)
Guys need a coming-of-age ritual that has some teeth, like exist in other cultures.
If you wanted to design the perfect consumer, what would they be like? How about someone who thinks and acts like a "typical teenager" their whole life? Empathy, patience, and responsibility are hard to monetize, so there's huge commercial interest in keeping these out of our repertoires. (Sorry, together teens-- you know the stereotype.) All the seductive advertising got to me, anyway, on some level, even though I don't consider myself a big consumer type.
A coming-of-age ritual would counter the industrial production of overgrown boy-men and girl-women. Speaking personally again, I think that if I had grown up knowing that I could screw around and count on people's indulgence until I was, say, 26, and then after a big public ritual everyone would expect more, I would have risen to the occasion, as would all of my pals. Other things we call rites-of-passage (moving out, supporting yourself, getting married, having kids) can certainly have the same effect, but you can do all of those things while still just always trying to see what you can get away with.
The bar mitzvah age of 13 is too young, as one example. I'm guessing that when people came up with that age, more was expected of 13-year-olds than is today. I'd push it out, to allow for things like college and some good years of sowing wild oats. As the ritual itself, what do you think? It's great that this question got the most votes, and I just wish I had some hard information to contribute. For those of us who, like me, haven't read our Joseph Campbell, let's hop to it, and we'll all try to figure something out. Meanwhile, I love the comment from the man who marked his change by cutting his hair, and also find it interesting that a couple of generations ago, men wore hats all the time. How did you get your first hat? Did your father and grandfather ceremoniously take you to a haberdasher?
Styles of dress follow people's differing views of human perfectability.
Let's say you're an alien who comes to Earth and happens to land in the middle of an abortion rally. Both sides are there waving signs, which you can't read, but you notice differences in the way each side is dressed. On one, colors and patterns match more closely, fabrics are smoother and more uniform, hair is neater, there are more suits, and jewelry is finer. On the other side, patterns are louder, hair is looser, materials are rougher, there's more eclecticism and asymmetry, and more costume jewelry. You wonder, is this species fighting about what they should wear?
There are many flashpoint issues surrounding reproductive and drug policy, and I think they have to do with differing views of human weakness and what to do about it. If people should be guided by divine ideals, you don't want laws to assume (and reward) falling short, and you want to wear things that are as neat and coordinated as possible. If people are fascinating, flawed animals whose missteps should be expected and provided for, you're more liable to wear things that reflect the complex collage we all live.
Laughter and crying serve to carve new cognitive pathways in a hurry.
One theory I remember from a psycholinguistics class ascribes humor and laughter to suddenly resolving a tension. Like "What has four wheels and flies? / A garbage truck" or seeing someone fall and then realizing they weren't hurt. They're all "aha!" moments that revise your model of what's true, and the brain gets extra juice in order to carve revised pathways, so the new understandings stay permanent.
When you lose someone you love, you also need to carve new pathways in order to remake your model of the world. But it takes much longer and requires much more juice.
Aside: What made the Anthony Perkins character in Psycho so creepy is that (spoiler alert!) he found a way around having to process his mother's death, and so he never learned what death means.
Poetry will become popular again.
ManifestoMy cynical Public Service Announcement campaign idea to get more people to major in Science and Engineering.
This is an idea for a series of 30-second promotional spots. They're totally dishonest because they imply that you can't do as much good for the world as a liberal arts major (for example), but if you see this as a war, then I guess all's fair!
In straight-ahead Errol Morris style, each spot would present a real person in mid- or late life who regrets not having pursued science or engineering, talking about the wrong turn they took. Formula: I was interested in and good at science/engineering, but for stupid reason A, I pursued/majored in B instead. 3) So now I'm doing unsatisfying-C while my scientist/engineer friends are doing meaningful-D. Examples:
"...I was also always great at BS-ing, so when the math started getting too hard, I decided to switch to B, and then I went into advertising. Now, if I reach the pinnacle of my profession, I can convince people to buy more cars and liquor. Meanwhile, my old friend Sam, who studied Civil Engineering, is bringing clean, safe water to poor people in India. Pursue BS, and that's what you get."
