Our evil pals over at Evil Mad Scientist Laboratories have a neat demo video of their Peggy 2 Light Emitting Pegboard kit that they've populated with red, green, blue, and white LEDs.
One thing worth noting (and that we demo in the video) is that you can diffuse the big RGBW pixels into one continuous full-color display by placing a thin diffusing plastic layer above the LEDs-- it really works well.
(The Peggy 2 just so happens to be the cover star of MAKE Vol. 18.)
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The weekly Lost Knowledge column explores the possible technology of the future in the forgotten ideas of the past (and those slightly off to the side). Each Tuesday, we look at retro-tech, "lost" technology, and the make-do, improvised "street tech" of village artisans and tradespeople from around the globe. "Lost Knowledge" is also the theme of the current issue of MAKE, Volume 17 (on newsstands now)
As we've pointed out here before, most of what we publish in the Lost Knowledge column isn't actually lost. It may be in hiding, a scarcely practiced discipline, an obscure preservational hobby. But here's a piece of technology's past, America's past, that's in jeopardy of being lost forever. The New York Times ran an article on Monday about the fate of Wardenclyffe, the rural Long Island site of Tesla's lab, and his insane plan to wirelessly distribute power around the planet.




In 1901, Nikola Tesla began work on a global system of giant towers meant to relay through the air not only news, stock reports and even pictures but also, unbeknown to investors such as J. Pierpont Morgan, free electricity for one and all.
It was the inventor's biggest project, and his most audacious.The first tower rose on rural Long Island and, by 1903, stood more than 18 stories tall. One midsummer night, it emitted a dull rumble and proceeded to hurl bolts of electricity into the sky. The blinding flashes, The New York Sun reported, "seemed to shoot off into the darkness on some mysterious errand."
But the system failed for want of money, and at least partly for scientific viability. Tesla never finished his prototype tower and was forced to abandon its adjoining laboratory.
Today, a fight is looming over the ghostly remains of that site, called Wardenclyffe -- what Tesla authorities call the only surviving workplace of the eccentric genius who dreamed countless big dreams while pioneering wireless communication and alternating current. The disagreement began recently after the property went up for sale in Shoreham, N.Y.
It appears the Agfa Corporation, who owns the site, is looking for some quick cash and is willing to deliver the place to a buyer "fully cleared and level." Nice going, Agfa. Classy.
This Scrooge-y news has mobilized Tesla enthusiasts and organizations to start a drive to save the site, restore it, and turn it into a Tesla museum.
You can give a tax-deductible donation here, or just sign up to be kept in loop on what's going on. I'm going to kick in a few bucks. I hate the idea of the memory of this uber-maker continuing to get such disrespect. Let's make this a maker cause celebre!
The Tesla Wardenclyffe Project and Friends of Science East.
A Battle to Preserve a Visionary's Bold Failure [Thanks, Keith!]
More:
Yesterday, I picked up David A Kessler's The End of Overeating: Taking Control of the Insatiable American Appetite, a book I've been interested in since I wrote about it here last week, and plowed through it on a short flight. It's a quick read, partly because of the short chapters, and partly because it runs a little to repetition, but for all that, it's a fascinating read.
Kessler delves into the psychology and neuroscience of our junk-food cravings, seeking an explanation to the conundrum of the person whose "will-power" is strong on many fronts, but who finds it hard to resist unhealthy foods (I class myself among those people). He concludes that we're extremely susceptible to reward-conditioning when the reward consists of foods that combine fat, sugar and salt, and that the food industry has evolved to deliver extremely efficient, super-sized portions of fat-sugar-salt bombs in a variety of satisfying textures and presentations.
I think that most of us already knew this, but it's fascinating nevertheless, as Kessler talks with food scientists at various industrial food concerns and discovers the techniques by which these highly palatable food-substances are derived, refined and delivered. For example, Chili's "Southwestern Eggrolls" deep-fry their tortillas, "driving down its water content from 40 percent to five percent and replaces the rest with fat." And "at the Grande Luxe Cafe in Las Vegas, double-baked mashed potatoes are wrapped in fried spring rolls and served with cheese and bacon. Listed as an appetizer, they come eight to a serving. That's a simple carbohydrate loaded with fat, then surrounded by layers of salt on fat on salt on fat."
It's not just salt, fat and sugar -- it's also a highly engineered eating experience ("eatertainment") (ugh): "When you eat a Snickers bar, the chocolate, the caramel, the nougat, and the peanuts all disappear at the same time. You're not getting all this buildup of stuff in your mouth." Processed food is a kind of "adult baby food," with the fiber and gristle removed for easier chewing and swallowing. This food is "light, white and easy to swallow," losing its "innate ability to satisfy."
All this stuff barrels along well in the manner of a great pop-sci book, the kind of thing that gives you a new lens for seeing some important aspect of your life through, until he gets to the conclusion, a set of recommendations for breaking the conditioned responses we develop to crappy food. Having set up an exciting new framework for understanding our relationship to food, all Kessler offers by way of resisting junk food is a kind of Weight Watchers: be mindful about what you eat, avoid temptation, don't give in a little lest you give in a lot, and so on. This is approximately the same eating advice I've heard for decades, and while it works, it's hard, and harder still to sustain. Anyone who's devoted more than a few hours to the question of controlling weight and eating has encountered and tried this advice -- and chances are, they've failed at it.
Still, this seems to set the stage for some good brain-hacks -- understanding bad eating as a set of conditioned habits gives us a framework for applying other techniques from the realm of habit-breaking to modifying eating.
The End of Overeating: Taking Control of the Insatiable American Appetite
This morning, GOOD posted my piece about the consequences of Lake Mead in Nevada drying up in decade or so.
Lake Mead stores water from the Colorado River. When full, it holds 9.3 trillion gallons, an amount equal to the water that flows through the Colorado River in two years. The water from Lake Mead is used for many things. It irrigates a million acres of crops in the United States and Mexico, and supplies water to tens of millions of people. Its mighty Hoover Dam generates enough electricity to power a half-million homes. Additionally, the power from Hoover Dam is used to carry water up and across the Sierra Nevada Mountains on its way to Southern California.Read the rest of the essay at GOODIn 2000, the water level at Lake Mead was 1,214 feet, close to its all-time high. It’s been dropping ever since. When Lake Mead was built during the 1920s and 1930s, the western United States was enjoying one of the wettest periods of the past 1,200 years. Even today, our so-called drought is still wetter than the average precipitation for the area averaged over centuries. In other words, for the last 75 years, we’ve been partying like it’s 1929. Farmers grow rice by flooding arid farmland with water from Lake Mead; residents of desert communities maintain front lawns of green grass; golfers demand courses in areas where the temperature exceeds 100 degrees Fahrenheit during the summer.
WHITE MISCHIEF: "Journey To The Centre Of The Earth" (Thanks, Tobias!)
White Mischief is a steampunk / neo-Victorian themed clubnight in London that, several times a year, takes over 1900s former cinema Scala. The upcoming show is on Saturday May 23, 9pm-4am.Using art directors who have worked with theatre producers like Punchdrunk the various rooms are set-dressed; the theme for this coming show is "Journey To The Centre Of The Earth" so there will be an underground sea, a cavern featuring giant mushrooms, and a performance from electroluminescent creatures (by way of UV-lit aerialists).
Live music includes UK steampunk scenesters The Men That Will Not Be Blamed For Nothing; The Correspondents, who blend vintage jazz and swing with hip hop; and White Mischief's hosts Tough Love.
In between the bands are all manner of vaudeville acts including Edwin Flay (a Burning Man veteran who will be performing an aerial escapeology routine and a bullet catch, all in Victorian garb); The Fitzrovia Radio Hour, who broadcast a radio show live from the past; and a juggler who uses real chainsaws.
But partygoers are just as likely to encounter shows and costumed characters in the stairwells or lobby, thanks to sideshows such as Archibald Floss (a Victorian freakshow), roving accordion-led band the Bohemianauts, or Amundsen and Slade's Sonic Sideshow. The Sonic Sideshow revolves around Jules Verne-esque leather suits which can either be worn by the audience members or by the hosts. The suits can sample sound live from the audience or from a laptop sound bank. By touching one another, the suit-wearers can interact to create new sound pieces, even transferring loops and samples from one suit to the other.
Some of the UK steampunk scene's biggest aficionados have already bought their tickets so expect to see lots of brass goggles, fancy rayguns and explorer outfits. Dressing up is never compulsory but at previous shows there have been some wonderful steampunk costumes.
From Street Anatomy:
“Bacteria”, a creative campaign created by M&C Saatchi for a new series of high density Plasmacluster ion generator air purifiers, in time for the peak influenza season.

