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Recently at Boing Boing Gadgets, we paid special homage to bridges. Come visit us for those posts and more:
* An interview with Donald MacDonald, chief architect of the new Bay Bridge
* The new suicide prevention barrier on the Golden Gate
* How to build a model bridge
* A 1000-year old bridge surrounded by houses
* A bridge-building centipede truck
* A tiny floating water bridge
* Why Kurzweil will probably die
* Why in-car bluetooth is still considered a luxury
* The ultra-Japanese NEC netbook
* A map of phone calls made on Obama's Inauguration Day
photo by Wasabi Bob
(Rudy Rucker is a guestblogger. His latest novel, Hylozoic, describes a postsingular world in which everything is alive.)
Sooo...it's Friday night again.
How about a playlist of thirty or so videos by Frank Zappa!
We miss you, Frank.
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Ken Blackwell of The Family Research Council (Self-described as a "Christian organization promoting the traditional family unit and the Judeo-Christian value system upon which it is built") goes up against Christopher Hitchens on the topic of Christianity in America.
I love the stray lock of hair dangling across Hitchens' forehead as he blithley shoots his deadly barbs.
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Carlo Longino is an expert at the Insight Community. To get insight and analysis from Carlo Longino and other experts on challenges your company faces, click here.
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"Countries that are included in the survey portion are chosen to represent the more volatile economies. IDC has found from past research that low piracy countries, generally mature markets, have stable software loads by segment, with yearly variations driven more by segment dynamics (e.g. consumer shipment versus business shipments of PCs) than by load-by-load segment."So... just to get this straight. IDC doesn't bother to survey Canadians about software piracy, because it considers Canada to be a "low piracy" country. So it just makes up the number... and then the BSA, other lobbyists, research groups, the press and politicians (including the US Trade Representative) use these made up numbers to support the claims that Canada is a high piracy country. Doesn't that seem like fraud?
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Teaching Copyright (Thanks, Rebecca!)
You may have seen the new anti-copying educational program the Copyright Alliance is promoting to the nation's teachers. Today, EFF launched its own "Teaching Copyright" curriculum and website to help educators give students the real story about their digital rights and responsibilities on the Internet and beyond.The Copyright Alliance -- backed by the recording, broadcast, and software industries -- has given its curriculum the ominous title "Think First, Copy Later." But EFF's curriculum (the result of more than a year of work) introduces critical questions of digital citizenship into the classroom without misinformation that scares kids from expressing themselves in the modern world.
There are a lot of good resources on TeachingCopyright.org -- everything from lesson plans for high school students to guides to copyright law, including fair use and the public domain. So it's worth checking out whether you are a teacher, a student, or a parent.
Forgetomori has a nice photo gallery of giant earthworms. I'm not sure if they are real or not.
The worms in the images all look they are up to a meter in length, compatible with the recorded dimensions for the many species of the families we discussed. They are probably real, though exactly from where and what species my ordinary investigation didn’t come up with. Specialists, do enlighten us with further confirmation and identification! The first image of a girl holding up one, for instance, may not be of an earthworm but of a caecilian.
Video: Connecting to the internet with a modem from 1964K.C. (a.ka. "Phreakmonkey") has a Livermore Data Systems "Model A" acoustic coupler modem, a 300 baud modem from the '60s--"one of the oldest modems of still in existence. It was given to me by the widow of an IBM engineer."
So, so awesome. If I were a fiction writer, I'd do a short story about an alternate present where broadband never came to be, but the entire world was connected through analog, low-baud modems.
Webphemera has a great gallery of many species of insects making the beast with two backs, 18 legs and 96 eyes.
Insects In Flagrante
(Thanks, RJ!)
These two amazingly talented women run up and down the keys on the giant floor-piano at FAO Schwarz, belting out an astounding rendition of Bach's Toccata and Fugue in D minor. Bach never sounded so good.
What do you-all do with your cryptokeys? Keep 'em with a lawyer and hope that attorney-client privilege will protect them? Safe-deposit box? Friends? Under the mattress? Do you worry that if your friends have your keys, they can be subpoenaed or suborned?