"...But I also noticed that there were more babes at the Art library than the Engineering library, so I majored in something else. Now I grub for grants to do minor variations on the one concept I'm quote-unquote 'known' for, while my college buddy Alex, who did Chemical Engineering, is figuring out how to stop the spread of brain cancer."
"I was intimidated by all the hot-shot guys in those classes, so I changed to B and wound up in Law school. Now I work 70 hours a week doing corporate law to pay off my debt while my college roommate Carol, who studied Biochem, is figuring out how proteins fold. I'm happy for her."
"My buddies were mostly liberal arts majors, so that was the easy path. Now I work for an investment bank, and if I do a really good job, it means some rich people get even richer. But my friend Keven, who studied Aeronautical Engineering, and now he's building autonomous robot aircraft for putting out fires and rescuing people."
And so on. The stories must be real, not acted, which is where some actual work would have to get done. But if the subjects wanted the video to obscure their identities, all the better-- they would just look that much more pathetic. Possible tagline: Engineering - Make something of your life. It's in the grand tradition of sobering, cautionary, and presumably effective PSAs about V.D., drugs, etc.: Don't let this happen to you!
"Method" acting changed the role of celebrity in all cultural disciplines, starting in the late 1940's.
When actors began stepping into their roles rather than viewing acting as a craft, it brought more attention to who they were personally. Audiences knew that Marlon Brando's "Stella!" was a window into his own emotions. As critic Richard Schickel recalls, "People who saw him as Stanley Kowalski in A Streetcar Named Desire in 1948 cannot forget the sense that they were seeing the beginning of something for which there was no precedent."
Maybe there's no cause-and-effect, but other fields soon shifted their focus the same way. Swing music's tight arrangements and orchestras gave way to Bebop's small-combo improvisation and personal signature styles. Abstract Expressionist paintings came entirely from what the artist dreamed up, with no observations the viewer could share. Beat writers rejected editing as separating the reader from their raw, original thoughts. In all cases it feeds celebrity-- to appreciate their work, you think about the artist.
Kerouac's On The Road manuscript, written on a roll of teletype paper, is currently on a museum tour. Writing that way helped him avoid breaking his flow, and if he also more self-consciously thought it might become a precious relic some day, a quasi-religious object the way Pollock's paintings were valued records of his artistic trance at the time, he was right.
I learned this stuff from reading Richard Schickel's Intimate Strangers and Leo Braudy's Frenzy of Renown, both fascinating books about the phenomenon of celebrity.
Was Jesus a comedian?
I'd seen numerous references to Lenny Bruce's notorious "Religions, Inc." routine, and when I finally read it, I didn't find it that funny. Sure, I appreciated that it was revolutionary at the time, but in the years since, so many of us have accepted Bruce's comparison between organized religions and corporations that it's no longer daring or funny to point it out.
Humor tends not to age well. If being "edgy" means testing the edge between taboo and acceptable, then each generation turns edgy into obvious or even doctrinal as it moves the line.
Jesus reportedly called out hypocrisy and put authority in its place, and his words resonated with people, but the accounts we read are filtered through subsequent generations. If the Sermon on the Mount (or the sermons it summarized) was so daring and dead-on that it had its audience howling in the aisles, and if the surrounding culture eventually came to accept the views it expressed, how would later generations describe the event in their accounts? To say that it provoked laughter would be unthinkable.
The 6th-8th Century Iconoclast Controversy in Eastern Europe has fantastic dramatic potential.
Another great chapter from Frenzy of Renown describes the Iconoclast Controversy, which raged on and off from the sixth to the eighth centuries. Christian churches under the Byzantine Empire developed a tradition of icon painting, and the lay worshipers loved praying to these icons. But bands of iconoclasts, who saw this as un-Christian idol-worship, began storming into churches, ripping the icons off the walls, and smashing them.
Meanwhile, the top of the church hierarchy felt that the icons had too much power over people, and interfered with their authority. So a series of Byzantine emperors began to secretly support the iconoclasts in smashing icons. So the iconoclasts, zealots who justified their views with scripture, took payoffs from the Byzantine Empire to destroy the most precious possessions of the icon-worshipers, many of whom were mendicant monks. Wheels within wheels!