I really like Tevis's approach, his platform, and his ideals. I can't give to his campaign -- I'm a dirty foreigner and I don't even live in the USA (though the IRS is happy to tax the hell out me!) -- but you can!
Running for Office: Option 4 (Thanks, Danjite!)
I just happened on these Moebius Monster Models at Dreamhaven Books in Minneapolis -- they're faithful reproduction of the classic 1970s Aurora monster models, including the spectacular box-art. I remember buying these at the convenience store near my grandparents' place and working on them in the basement while the adults upstairs had after-dinner coffee, completely lost in their awesome monsterness. Can't wait to put some more together again now!

Katamari Cakes
(Thanks, Lissette
EFF and Public Knowledge filed suit in September of 2008, demanding that background documents on ACTA be disclosed under the Freedom of Information Act (FOIA). Initially, USTR released 159 pages of information about ACTA and withheld more than 1300 additional pages, claiming they implicate national security or reveal the USTR's "deliberative process." After reconsidering the release under the Obama administration's new transparency policies, the USTR disclosed the additional pages last week, most of which contain no substantive information.Government Still Blocking Information on Secret IP Enforcement TreatyHowever, one of the documents implies that treaty negotiators are zeroing in on Internet regulation. A discussion of the challenges for the pact includes "the speed and ease of digital reproductions" and "the growing importance of the Internet as a means of distribution."
Other publicly available information shows that the treaty could establish far-reaching customs regulations over Internet traffic in the guise of anti-counterfeiting measures. Additionally, multi-national IP industry companies have publicly requested that ISPs be required to engage in filtering of their customers' Internet communications for potentially copyright-infringing material, force mandatory disclosure of personal information about alleged copyright infringers, and adopt "Three Strikes" policies requiring ISPs to automatically terminate customers' Internet access upon a repeat allegation of copyright infringement.
"We believe file-sharing by peer-to-peer should be legalised. The sharing of music where it is not for profit is a great thing for culture and music."Compare that to, say, Paul McGuinness, the manager of U2, who has been going on and on about how pretty much everyone other than the music industry (i.e., users, ISPs, Apple, software companies) is to blame for file sharing, and they should all be kicked off the internet if they don't pay up.