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(Rudy Rucker is a guestblogger. His latest novel, Hylozoic, describes a postsingular world in which everything is alive.
I've been interested in cellular automata (CA) for many years, and I helped program two different free, downloadable CA software packages for Windows: Cellab and Capow.
If you just want a peek at these scuttling graphics, try Mirek Wójtowicz's Java-based MJCell program, viewable in your browser.
In the 1980s, my fellow cellular-automatist John Walker and I used to believe that CAs were poised to take over the worlds of video, fabric, and game effects. But the revolution is a little slow in coming...
At least, as I discussed in a "Gnarly CAs" article in Make magazine last year, my former student Alan Borecky indeed managed to make a CA dress for his wife, Donna. And I keep noticing that a lot of the fabrics that I see people wearing these days could easily be designed by CAs.
Nosing around for further evidence for the advance of CAs, I found some mildly heartening signs. The blog Code-Spot has a tutorial on using CAs in games.
The book Core Techniques and Algorithms in Game Programming has a little bit about using CAs to generate fire.
And cellular automata have played a role in both SimCity and Spore.
I've long thought that digital musicians should lean more heavily on chaotic effects so as to avoid roboticity. KVR Audio Damage has released a CA-based device called Automaton:
A glitch plug-in that uses a unique game of life style sequencer...capable of adding subtle, seemingly random fills and humanizing effects, but if you like, you can crank the sequencer up to eleven, and watch as your digital audio workstation becomes a petri dish while Automaton makes complete hay of the track you've inserted it to.





When not working on Make: television, writing for Make: Online, and working as a character mechanic for Disney, our bud John Edgar Park, along with fellow MAKE contributors Brian Jepson and Tod Kurt, have been burning the midnight solder on some new peripherals for the Arduino world that they've dubbed WingShields. The first kit in the "wing-format" is the ScrewShield, a header pins-to-screw terminal blocks board. The kit includes 1 Analog-side PCB, 1 Digital-side PCB, 2 sets of 6-pin stacky female header pins, 2 sets of 8-pin stacky female header pins, enough terminal blocks to fill 34 holes on the board (these come in 2- and 3-terminal units, which slot together). The pins on the headers are extra-long to allow for stacking over or under other shields.
The ScrewShield is "premiering" at Maker Faire this weekend and will be available in the Maker Shed at the Faire. After that, it'll be available for Maker Shed mail order (as well as at other online kit retailers).
Congrats on the new venture, guys!
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In today's episode of Boing Boing Video, we experience the funky flaming glory that is DANCE DANCE IMMOLATION, a pyro-parody of the popular arcade game in which one jumps around on touch-sensitive pads underfoot in rhythm with music. With DDI, you do this inside a flame-retardant suit. Miss a step, you get torched with a giant flamethrower.
Dance Dance Immolation combines video games, music, and propane. You play DDR. A good performance wins you acclaim from flamethrowers. A missed step gets you a face full of fire! Yes, the fire is real. Put on a fireproof suit and give it a try!The contraption was created by the clan of happy mutant makers known as Interpretive Arson. We shot this at "How to Destroy the Universe," a yearly Industrial culture event which this year honored Throbbing Gristle's reunion tour. Laughing Squid has a related blog post here.
We hear they're next performing at the "Smukfest" art confab in Denmark.
(Update): Nicole Aptekar of Interpretive Arson pops in with more on the upcoming .dk gig:DDI next heads across the pond to burninate the Scandinavians, where we have been gleefully booked for the Smukfest music festival in Skanderborg, Denmark, August 5-9. It's a beautiful setting for our first European run, within a lush green forest. However, trees are flammable so DDI will run on a custom-constructed raft floating in the middle of a lake. We've had to skip our normal West Coast circuit to do it, but it might just be worth it if we get to shoot Kylie Minogue with fire.
CREW NOTE: About this episode's host, Aaron Muszalski (aka SFSlim): He's a Burning Man builder, visual effects artist and educator, and a wandering polyglamorous anarcho-Dada Buddhist biker punk. He's on Twitter. In this episode, you'll also see our delightful recurring guest host Charis Tobias, who is all of 18 years old if memory serves. And thanks to our SF-based shooter-producer Eddie Codel who did a fine job capturing the madness on this piece, yet again.