Towards the end of the controversy, one pro-icon author was captured by iconoclasts who branded his forehead with some of his pro-icon verses. After the Byzantine Empire withdrew its support for the iconoclasts, he obtained a high position in the church.
Control vs. Love: breadth-first, top-down vs. depth-first, bottom up search strategies that work in opposition.
A great meta-recipe for systems that learn and adapt is to have opposing forces fighting each other. It's the basis for our legal system, and I see this dynamic everywhere.
One of my favorite pet pairings is Control vs Love. As I see it, Control uses a breadth-first, top-down search strategy, whereas Love is depth-first and bottom-up. Control without love causes large-scale death, destruction, and suffering in the service of generalizations and abstractions. Love without control gets pulled this way and that, universally sympathetic but unable to step back and build systems that are ultimately more helpful. Together, locked in eternal combat, they keep the excesses of the other in check.
Another requirement for the recipe is that the opposing motivations should prompt similar actions. This allows for infinite flexibility within a spectrum of motivation. When the rules of the game are set up like this, something clicks, and complexity grows.
And so, for example, the artist seeking connection and artist seeking fame search for the same cultural niches to occupy and grow from. The careerist who always wants to prove himself right follows the same course as the ethical professional who always wants to do a good job. The seducer follows the true lover's thought process when determining his next move.
I like the commenter's suggestion that "Love vs. Control" could be an album title!
Some countries "get" rock 'n' roll better than others.
Some countries expect young people to move away from their childhood home and strike out on their own. In others, extended families are more close-knit, and young people tend to live close to their parents, grandparents, and other relatives. The wealthy English, who traditionally hired nannies and sent their children away to boarding schools at young ages, represent the first extreme. But in the U.S. as well, young people have more distance from their families than in other countries.
The rock 'n' roll that drives the genre comes from young people who want to connect with each other over something that they love but that their parents would hate. The first type of country breeds this type of rebellion, but in more family-oriented countries, the rock musicians are more liable to produce a derivative form, by applying rock-sounding style to melodies and music that the whole family can understand and enjoy.
Where there is vice, there is connoisseurship.
Briefly, connoisseurship develops in part as a rationalization: alcohol, tobacco, etc.
What is a crackpot?
Someone who produces non-disprovable, non-quantitative, descriptive generalizations. Whether it's Sigmund Freud or Lyndon LaRouche, it's all the same impulse.
We need a communications language standard for networked devices, and why this is more of a social/political problem than a technical problem.
It should be a simple but complete language, not just a protocol. Then you could do anything you want in the communications layer, rather than applications themselves having to handle multiple protocols redundantly. You could write fancy cross-platform rules to control when and how to send or open all of your communications, and how to handle the ones directed to you. In the 1980's, Adobe got its start by doing the same thing with a page description language for printers, PostScript, and look what happened to them!
ANY FAMOUS ARTIST WITH A HUGE AND DEVOTED FAN BASE(OFTEN ARRIVED AT WITH A LITTLE HELP FROM A WEALTHY AND POWERFUL 'PATRON' ORTWO?) CAN AFFORD TO DO WHAT HE, SHE OR IT WANTS... INCLUDING GIVING THEIR ART AWAY AS SOME KIND OF 'LOSSLEADER' TO HELP 'BUILD THE BRAND'Masnick's law, anyone? Even that statement is somewhat self-contradictory. If the band is "famous" with a "huge and devoted fan base" then... um... why do they need to "build the brand"?
IF THIS 'ART FOR FREE' IDEA BECOMES THE CULTURAL NORM THEN HOW DO ARTISTS EARN THEIR LIVING?It really does amaze me how people's brains seem to stop as soon as "free" enters the picture. But, once again, for you first timers, just because you give one thing away for free, it does not mean you give everything away for free, and thus you earn your living selling those other things. But, of course, apparently anyone who uses logic and understands actual business models doesn't count:
AND QUITE HONESTLYFair enough. But when plenty of actual artists are understanding this and making plenty of money in doing so, it seems rather silly to ignore the points they're making, doesn't it. Or... wait, is Radiohead not an artist? And, then, there's the final sign off:
AS ANYONE THAT DISAGREES WITH THIS POINT
IS UNLIKELY TO BE AN ARTIST
I DONT REALLY CARE TOO MUCH WHAT THEY THINK... !!!