What Have We Become?
(Thanks, Nicholas!)
Walkthrough video of Steve Lambert's funny and beaustifully-executed sign-based show in Los Angeles.
Steve Lambert solo exhibition (Via Make)
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Impressive numbers notwithstanding, for years we couldn't figure out a way to make the SDMB generate a dime. Finally at a meeting one day, Mike Lenehan, my first editor, said, "We could charge!" My immediate thought was: I should have beaned this guy with an eraser instead of that brick. However, lacking an alternative plan, we tried it. To everyone's surprise, it worked. Several thousand people paid good money for the privilege of posting, and paid again when their subscriptions ran out. (The great majority of our visitors are non-posting lurkers, in case you're wondering about the numerical disparity; merely reading the board has always been free.) For years we pulled in a tidy sum of cash each month.This is why I'm still skeptical of the usual suspects trotted out as big "success stories." Let's see how it works in the long run. If you lock up your content -- even if it generates some revenue today -- you're cutting yourself off from the conversation, and making it that much more difficult to grow and be in position to reap the rewards of greater traffic in the future.
But here's the thing. It was a tidy but non-growing sum of cash. What's more, the previously steady increase in visitors flattened out. Tiring of convent life, we decided to rejoin the real world and discontinued subscriptions last August, shrewdly timing this to coincide with the current economic collapse. (Being the world's smart human is one thing; having a head for business is something else.) Visitor growth immediately resumed its upward climb.
In short, subscriptions are self-limiting. But that's only half the story. The other half is this: Your content -- that term is always going to grate -- is your own best advertisement. The Straight Dope, again, is a good example. (The Straight Dope is a good example of a lot of things.) My online archive, consisting of the totality of human knowledge distilled into convenient 800-word chunks, has always been available for free -- currently more than 2,800 columns. We make no effort to promote this, and why should we? Whenever people Google the questions that really bug them, inevitably we pop up. As a result -- I'm looking at quantcast now -- we drew 845,700 visitors last month. Chicagotribune.com pulled in 2.7 million, which, granted, is more. However, the Trib is part of a multibillion-dollar corporation that employs thousands (well, it used to be thousands; what it is after all the layoffs I hesitate to say). TSD employs a few steadfast disciples and me. Lesson: If you're producing a quality editorial product, put it out there gratis. You want the world to know.
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Rob K636 posted this awesome 3D print job of a combination lock he's working on to the MAKE Flickr pool.
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So, what is it like to see industrial music legends Throbbing Gristle perform live?
"Next closest thing to an internal organ massage standing next to [SRL's] V1 pulsejet engine," said BB pal Karen Marcelo, after one of the dates on the band's 2009 reunion tour. "It was like my diaphragm resonated until my lungs became a subwoofer while words once from a man's mouth sprung from the same woman's mouth," twittered TG trufan T.Bias.

Before we shot the Boing Boing Video interview which is today's episode, above, Richard Metzger and I spoke to Throbbing Gristle's sound technician backstage, and asked what we should expect in the way of sub-bass frequencies -- rumored to be so powerful during performances that cameras can't hold a steady shot, and bowels sometimes can't hold their contents. Charlie Poulet, TG's sound tech, cracked up and flashed an evil grin.
"Oh, we got some frequencies," he laughed, "Yeah, we definitely got some frequencies ready for you people tonight."
Those "frequencies" are part of what make TG's music so transcendental and disturbing, and in the BB interview with Chris Carter, Cosey Fanni Tutti, Peter "Sleazy" Christopherson, and Genesis Breyer P-Orridge, we explore their technical and creative underpinnings.
We learn about the hacked-together synth and sound modification machines built back in the early 1970s, like "Thee Gristleizer," shown below.
We hear TG members talk about the sort of mind-meld trance they all fall in to while performing, and we learn about the early days of recording work like "Hamburger Lady" to cassette tapes, then walking down to have a hamburger together at a corner sandwich shop down the street from their old studio in what was then a really shitty part of London.
Gen talks about her first time with Twitter, and we hear what it's like for the band once called "wreckers of civilization" to be celebrated, more than 30 years later, as living legends.
Information on TG's remaining 2009 tour dates here. Industrial Records just released a special limited edition framed vinyl LP to commemorate the 30th anniversary of the release of Throbbing Gristle's debut album, "The Second Annual Report" -- more info here. More recordings (digital and otherwise), t-shirts, and other merch are here.
RSS feed for new episodes here, YouTube channel here, subscribe on iTunes here. Get Twitter updates every time there's a new ep by following @boingboingvideo, and here are blog post archives for Boing Boing Video. (Special thanks to Boing Boing's video hosting partner Episodic, and to Target Video, who shot some of the archival clips shown in this episode).
Previously on Boing Boing: Throbbing Gristle: What A Day. (Boing Boing Video shoot notes)

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Almost 20 years ago, I moved into an apartment with electric heat. The landlord said that he would cut the rent during the winter months because it would be so expensive to keep the place going. When the electric bill arrived, I looked at all the fine print on it and noticed on the back of the bill a phone number offering help with energy efficiency. It turns out, it was for a program that did energy audits on houses and other buildings. The program was paid for out of a portion of the bill set aside for efficiency upgrades. The energy audit was free. My landlord agreed to have them come look at the house, signed some paperwork (in triplicate), and the fun began.