(Photo below by Kristen Ankiewicz, courtesty Interpretive Arson)
Sponsor shout-out: This Boing Boing Video episode is brought to you in part by WEPC.com, in partnership with Intel and Asus. WePC.com is a site where users come together to "share ideas, images and inspiration about the ideal PC." Participants' designs, feature ideas and community feedback will be evaluated by ASUS and "will influence the blueprint for an actual notebook PC built by ASUS with Intel inside."
Carlo Longino is an expert at the Insight Community. To get insight and analysis from Carlo Longino and other experts on challenges your company faces, click here.
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R. Stevens says,
"North Korea apparently tested another nuclear weapon and my mind immediately goes to bad jokes. For those who don’t get it: Fat Man & Little Boy. Xeni deserves part of the blame for asking if I knew any Kim Jong LOLs. You’d be surprised how hard these are to make without ripping off Team America or being racist!"
Guan Baihua of China made this nifty bike with a rounded triangular wheel and a rounded pentagonal wheel.
(Here's a video of a trike with square wheels.)

From the MAKE Flickr pool
Besides having one of the most awesome Flickr handles ever, Thunderhammer3000 has an interesting strategy for prototype boards -
If you've ever used those cheapo one-side Radioshack (or knockoff) protoboards, you're familiar the the problems with them. But I noticed that I had no such problems with kits from Adafruit, Maker Shed, etc.definitely seems a worthwhile endeavor if you find yourself using mostly the same parts on each project - at around $4 per board it could be an affordable timesaver. More info on the photo's page. Read more | Permalink | Comments | Digg this!Why? Because their boards are through hole plated, the contacts are plated (unlike cheap protoboards which corrode so you can't get a good connection), and they have a nice solder mask.
After spending countless hours struggling to debug issues with protoboards - even the expensive ones - I decided to just design my own.
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As Board Chair, I will provide strategic direction and lead the Board in developing a plan for long-term growth. Nathan will manage day-to-day business of OneWebDay, build and support our network of volunteers, and develop our program plans for OneWebDay 2009. We would like the thank the Media and Democracy Coalition for Nathan's support leading up to the grant award, and we hope to build on our relationship.New Leadership for OneWebDay (Thanks, David!)Every year, OneWebDay focuses on a new theme. This year's theme is the promise of digital inclusion, and we will call attention to efforts that work to ensure that anyone who wants it has access to the Internet and the skills they need to engage in our new communications environment.
Last year, Cory wrote that Airborne, a cold remedy ("CREATED BY A SCHOOL TEACHER!") lost a class action lawsuit for deceptive advertising and had to award its customers $23 million in damages.
I just noticed that Airborne has also changed its packaging art, probably as a term of losing the lawsuit.
The old art shows a man in a blue suit sitting next to a woman coughing into her fist. Behind him, a man is sneezing into a handkerchief. The man in the blue suit is looking fearfully at a menagerie of ugly germs floating overhead, no doubt let loose by the coughers and sneezers around him.
In the new artwork, the coughing woman has been miraculously cured of her cold. She even sports some fashionable red lipstick. The sneezing gentlemen has traded in his snotty handkerchief for a petite napkin, which he uses to politely dab his lips while enjoying an airplane meal. The germs are gone. The blue-suited man, however, remains as frightened as before. This time, he's staring in shock at a gold emblem, which Airborne apparently awarded itself for "quality, purity, and safety" (See close up here). What is Airborne trying to tell us here?
Recently on Offworld, still stinging from the uncertainty of a Western release, we watched, with wonder, six full minutes of Muscle March, Namco's WiiWare game of oiled down beefcake bodybuilders trying to retrieve their stolen protein powder -- and it's everything we'd hoped it would be.
We also saw the announcement of the seemingly Party-Monster-esque new chapter of Grand Theft Auto, called (yep) The Ballad of Gay Tony, watched the first extended video of the forthcoming Call of Duty: Modern Warfare 2, and pre-ordered fantastically designed fan-made Metal Gear Solid T-shirts, shoulderbags and buttons.