I WONDER HOW MANY OF THE PROFESSIONAL APOLOGISTS OUTTHERE WRITE THEIR SHIT FOR FREE?Well, I don't get paid anything specifically to write this blog. But I do get paid, in part thanks to giving away all this content for free. Just as Smith could get paid by embracing a business model where he gives his music away for free...
Calgary team president Peter Young and Laredo general manager Jose Melendez nearly traded (Odom) for a slugger, but it fell apart. Melendez proposed buying Odom’s contract for $1,000. Young rejected that, saying the Vipers didn’t do cash deals because they made the team look financially unstable."A tragic end for minor leaguer traded for bats" (Thanks, Jason Weisberger!)
Bats, though, the Vipers could use. At $665 for 10 bats—made by Prairie Sticks, double-dipped black, 34 inches long, model C243, Laredo agreed to the unusual deal.
“This was not done as a publicity stunt,” said Young, now the Vipers’ director of baseball operations. “I talked to John several times and told him this wasn’t done to embarrass him..."
On June 5 in Amarillo, the “Batman” theme played while Odom warmed up for Laredo, and he tipped his cap to the sound booth. But he was battered for eight runs in 3 1-3 innings and mercilessly taunted by the crowd. (Broncos manager Dan) Shwam went to the mound.
“The chants, the catcalls, they were terrible. I had to get him out of there for his own good. He was falling apart, right in front of our eyes,” Shwam said.
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Derek Bledsoe, Boing Boing Video producer, is blogging daily Boing Boing Video episodes while Xeni's on the road in Africa.
Today we present "Legends of Exos," an animated short from the PSST! Pass It On film series.
In "Legends of Exos" we are launched into a psychedelic land of stained glass, tracking a warrior on his way to battle. His attack segues into a lovable world of fuzzy woodland creatures but concludes with a finale that Burton fans will find comforting.
PSST!3 Pass It On is collaborative film project is composed of 17 films made by 51 teams of directors and animators from around the globe. Each film is broken into three parts -- beginning, middle, and end -- and each part is created by a different team.
Check out the PSST!3 website for more on the project, and you can purchase DVDs of the entire collection there, too. We’ll be bringing you more from PSST!3, as well as insight from Bran Dougherty-Johnson, in upcoming episodes of Boing Boing Video.
(Special thanks to Boing Boing Video's hosting and publishing provider Episodic.)
Organizers of the TED Conference today announced they would begin the search for the inaugural class of TEDGlobal Fellows to participate in the TEDGlobal Conference in Oxford, U.K. This announcement follows the successful TED Fellows program launch at TED2009 last month in Long Beach, California. The program will accept applications for fellowships from March 6, 2009 through April 3, 2009. For more information about how individuals may apply for a TEDGlobal Fellowship, please visit. TED Fellows may apply or be nominated by another individual. To nominate a candidate, email fellows@ted.com.

Nice editing work makes this short video of bridges being blown up to the sounds of the Barber of Seville. I hope Obama's infrastructure rebuilding plan includes lots of bridge demolitions so that we can look forward to more fun videos like this! (Via Arbroath)
My life has been a series of well-orchestrated accidents; I’ve always suffered from hallucinogenic optimism.
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We recorded our video game experiences from 1982 until 1988 in a variety of locations on the east coast. Most of the recordings come from Ithaca, NY, Albany, NY and Ocean City, MD. Other locations include Lancaster, PA, Falmouth, MA, Rehoboth Beach, DE and Key West, FL.(via Cool-Mo-Dee)Luckily I stored all fourteen audio tapes in a safe place and rediscovered them when I moved the rest of my stuff out of my parents house in 1997. In the last several years I digitized these nostalgic recordings to preserve and share them.
Experience the magic and the wonder of the early years of coin-op video games. Hear the classic arcade ambience like you haven't heard it in over a quarter of a century! The blend of several video games being played simultaneously, the kids yelling and the quarters clanking. We will never hear such beautiful chaos quite the same way again....
Dan Gillmor is a guest blogger at BoingBoing.