[Photo from Jayvirdy on Flickr]
The energy auditor came with a blower door. This was an adjustable canvas cover that fit over the door opening. It had a fan on it and some pressure gauges. We closed the windows and he turned it on. This device sucked the air out of the house, and we then went around feeling for drafts. Any moving air would be the result of a gap. The largest gap we found was about six feet long, where the header over the closet door had not been finished properly with sheet rock. He discovered lots of other ways to improve the efficiency of that apartment, and discovered that it was eligible for loads more energy savings upgrades.
A few weeks later, a crew came and blew insulation into the walls and attic. They drilled a whole bunch of holes after removing siding, and made some more in the knee walls and sloped ceilings. That house, an antique cape, was built by a blind veteran after the Civil War. It had no insulation, which was an important part of the reason why our electric bill was so incredibly high.
When the project was done, I had spent no money, nor had the landlord, but the apartment was much more comfortable and cost less to run. By increasing the energy efficiency of the house, it was a better place to live and was more gentle on the electrical grid. Eventually, the landlord lost the place to the bank in the economic downturn of the early 1990s, and we had to move on. The building was better for our having lived there because of the free energy audit. I have since had energy audits on each of the places I've lived in since. I wouldn't think of living in a place that I didn't know the energy status of. If audits are not available for free where you live, you can certainly do a DIY audit.
Upon moving into the next place, also an apartment, I promptly called for an energy audit, even though I didn't get the heat or electric bill. It seemed like a good thing to do, and it was free anyway. No problems for that landlord, who had his business downstairs and would benefit from our tighter apartment. The incentives were not as good for that project as the previous one. We did get some flow restrictors for the faucets, a couple of compact fluorescent light bulbs and a programmable thermostat for the heater.
The programmable thermostat is great, because it allows the house to turn itself up and down based on the rules I program into the timer. Basically, the house should be cool when we are away or asleep, and warm when we are home and awake. This makes the house more comfy when we want it that way and stingy with energy when we don't need the heat. Since we don't have central air, when the heating season is over, I just set the temperatures so that it doesn't go on for the summer months.

[Photo from Connors934 on Flickr]
These energy audits are great. They can cost nothing to the consumer. They help make our houses and apartments more comfortable by keeping the heat in during the winter and the heat out during the summer. A house that is not tight feels drafty. When you are heating the place, cold air works its way in and the furnace is, in part, heating the great outdoors. They can help give you a project list for how to make the house a more efficient consumer of energy of all forms, electric, natural gas, oil, wood heat, solar, or wind power.
In fact, having an energy audit is one of the most cost-effective things you can do to your home. The audit will turn up a lot of the ways that energy, and money, are leaking out of your house. If you are considering getting into an alternative energy system like solar or wind, or even your own basement electrolysis unit and fuel cell, then one of the most important first steps you can make is to decrease your energy usage. A lot of the steps are mind numbingly simple, like turning off the lights, or putting your devices on power strips so you can make sure they're really inert and not drawing trickles of juice when they appear to be off.
There are a lot of things that we can do to increase our energy efficiency. See more ideas after the jump...
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Lush Life previewWhile many galleries in the "underground"/Pop Surrealism art scene have increasing turned towards street art, Roq la Rue has decided to instead focus on the more formal, Symbolist -inspired painters in the genre. "Lush Life" brings together painters in both the alt-art world as well as contemporary art scene, who all work within a guideline of tight technical craftsmanship as well the use of opulent and decadent imagery to convey higher inner truths and emotions. This take on "Neo-Symbolism" is different from it's predecessor in that while it still mines the unconscious for a sense of mythic gravitas, it incorporates American culture's pervasive pop culture-flavored and cartoony aesthetic.
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A tree that sheds poison daggers; a glistening red seed that stops the heart; a shrub that causes paralysis; a vine that strangles; and a leaf that triggered a war. In Wicked Plants, Stewart takes on over two hundred of Mother Nature’s most appalling creations. It’s an A to Z of plants that kill, maim, intoxicate, and otherwise offend. You’ll learn which plants to avoid (like exploding shrubs), which plants make themselves exceedingly unwelcome (like the vine that ate the South), and which ones have been killing for centuries (like the weed that killed Abraham Lincoln's mother).Wicked Plants: The Weed That Killed Lincoln's Mother and Other Botanical AtrocitiesMenacing botanical illustrations and splendidly ghastly drawings create a fascinating portrait of the evildoers that may be lurking in your own backyard. Drawing on history, medicine, science, and legend, this compendium of bloodcurdling botany will entertain, alarm, and enlighten even the most intrepid gardeners and nature lovers.
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This Grizzly Bear Chair is very odd and, of course, very sad. It was a gift from a hunter named Seth Kinman to US president Andrew Johnson in 1865. I could dig it if it was fake. Even more if it was faux Sasquatch.
Paintalicious has a gallery of artist Thomas Allen's book photography. Allen cuts the figures from vintage paperbacks and folds them up and out of the cover to create dioramas.
Using salacious pulp art drawing’s of the ’40s and ’50s that covered books such as ” I Married a Dead Man” and ” Marihuana Girl’, Allen constructs one set of pictures up close while obscuring another, and in the process creates a different context.
Thomas Allen’s Book Art Photography (Via Very Short List)
Panasonic has announced recommended prices and availability for the Lumix DMC-GH1 Micro Four Thirds camera. The camera as a kit with the Lumix G VARIO HD 14-140mm/F4.0-5.8 ASPH/O.I.S. lens will sell for a suggested retail price of $1499.95 in the US. Panasonic Germany reports a recommended price of €1550 though it doesn't specify that includes the lens. It will be made available in both markets from June 2009. The US will only receive the camera in black, while different European countries will have varying options that can include red or and interesting Champagne gold color.
Liam sent me a link to this interesting Twitter library for the Make Controller. Tom Slejko wrote the code and it's really well documented. I haven't had a chance to try it out yet, but it's on my list of things to do. If any of our readers get a chance to try it out, let us know how it works out. Thanks!
Speaking of Twitter? Are you following us @Make yet? Remember, we're giving away a lot of great prizes, including a Maker's Notebook each day! Check out all the details here.
More about the Make Controller Tweeter library and the Make Controller 2.0 & Interface Board kit
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This handsome Bigfoot statue will be available in July from Entertainment Earth. It's 18-inches tall, plastic (polystone), and sells for $29.99.
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Upon further investigation, police found the musical greeting card on his windowsill, where occasional breezes opened the card just enough to play an irritating tune."Elderly man mistakes card for noisy neighbors"
Douglas Emlen, a professor of biology at the University of Montana, is one of the foremost authorities on dung beetles. Terry Gross interviewed him earlier this week on Fresh Air, and it's a terrific, fascinating interview. Emlen's passion and curiosity about dung beetle anatomy and behavior shine through.
Underneath the cow patties in the pasture — and the monkey dung in the jungle — there is a miniature world of sex and violence.The Fascinating World Of The Dung BeetleHere, ornately decorated beetles armed with horns fight for survival and sexual dominance. Douglas Emlen, a professor of biology at the University of Montana, studies them.
Emlen is an expert on the evolution and development of bizarre or extreme shapes in insects, and he is particularly interested in insect weaponry.
Much of his work takes place in a lab, but he has also had some wild adventures collecting different families of dung beetles from around the world.