Finally we explored life on Mars as Noby Noby GIRL finally meets the red planet, saw Crayon Physics dev Petri Purho return with a sneak peek at his first new prototype in too long, coveted a pair of custom Grim Fandango Converse, loved the comic book cover concept when LittleBigPlanet meets 2000AD, and saw the first concept art from a proposed swamp-opera platformer/adventure from Die Gute Fabrik called Mutatione (above).
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I like this photo from the Instructables article on Gummi Bear Surgery. (Via Weird Universe)
These exclusively visual sensations consisted of unknown people, animals and objects acting in different scenes, like a movie. None of the persons or scenes was familiar to her and she was severely frightened by their occurrence. For example, an old lady was sitting on a ribbed radiator, then becoming thinner and thinner, and finally vanishing through the slots of the radiator.Bolt from the blue triggers bizzare hallucinationsLater, on her left side a cowboy riding on a horse came from the distance. As he approached her, he tried to shoot her, making her feel defenceless because she could not move or shout for help. In another scene, two male doctors, one fair and one dark haired, and a woman, all with strange metal glasses and unnatural brownish-red faces, were tanning in front of a sunbed, then having sexual intercourse and afterwards trying to draw blood from her. These formed hallucinations, partially with delusional character, were in the whole visual field and constantly present for approximately 20 h. At the time of appearance, the patient was not sure whether they were real or unreal, but did not report them for fear that she might be considered insane.
One of the most exciting revelations in the book Homemade Hollywood was the news of the existence of Monster Kid Home Movies, a two-hour 2005DVD of kid-made monster movies from the 1950s to the 1980s, transferred from streaky old film-stock.
I sent away for a review copy of the disc and it's been my captivating evening viewing for two nights now. Monster Kid Home Movies is an utterly exuberant celebration of monster-obsessed amateur creativity, and the films are filled with raw enthusiasm for the genre. These are Forry Ackerman's spiritual progeny at their most ingenious, contriving incredible costumes, ill-advised stunts, clever camera work, and often hilarious hamming to recreate the famous monsters of filmland.
The DVD's extras are great as well -- bios and production stills from the films, which are organized by creator. Some of these kids went on to have real Hollywood careers, others didn't, but they all made glorious monster movies in their day.
Monster Kid Home Movies homepage
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This alarm clock carpet could be a fun remake with a gutted alarm clock circuit's switch replaced with conductive fabric stitches triggered by stepping on the rug. Via Inspire me, now!
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One of my fave found-object artists/kinetic sculptors, Nemo Gould, is going to be at Maker Faire again this year. He'll be there as part of the Applied Kinetic Arts group which will also include Benjamin Cowden, Jonathan Foote, Carl Pisaturo, Kal Spelletich, Greg Brotherton, Christopher T Palmer, Alan Rorie, Mark Galt, and Reuben Margolin. This is an astounding opportunity to see the current work of some of the most impressive people currently working in kinetic art. Nemo will also be on a panel I'm hosting on Saturday (4pm on the Make: television stage) which will include a number of the artists involved in Device Gallery in San Diego.
Above is a piece Nemo will be premiering at Maker Faire, a little magical box where you can peer into the world of Captain Nemo from 20,000 Leagues Under the Sea.
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Creepy and sad, Bayou reminded me favorably of Robert McCammon's award winning Boy's Life, a thoughtful story about racial injustice, the spirit world, family, love, heritage and history, which never lets go of its fundamental ghostiness, even as it relentlessly pursues beauty through the gorgeous pastoral scenes in the art.
This is volume one, and having read it, I'm impatient to know how it ends, and frightened, too.
Update:: Turns out you can read it online for free!(Thanks, Fancycwabs!)