If you're a Verizon Wireless customer and care about your privacy, David Weinberger has news:
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A small legalistic pamphlet from Verizon arrived today telling me that I have 45 days to opt out of “agreeing” to let Verizon share Customer Proprietary Network Information, i.e., “information created by virtue of your relationship with Verizon Wireless,” including “services purchased (including specific calls you make and receive,” billing info, technical info and location info. They promise to only share this with “affiliates, agents and parent companies.” It will definitely not be shared with “unrelated third parties” … unless, perhaps that third party pays Verizon to become an affiliate, whatever the heck “affiliate ” means.
There's an opt-out, but it took him some doing to find it, including a call to customer service. And as he says, accurately, "The whole thing sucks."
UPDATE: The BB Gadgets crew has detailed instructions on how to opt out.
Does any other wireless company have this kind of privacy-invading policy?
SCHIAPARELLI DALI COMPACT POWDER BOX ROTARY PHONE DIAL (Thanks, Richard Metzger!)He inspired printed fabrics for her collections, in which the pattern represents the torn flesh of animals, and made her a skeleton dress, a pink belt with lips for a buckle, a hat like an upside-down shoe, another hat shaped like a giant lamb chop and a lobster-print frock that was worn by the Duchess of Windsor for a pre-wedding portrait for Vogue by photographer Cecil Beaton.
The Duchess seemed unaware that the lobster was positioned almost as a fig leaf or a long arm reaching up to the precise part of her anatomy that had caused the abdication crisis.
Dan Gillmor is a guest blogger at BoingBoing.
I'm jazzed to be here! Thanks to Mark and the BB crew for the invite.
As a former journalist-for-pay who gives public talks about the changing nature of media, I'm often asked an excellent question about serendipity. Are we losing it?
The question comes up in the context of, well, context in the way journalism -- especially in daily newspapers -- is presented. Here's what I mean: Look at the front page of the New York Times. You're likely to see a story about a topic you didn't know you cared about until you saw it.
This is one of the genuine values of editors at institutions like the Times. They make sure we're in a position to learn about something they consider important or interesting, or simply worth the reading. The juxtaposition of the "didn't know we cared until we read it" story with the day's more obvious news is serendipity for those of us who want to be reasonably well informed and enjoy being surprised.
On the Web, where we often go looking for things we already know we want to read or watch of hear, serendipity is something we have to find for yourself. And for me, one of the places I've always found it is here on BoingBoing, where I find myself in amazed, amused and everything but apathetic as I scroll down the page each day to see what the crew has come up with now. This has made me a BB fan, verging on addict.
So to be invited to guest-blog here is a joy. My plan: Add some serendipity.
Naturally, I'll post about the future of media and information, including a new project I'm starting in the next few days, but I'll also be indulging my own tendency to head off on tangents. Sometimes they're relevant to my work, often not. I'll do my best, at any rate, to make sure they aren't boring.
UPDATE: As I'll have to do periodically here, a disclosure: I own a small amount of New York Times Co. stock, which is worth way, way, way less than what I paid for it.
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We're pleased to present our next guest blogger, Dan Gillmor!
Dan is director of the new Knight Center for Digital Media Entrepreneurship at Arizona State University's Cronkite School of Journalism & Mass Communication. He heads the Center for Citizen Media, an affiliate of the Berkman Center for Internet & Society at Harvard University Law School and Arizona State, and is author of We the Media: Grassroots Journalism by the People, for the People (O'Reilly Media, 2004), a book that explains the rise of citizens' media and why it matters.
From 1994 until early 2005 Dan was a columnist at the San Jose Mercury News, Silicon Valley's daily newspaper, and wrote a weblog for SiliconValley.com. He joined the Mercury News after six years with the Detroit Free Press. Before that, he was with the Kansas City Times and several newspapers in Vermont. During 2005 he worked on media projects at Grassroots Media Inc. Before becoming a journalist he played music professionally for seven years.

The new Arduino Duemilanove is available in the Maker Shed. It's a big bump in memory, which will allow for even more amazing code. I know I can always use a little more room for storing variables, and the new ATmega328 is the perfect solution.
NEW! The Arduino Duemilanove has been upgraded to a more powerful microcontroller: the ATmega328. It's fully compatible with the previous ATmega168, but with twice the memory. That includes flash memory for storing sketches (32 KB instead of 16 KB), RAM for holding variables (2KB instead of 1KB) and EEPROM for saving data when turning off the board (1 KB instead of 512 bytes). Also the speed (in the bootloader) has been raised for uploading new sketches from 19200 baud to 57600 baud.