Peter Edwards of Casper Electronics brings us this thick, rich, 15-knobbed synth box known as the Drone Lab -
This is the new Casperelectronics Drone Lab. The Drone Lab is an analog sound module specially designed for making dense, rich drones.Peter cites the MFOS Weird Sound Generator as inspiration for his design and thoughtfully provided hand-drawn schematics for the making. Aah yes, sweet sweet schematics.
This is a video of three going at once.
For more info including ordering info and schematics (build your own!) go to:
http://casperelectronics.com/finished...
You can also download a higher quality version of the full 12 minute audio recording from this video at the above address.Each unit has:
- 4 oscillators. 2 can be pitch modulated by dividers. 2 can be volume modulated by dividers.
- 1 resonant low pass filter
- 2 band pass filters
- 1 fuzz circuit
- 1 pulse generator LFO
- -2 adjustable pulse dividers for making rhythmic sequences.
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Steve Lambert has a solo show up now at Charlie James Gallery in LA, until June 6: Everything You Want, Right Now! Steve's work is generally about advertising, and this show is no exception. Using inspiration from LA and NY signage, he made illuminated signs that say something deeper than where you can find a decent taco; they're advertisements for and against consumer culture. The show is flashy, awesome, and poignant.
More:
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Here is what Culp looked like before she was shot. As our former guestblogger Maggie Koerth-Baker pointed out on Twitter just now -- the thing I keep coming back to as I read these stories about Ms. Culp is that the man who shot her in the face got only seven years in jail for this crime. Huh? The man who did this to his wife could be out on the street again in as little as two years?Culp said she wanted to help foster acceptance of those who have suffered burns and other disfiguring injuries.
"When somebody has a disfigurement and don't look as pretty as you do, don't judge them, because you never know what happened to them," she said. "Don't judge people who don't look the same as you do. Because you never know. One day it might be all taken away."
It's a role she has already practiced, said Dr. Kathy Coffman, the clinic psychiatrist.
Once while shopping, "she heard a little kid say, 'You said there were no real monsters, Mommy, and there's one right there,' " Coffman said. Culp stopped and said, "I'm not a monster. I'm a person who was shot," and pulled out her driver's license to show the child what she used to look like, the psychiatrist said.
Face-transplant patient reveals herself (Associated Press; image courtesy Associated Press)
I see that Boing Boing is discussing Psiphon. This greatly concerns me because of their lack of transparency and accountability. Psiphon imply (but refuse to state explicitly) that they are in the anonymity business, yet they do not even have a publicly stated privacy policy. They are vague about their security claims and, even assuming good faith, have not disclosed any useful information on their security model and implementation.(More after the jump).Aside from the fact that they are, as a for-profit company handling personal information, required under Canadian law to disclose their privacy policy, this lack of transparency leaves me with serious concerns about their motivations and competence. This is especially troubling when one considers that their entire product is essentially a centrally administered proxy run with software unknown to the users. What do they store? What do they claim? How can we verify? Nothing? Something? Everything?
To sign up for their service, one either has to know Psiphon or know someone who uses Psiphon; this necessarily requires a knowledge of relationships on their part. For many users, I suspect this is a minor risk that seems remote until one again considers that this is a for-profit company. Do they promise to do anything with any of this data? Do they plan to store it forever? Do they promise to destroy it if they're ever offered money for their company? What happens if they are simply offered money for the data? Wouldn't it be better to avoid that temptation entirely by not requiring or keeping any of that data?
From a technical standpoint, I notice they claim to believe in Open Source software and the collaborative security it can deliver, yet the software on their website is the same outdated version as it was last year. This software is probably unrelated to the proxy service they are promoting, but it is difficult to know as they seem to keep these details secret.Previously: New Web Censor Evasion Toolkit Launches: PsiphonThis speaks nothing of the fact that a massive system to proxy information is a very tempting target for law enforcement or criminals. Which law enforcement and which criminals will be targeting Psiphon's massive data collection operation?
With so much secret sauce, I'd really caution anyone to consider the economic interests at play and I'd also advise users to decide carefully if they want to leave it up to Psiphon to make such important choices for them.
I wouldn't choose to use Psiphon and I sincerely hope others make a similar choice.


I love this Hello Kitty bubblegum tin housing a Minty Boost. There's even extra space to carry two additional AA batteries, for even more boost. And notice the Maker's Notebook as the backdrop. The builder named it the Minou Boost, after her cat.
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Fascinating video from C-Span of the Senate Hearings on healthcare reform. Senator Max Baucus tries to quell a stream of protesters. As Personal Democracy Forum's Micah Sifry, who alerted me to this video explains, "At about 1:45 Baucus is laughing, calling for the police, as a half-dozen peaceful and very articulate citizens speak out, one by one, demanding a seat at the table (where 15 witnesses wait to testify, not one representing the single-payer option)."

From the MAKE Flickr pool
Inspired by the beehive locator we recently covered here, Gabriel decided to build a bee box of his own. He even enhanced the design a bit with magnetic door latches. No mention of the device's success in the field as of yet but it looks quite able.
More:
Bee boxes explained
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The Multimodal Brain Orchestra performs by way of brainwave controlled sound synthesis -
Two of the performers were given a task to watch a screen in front of them, with flashing rows and columns of letters, and told to look for a particular letter.Led by both "emotional" and traditional conductors, the group recently held their first performance at the Science Beyond Fiction conference in Prague. Read more about the project over at BBC News. Read more | Permalink | Comments | Digg this!When expectation is fulfilled, 300 thousandths of a second later, a signal known as the P300 appears in the EEG.
[…]
Two more performers were given boxes with four lights flashing at different frequencies. The SSVEP is a brain signal that comes about when visual stimulus in the retina at a given frequency causes the brain to synchronize, so that frequency appears in the EEG.
Given a cue from the conductor, the performers switch their attention from one flashing frequency to another.
One of them affects the volume of a given sound - known to influence the level of arousal in the circumplex model - and the other affects a certain modulation of that sound, which is known to influence the valence, how positive or negative the arousal is emotionally.