Learn more about the New Arduino Duemilanove in the Maker Shed
More:
How-To Tuesday: Arduino 101 potentiometers and servos
Savage Aural Hotbed is a Maker-type band who bangs, grinds and pounds at their shows. They'll be performing at Make: Day this Saturday, come check them out! If you're curious about how they'll adapt their set (and noise level) for the Science Museum, you'll just have to come and check it out for yourself.
When asked how they describe their sound, this is what they said.
Think of anytime someone has ever blown across a beer bottle, used their mom's pot lids for cymbals, or made a washtub bass. Now, run with that kind of thinking...run real far...maybe even try the long jump. The guys in Savage Aural Hotbed have trained themselves to think that way; to find the musical potential in everyday stuff. They'll start with a pretty simple everyday kind of thing that every kid has tried (or wanted to try...), and take it to the nth degree. Remember going to the movie theater with your junior high pals and blowing through your empty candy box to make the cellophane wrapper make funny noises? Now imagine some composer type sitting in the back row, and instead of getting irritated with the kids, he strokes his goateed chin and goes, "Hmmmm..."
OK, sweet.
Make: Day is this Saturday, March 14th from 10am -3pm at the Science Museum of Minnesota!
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• Joel told us 12 things the latest Trek trailer taught us.
• Verizon customers: Learn how to opt-out of its plans to "share" your personal information.
• 30-year-old whisky was reviewed. Yes, C2H6O is a gadget.
• 60 second video clip: The last unsold product on the last day of Circuit City's liquidation.
• Bruce Branit's World Builder is amazing.
• The solid state drives in Sony's Vaio P are awesome, but the drivers for its video chip are not.
• Unearthed: Ambulephebus sonysymphonia
• There was a white chocolate keyboard, complete with a comment thread where you can complain about people calling white chocolate "Chocolate."
• People would rather pay $400 for a Peek with free lifetime service than $40 for one where you pay $20 a month.
• The Chairman is a very expensive cellphone.
• Yes, you can use risers with video cards.
• Sun predicted all the predictions in its 1993 progno-video.
• Behold! Star Wars on Betamax.
• We learned that Fox is to strip special features from rental DVDs.
• Rob reviewed Outlets to Go.

I read recently an article in the Journal of Aesthetics & Protest by Lisa Anne Auerbach called "d.d.i.y. Don't Do It Yourself:"
D.I.Y. used to mean grabbing a Sharpie™ and starting one's own revolution through words and actions. Now it means going into debt at mega-stores, consuming more and more materials manufactured overseas, raping the earth, destroying forests, creating garbage, and mucking up our lives with badly fixed toilets, leaking tile floors, ill-fitting sweaters, bowing floorboards, crooked walls, and ugly mosaics. We are bankrupting competent carpenters. We are destroying the careers of electricians and hvac crews. Our d.i.y. travesties of home improvement leave us with closets full of under-used tools and sheds full of extra wood and steel wool and toxic chemicals and mastic and caulk. These closets don't really even shut correctly; our hinges aren't straight and we brashly scrape the undersides of our doors with a plane, hoping that two crookeds will combine into one straight. Our D.I.Y. adventures in making our own clothes, clutter our homes with extra fabric, yarn, and sewing supplies. The clothes we manufacture are good for a couple times out and about, but our learning curve is steep and the seams don't always stay together. Our D.I.Y. exuberance for cooking unfamiliar cuisines fills our cabinets with jars of exotic spices, specialized contraptions, bamboo steamers, Moroccan tangines, the requisite fondue set; all items that will flood thrift stores shortly after whichever particular cooking trend is succeeded by the next. Guests to our homes smile and swallow appreciatively; does this really mean our cooking adventures are successful? We are constantly experimenting with something new, with no time to perfect anything before our next project looms on the horizon, bringing with it a new supply of gadgets and raw materials.