The folks at iFixit are still looking for repair tech volunteers to help out at their "Fix the World!" repair area at Maker Faire. Specifically, they need volunteers who enjoy tinkering with:
If you are a subject-matter expert and would enjoy spending a weekend helping others solve their tech problems, please volunteer!
For their help, volunteers will receive free admission to the Faire as well as the Meet the Makers event.
Interested in volunteering? Send an email to Eric@iFixit.com with your availability, area of expertise, and your contact information. More information available at iFixit.
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Over at NerdKits, Humberto shows how to build a piezoelectric-based sound meter fed to an LED display, using their USB NerdKit. By using the piezoelectric buzzer that comes in the kit as a microphone, and adding a transistor and a few other components, you can create a sound meter and send its output to an LED array, an LCD screen, or other display. They used an LED display version at the recent MIT Battle of the Bands to graphically display the sound volume in the room.
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GIs Told to Bring Afghans to Jesus (Thanks, Bill!)
In one recorded sermon, Lt. Col. Gary Hensley, the chief of the U.S. military chaplains in Afghanistan, is seen telling Soldiers that as followers of Jesus Christ, they all have a responsibility "to be witnesses for him"."The special forces guys -- they hunt men basically. We do the same things as Christians, we hunt people for Jesus. We do, we hunt them down," he says.
"Get the hound of heaven after them, so we get them into the kingdom. That's what we do, that's our business."
Jeri Ellsworth created this remarkable Commodore-64-emulated-NES-in-a-handbag -- she's also the hacker who reverse-engineered the Commodore 64 and came up with the C64-on-a-chip design.
Group 1: Social Networks
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Designated link: http://cli.gs/social-askpavel
Traffic sources (these links lead to my profile pages): Facebook, Linkedin, TheMarker Cafe
The position of the link in every source: In the three sources the link appears first and foremost in the profile page in the field "personal site". In addition, it appeared in my Facebook's SEO Group and my other SEO Group in LinkedIn.
Location in Facebook:![]()
Location in LinkedIn:![]()
Location in TheMarker Café (it's under "expanded about page in my blog:"):![]()
Conditions for exposure: The exposure to a link is directly dependent on the number of activities I do at each of the sites (If I am inactive no one will be exposed to it), number of friends, my involvement in the network and the number of searches leading to my profile. During the experiment, in order to maintain the objectivity of the results and to ensure they truly reflect the potential of each group, I did not act in an extraordinary way. The activities I did (which made people become exposed to the link) are:All the activities can be grouped under "Internet Personal Branding".
- Talkbacks in the relevant discussions,
- adding new friends,
- sending messages to existing friends,
- uploading pictures and videos,
- updating my status line and comment to my friends status changes,
- joining communities and groups which interest me,
- use of several social applications etc.
My social parameters in this channel (influencing on the level of exposure): Unfortunately I cannot measure the number of searches leading to my profile, or the number of activities I have done in each network. The only estimate is the number of friends in every network:
- 605 friends in Facebook (217 friends in the SEO group in Facebook),
- 190 in LinkedIn (11 friends in the SEO group in LinkedIn) and
- 186 friends in TheMarker Café.
The overall number of participants coming from this group: 55
Group 2: Comments in Blogs
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Designated link: http://cli.gs/blogs-askpavel
Traffic sources: I read a lot of blogs (Israeli and foreign) on a regular basis. The very partial list can be found at Websites Promotion Recommended Resources I have written before. Additional blogs I read can be found here, a collection of the world's top 25 most recommended blogs about SEO.
The link's location in each source: In the "Full name" field in the talkbacks themselves![]()
Conditions for exposure: The people exposed to the comment link are the blog's editor and the other readers of the same post. The exposure is dependent on the number of comments I make and the number of readers exposed to those comments. In addition, it could be said there is a direct connection between the traffic of the blog in which I am commenting and the traffic I will get from the link inside the comment. Hence the recommendation to try to comment in those blogs popular in the area you are interested in.
My social parameters in this channel (influencing on the level of exposure): During the term of the experiment (2 months) I commented 40 times in about 20 different blogs.
The overall number of participants coming from this group: 46
Group 3: Discussion Groups and Forums
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Designated link: http://cli.gs/blogs-askpavel
Traffic sources: K Forum (K Forum is an Israeli popular SEO forum), Tapuz SEO Community (Tapuz is a popular Israeli forum-based community), Commercial Internet Community (In TheMarker Café).
The link's location in each source: In the signature at the end of the comments. In some of them there is just an URL and not a clickable link so this source contributes less to the overall number of clicks of the designated link (people usually are too lazy to copy a link into their browser and prefer something clickable).
In K forum:![]()
In TheMarker Café forum:![]()
Conditions for exposure: Only those reading my comment in the body of the discussion were exposed to the link. In addition, the forum's reputation and popularity are important factors - the more popular it is, the more traffic goes through it and so there is a greater chance people will click on the link in the signature.
My social parameters in this channel (influencing on the level of exposure): In forum K I commented in 35 different threads (1-3 times in average per thread), in the commercial forum I reacted to 5 threads (1-3 times in average per thread) and in the Tapuz community I commented in one thread once.
The overall number of participants coming from this group: 79
Group 4: Instant Messages
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Designated link: http://cli.gs/blogs-askpavel
Traffic sources: All the various instant messaging applications and services - ICQ, Skype, MSN messenger, Google Talk.
The link's location in each source: In each application there's that status line where you can write whatever you want, sort of "status". The link on Google Talk (the link looks pretty much the same in the other instant messaging applications):![]()
Conditions for exposure: The exposure depends on 2 factors: The number of people in my friends list with which I talk on a regular basis and the frequency of the correspondence. The more a person corresponds the longer the "stage time" of the link in the status line becomes (for the person with which we correspond at the moment). In addition, the more friends a person has on his friends list, the bigger is his link's exposure even if he is not corresponding at that minute (since when he is online all his friends see his status line).
My social parameters in this channel (influencing on the level of exposure): 126 friends on Google Talk and 53 on Skype (out of which 5% are inactive).
The overall number of participants coming from this group: 40
Group 5: E-Mail Service
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Designated link: http://cli.gs/blogs-askpavel
Traffic sources: This item focuses only on the e-mail service I use - Gmail.
The link's location in each source: At the end of the e-mails I sent (in my signature).![]()
Conditions for exposure: In principle, every person who receives an e-mail from me should be exposed to the link. This, of course, depends on how long the e-mail is (who has the energy to scroll the whole way through?) and the size and color of the font of the signature (Gmail left me very little choice), but my basic assumption is that anyone who got an e-mail from me saw the link. The click on it depends on my relationship with that person, if we do not know one another there is a high chance this person will click and if we correspond on a regular basis, the chance is that he will not.
My social parameters in this channel (influencing on the level of exposure): In the last couple of months I have sent an average number of 11 e-mails per day and a total of 684 e-mails. Out of which, 45 e-mails were sent to new people (people I approached for the first time).
The overall number of participants coming from this group: 33
Group 6: Twitter
![]()
Designated link: http://cli.gs/blogs-askpavel
Traffic sources: Twitter. Not enough?
The link's location in each source: The bio field in the personal profile.![]()
Conditions for exposure: Twitter is a powerful tool deserving a post of its own and this is why I decided to create for it a category of its own. The exposure of your profile depends on the number of people following you, the number of tweets, the number of searches leading to your profile and the number of retweets you get. The rule valid here is very common to all social networks - the more popular you are, the more people will be exposed to your profile.
My social parameters in this channel (influencing on the level of exposure): 171 people following me and during the period of the experiment I sent only 16 tweets (because of the low number, it does not reflect the normal usage and the power you can extract out of the tool).
The overall number of participants coming from this group: 37
Here is a final concentration of the figures:
- Social networks: 55
- Blog comments: 64
- Discussion groups and forums: 79
- Instant messages: 40
- E-mail service: 33
- Twitter: 37
What to conclude from all this? That Twitter is the marketing machinery of the future? Naw. This isn't about "the next big thing". It's about how little we know about how marketing will work and how transactions (not just purchases, but any kind of value exchange) will be earned (and I do mean earned) in the future. Success is highly variable. Execution matters (as James said). Unexpected events can make an impact. People are powerful marketers.This is actually really important. It's why you want to enable others to help promote for you however they're most comfortable promoting your works. Yet, over the past decade, what we've seen is how the music industry has tried, at almost every turn, to limit how people promote music to others, and to funnel fans into a very limited set of options for how to interact with the music. If you want to capture the biggest possible bang for the buck, you have to step back and let the community figure out the best way to help promote your works, rather than assuming you can dictate it.

This instructable shows you how to build an adjustable 12-volt power supply that would make a great addition to your electronics workbench. Having an adjustable power supply is really important when tinkering with electronics. This looks like a fairly simple build with unlimited uses.
This is an Instructable that tells you how to make an adjustable voltage regulator, which has endless applications. It can be used to test your LED's and other low voltage loads, and there is another terminal for higher voltage applications.
More about making a DIY 12-volt adjustable power supply
Related:
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In the Maker Shed: Plug-in Bread-Board Power Supply
In the Maker Shed:
Plug-in Bread-Board Power Supply
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Check out this cool interview with wearable technology guru and Botanicalls co-creator Kate Hartman by Dave Caputo. Via Fashioning Technology.
Read more | Permalink | Comments | Read more articles in Interviews | Digg this!
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Young picks out several case-studies to explore in depth, including such old favorites as Hardware Wars, Robbins Barstow's Tarzan movie, Troops, and plenty others that you've encountered online (and several that you'll want to seek out after reading the book). On the way, he brings the obsessive personalities to life, giving us a peek into the kind of person who'll spend years painstakingly recreating the entirety of Indiana Jones and the Lost Ark. Plenty of these people grew up to be famous in their own right (including Tommy Ramone, who participating in a truly hairy early Spiderman fanfilm).
Homemade Hollywood delves into the technique, meaning, and creativity behind fan films, showing how imitation can be original, and how great creative people get their starts copying the things they love. Young also explores the love/hate relationship copyright holders (especially big studios) have with the fans who knock off their goods.
When Young hits his stride, this book is great, a long tale told of obsessives swinging from buildings in Spiderman suits, of melted Lego figures, of children recreating the flaming bar in Raiders of the Lost Ark by setting themselves and their basement on fire, and keeping the camera rolling the whole time.
That said, there were parts of this book where I found myself skimming over a little too much detail -- it's clear that Young's every bit as obsessive as the fanfilmers themselves. The production values here were also a little rough -- the text changes typeface at random intervals, and there are more typos than usual scattered through the text. And even though Young makes several mentions of fair use and defends a liberal copyright regime, he often repeats the fallacy that noncommercial use is fair use, and that commercial use is infringing (neither of these statements are necessarily true, and some of the most important fair use cases in history hinge on, for example, commercial use being fair, or noncommercial use being infringing).
But setting aside those quibbles, this book's a real treasure, an inspiration to amateur filmmakers everywhere.
Homemade Hollywood: Fans Behind the Camera
The Metropolitan Police used section 44 of the Terrorism Act more than 170,000 times in 2008 to stop people in London.Note, they don't say that there were 65 convictions, or even 65 sustained charges, just 65 arrests. My guess is that the number of convictions in this case is approximately zero. Which would be a success rate of 0.000%.That compares to almost 72,000 anti-terror stop and searches carried out in the previous year.
Of all the stops last year, only 65 led to arrests for terror offences, a success rate of just 0.035%.
The good news? It's moved to TVOntario, the other public broadcaster in Ontario.
"I could have argued about how great our numbers are or how cheap the show is to produce or how important our subject matter is, but ultimately there was no way for me to do that without essentially making the case that some other show should get axed instead," explains Jesse Brown who notes the decision was purely a financial one for CBC.Search Engine restart (Thanks, Ben!)Thankfully Brown met Miner while working on a story about Conservatives stealing TVO footage.
"When I found out that his podcast wasn't going to be renewed, we quickly moved to bring it over to TVO. It all came together amazingly quickly. Everybody here is a big fan of Search Engine, so it was clear right away we wanted to have it, we just weren't sure how quickly we could dot every i, cross every t," says Miner of the deal that came together in an astonishingly quick day and a half.

Typsie sez, "My buddy Frank's wife Dianna whipped up a Cthulhu ski mask for him to wear at a recent costume party, and we were all amazed at the sheer blinding awesomeness of it. It even has a mouth-hole so that you can be an Elder God and still kick back a brewski (as pictured). We're trying to convince her to make more and sell them on Etsy."
I'd wear one on the slopes!
Me and The Big Green C
(Thanks, Typsie!)
Disney Parks Stop Scans for Topless Riders (Thanks, Dan X!)Disney confirmed Tuesday that it has reassigned employees at Disneyland and Disney's California Adventure who watched for breast-baring riders because "actual inappropriate behaviors by guests are rare."
Disneyland spokeswoman Suzi Brown says the changes took effect Sunday at Splash Mountain, Tower of Terror, Space Mountain and California Screamin'.
Riders are photographed on the attractions and can then buy souvenir copies. Some have exposed their breasts in hopes that the picture would make it onto a photo preview screen at the ride's exit.

Ever tried it? Post to the comments!
RESCUE TAPE Self-Fusing Silicone Tape ~ BLACK
(via Red Ferret)
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I've been having a lot of fun writing for CreditBloggers. My most recent entry is about Predictably Irrational author Dan Ariely's recent TED talk about his experiments to learn more about the psychology of cheating.
Ariely decided to conduct a series of experiments to understand cheating. He gave test subjects a math quiz with 20 problems, and promised to give a dollar for each correct answer. The problems weren't hard to solve, but Ariely imposed a five-minute time limit, making it impossible for anyone to complete the test. After five minutes, Ariely collected the test from the volunteers, scored them, and paid them for their correct answers. On average, volunters solved four questions correctly.Dan Ariely: Why people think it's OK to cheat a little bitNext, he tempted people to cheat. He told a new group of test takers to score their own tests and tell Ariely how many questions they got correct. These volunteers reported, on average, that they solved seven questions. The interesting thing about this, says Ariely, was that the higher average wasn't because a few people cheated a lot; rather, it was because a lot of people cheated a little. Equally interesting was the fact that the amount of cheating didn't change when the reward for a correct question was increased or decreased; nor did it change when the chances of being caught cheating were increased or decreased.
Here are my other posts:
•Consumer Sentiment on the Rise (for now)
•Afflicted with Allelomimesis -- Why People Behave as if They’re Broke When They’re Not
•Half-empty supermarket shelves act like consumer magnets
•Bringing Your Kids to the Supermarket is Hazardous to Your Wallet