The trickery of advertisers makes us feel like human beings, while in reality we are, in the minds of the global mega-companies who have us all on a short leash, slavish consumers. D.I.Y. has become just another tactic to rip away our humanity, turning us into operators of cash machines and credit cards. We exist to be ripped-off and profited from. D.I.Y. panders to our beliefs, while at the same time ripping us a new asshole and sending our hard earned money straight to hell. We are stewing in our own fat. Our utopia is on layaway, with an option for 1.5% cash back if we sign up for the right credit card. We have become hungry monsters, drooling to take back production for ourselves, whatever the cost. Our ethos has been gift wrapped and sold back to us. Our revolution has been pilfered.
Her point in the end seems to veer back toward the positive, community-based makerdom that we see here on our site and many others every day. She calls for us to share our expertise with others in a bartering system. For me, most of the fun in making comes from learning new skills and tools, although I can see her point about amassing garages full of supplies and tools you never use. What are your thoughts about the article? Post them in the comments.
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Here's an unusual goal for a project - nothing. Though designed for apparently no productive results, the simple hand-operated Do-Nothing (aka Kentucky Do-Nothing) is capable of drawing ellipses if outfitted with a writing implement - plus it could definitely teach those new to basic woodworking a thing or two. In fact making a do-nothing is quite definitely doing something! Yah, anyways -
This is a fairly easy machine to build. Takes a few hours to cut out the pieces and a few more to glue together and let dry. I have chosen a simple layered design so that those without a router or other means of cutting a T slot could easily complete this project.So, don't just sit there - go make nothing err … something. Read more | Permalink | Comments | Read more articles in DIY Projects | Digg this!
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We've posted a bit about abrasion holography in the past, but since then, "science hobbyist" extraordinaire Bill Beaty has posted the above vid demonstrating some great examples of his technique. The process is surprisingly simple, requiring simple material and a bit of patience -
Scratch-holograms can be made on CD cases using a couple of thumbtacks poked through a stick. Or get fancy and use a professional compass and black painted polycarbonate. Or automate the process with a paperclip stuck into a motorized electric eraser.Along with instructions on how to draw your own, a comprehensive explanation of the effect works is available on Bill's site. [Thanks, BJ!] Read more | Permalink | Comments | Digg this!
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The MAKE crew was in attendance at yesterday's FIRST robotics event in NYC. Every year this competition fills the Javits Center with a ton of creative and constructive energy -- oh and robots too! Machine athletes battled for supremacy and many Parents & kids came by to say hi and talk bots. Check out more of the action photos on Flickr.
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Free, hosted blog publishing services are very easy to set up and configure and generally require you only a few minutes to get you fully started. You create an account, choose a pre-designed template, set your own site name and key content elements, adjust privacy settings and you are ready to roll.













I'm probably not alone in saying that I used to code adventure games on my TI-85 when I was younger, but Sam Heald's Super Mario reproduction is so much cooler:
Super Mario features beautiful graphics courtesy of Bill Nagel, 13 unique enemies, 64 unique background tiles (some with animation), fast scrolling, powerups like growth or flower-power, fireballs, a somewhat-challenging boss, an animated ending scene, and an expansive easy-to-use World editor that can be run on a calculator.
I came across this app on the Brown-eyed Albino's Blog, where there's a list of everything you need to get the game up and running on your calculator. There's also this Youtube post which walks you through installing everything on a TI-84 (screen cap above).
Super Mario v1.2 program source
TI-84 Super Mario installation instructions
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Boingboing guest blogger Paul Spinrad is Projects Editor for MAKE magazine. He enjoyed everyone's attention enormously.
Guestblogging for Boingboing has been a real treat-- I always love the discussions here, and as anticipated, I learned and will continue to learn a lot from this opportunity. Thank you!
If you're interested, check out my website Premises, Premises, devoted to one-paragraph descriptions of new business ideas and inventions. I haven't updated it in a while and need to re-do it using all the great free online community tools available now, but I think many of the ideas there have real potential. Others are just for grins, and most are somewhere in between. Deciding which is which is left as an exercise for the reader. It also lists other "ideas sites" -- which is a genre I love and have been following, although it has yet to succeed as a frame.
FWIW, with this post about atheism I apologize to any atheists who thought I was saying they should shut up or be untrue to their beliefs-- that's not what I wanted to say! I am an atheist myself, by Greta Christina's definition of certain enough although I've always been fascinated and inspired by religion. I like these quotes:
"Religions fulfill deep-seated psychological needs for people, and if you don't get it from a specific religious doctrine, you'll get it from the kind of films I like to make. A film like The Terminator is consciously meant to give a sense of empowerment to the individual."
--James Cameron, American Film, July 1991
"We think heaven on earth is a real possibility. There are resources enough to create it. And people are intelligent enough to advance it. Now all that remains is to market it."
--Olivier Toscani, (media director of Benetton), Colors #12
Thanks also to Mark F. and all of the other boingers for their help and support-- and I'll see you on the boards! I will leave with another favorite quote, from Flaubert, which I got from my father (it's originally from Madame Bovary):
"Human language is like a cracked kettle on which we beat out tunes for bears to dance to, when all the time we are longing to move the stars to pity."
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This St Thomas Creations toilet flushes basically, anything. Huge, vasty supplies of euphemistic carrot-batons, entire chess-sets, and so on. I kept waiting for the child safety warning about its capacity to swallow whole toddlers.
Congratulations, Nina! It was a long ride, but man, was it worth it!I hereby give Sita Sings the Blues to you. Like all culture, it belongs to you already, but I am making it explicit with a Creative Commons Attribution-Share Alike License. Please distribute, copy, share, archive, and show Sita Sings the Blues. From the shared culture it came, and back into the shared culture it goes.
You don't need my permission to copy, share, publish, archive, show, sell, broadcast, or remix Sita Sings the Blues. Conventional wisdom urges me to demand payment for every use of the film, but then how would people without money get to see it? How widely would the film be disseminated if it were limited by permission and fees? Control offers a false sense of security. The only real security I have is trusting you, trusting culture, and trusting freedom.
That said, my colleagues and I will enforce the Share Alike License. You are not free to copy-restrict ("copyright") or attach "Digital Rights Management" (DRM) to Sita Sings the Blues or its derivative works.
Sita Sings the Blues (Thanks, Andrew!)
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We're setting up a mini Maker Shed in the California room at O'Reilly's Emerging Technology Conference in San Jose, and you buy kits and build them right there. From 11am to 6pm on Tuesday March 10 and Wednesday March 11, come into the Maker Shed, and buy a kit like the Brain Machine, MintyBoost, MiniPOV, Super TV-B-Gone, and more--then take it over to the workshop area and build it right here.
Even if you've got no experience soldering, we'll have expert hackers (including Mitch Altman, pictured above) here to help you get started. If you've never soldered before, many of our kits are great for first-timers. As a bonus, during the times that Mitch isn't in the Maker Shed, Michael Shiloh and Judy Castro will be demonstrating their newest kit, Xippy the Robot (pictured below). You'll be able to buy Xippy kits, and Michael and Judy will help you build it.
Tonight (3/8/2009) is the last night of ETech early bird registration, so you've got a few hours to get in cheap. Apply discount code et09ffd to get 40% off that price: ETech Registration Page. ETech Maker Shed: Tuesday and Wednesday.

Our pal Drew Friedman painted this great moment in freak history.
This recent piece is a depiction of my old friend (and favorite artist) Robert Crumb presenting his original "Cheap Thrills" comic strip cover art to Janis Joplin, (with various members of "The Holding Company" lurking behind), backstage at the Filmore West in San Fran' in 1968. It was commissioned by the private collector who owns the original Crumb "Cheap Thrills" art, as a companion piece to hang along side it in his office. Interestingly, Crumb's original intention was for this art to run on the back cover and a portrait of Joplin to run on the front. But Joplin loved the the comic strip art so much, (she was an avid underground comics fan, especially the work of Crumb, and already at that point in her escalating career, had the power to hire her own cover artist), she decided to run it on the front. It's arguably the SECOND most famous album cover ever, after Sgt. Pepper. One amusing side note: bending no doubt to pressure, Crumb wore his hair for a time at it's longest in '68, which I try to show. Joplin was also encouraging him to "loosen up" and wear "hippie clothes and beads" but he just couldn't go that far.Drew Friedman paints Robert Crumb presenting Cheap Thrills album cover to Janis Joplin
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