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"We're very interested to hear how he came up with the figure of $70.50," Facebook spokesman Barry Schnitt wrote in an e-mail to CNET News. "He's not going to get it but we promise to refund all the money he paid to use Facebook. Seriously, we're glad to know how important Facebook is to Mr. Karantsalis but his account was not disabled, is currently active, and he is using it, so I'm not sure what the problem is."Facebook can afford to laugh since the case appears to have no legal merit. Section 230 clearly protects Facebook from liability in this situation (as it should), and the case law on similar cases backs that up. In fact, Eric Goldman notes that: "If anything, Karantsalis might be on the hook to Facebook for filing such a meritless lawsuit." The guy claims he filed the lawsuit to make a point, but the point he may end up making is that you shouldn't file frivolous lawsuits just because you don't like how things happened.
Sigma has posted a firmware update for its DP2 large-sensor digital compact camera. Version 1.01 improves auto focus and reduces the intermittent freezing of the camera that can occur under certain conditions. The update is available for immediate download from Sigma's website.

Boody Rogers, a contemporary of Tex Avery, Harold "Little Orphan Annie" Gray and Chester "Dick Tracy" Gould out-weirded any cartoonist, living or dead, for the bizarre design of his characters and the out-of-control situations he plonks them in. In reading this book, I kept seeing visual echoes of the many who clearly cribbed from Boody, from the characters in Monsters, Inc. to Tex Avery at his oddest. But this tasted like the original brew, first brewed from fresh leaves.
Babe is an immensely strong hillbilly lass who is destined to be a pro ball-player, provided her Mammy can keep her in lightning juice. Sparky Watts is a strongman who needs to be refreshed with cosmic rays or he shrinks to bug-size (his pals include a talking hat with feet and a pinhead whose feet have been swollen to immense size by cosmic rays, and naturally they loathe each other), Dudley is a be-bopper whose kid brother wants to use his records for target practice (and whose dialog runs to "Jumpin' Jack from Skaggerac!" and "'Lo from Buffalo! Crowd in, gang -- mom an' dad have gone to a movie -- let's start SLICING CARPETS!"). They all climb new pinnacles of lovable absurdity, as the words and pictures vie to see who can be more madcap.
This kind of comic makes me wish I was a time-traveller and could visit the era of its birth and read it every week.
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Using Mr. McGroovy's Box Rivets, these enterprising builders built a cardboard scale replica steam engine.
Cardboard Scale Replica Steam Engine
More:
Mr. McGroovy's cardboard box rivets
The Dice-O-Matic is 7 feet tall, 18 inches wide and 18 inches deep. It has an aluminum frame covered with Plexiglas panels. A 6x4 inch square Plexiglas tube runs vertically up the middle almost the entire height. Inside this tube a bucket elevator carries dice from a hopper at the bottom, past a camera, and tosses them onto a ramp at the top. The ramp spirals down between the tube and the outer walls. The camera and synchronizing disk are near the top, the computer, relay board, elevator motor and power supplies are at the bottom.As Schneier notes, "As someone who has designed random number generators professionally, I find this to be an overly complex hardware solution to a relatively straightforward software problem. But the sheer beauty of the machine cannot be denied."The dice start the cycle at the top of the ramp, toward the rear of the machine. The ramp is comprised of ten steps, each at about a 20 degree incline, with a right hand thread through two and a half spirals. Two layers of cloth covered foam (car headliner) keep the noise down. Felt covered foam quarter-obelisks are at each corner, sewn to the side padding. It took a few tries to get the pitch just right. Too shallow and the dice stopped tumbling, too steep and they would start banging against the Plexiglas. Now they roll very well, sometimes stopping and then getting knocked back into the stream. Perfect.
The hopper at the bottom of the ramp is pure seething violence. I am sure there is a better way to load the dice into the buckets (vibrating tables and all that) but not in the budget and footprint I have. Instead, buckets come up through the bottom of the hopper, smashing their way through the accumulated pile of dice and scooping some up. It is rather hard on the dice, much of the paint gets chipped from the edges of the pips. The buckets are close enough together that dice cannot slip through the bottom.
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Just posted! Our lens review of the Hartblei Superrotator 120mm F4 TS Macro. In this latest review we deviate from the beaten track and delve into the slightly esoteric world of tilt and shift optics, taking a look at the longest lens of its type currently available. Like the rest of Hartblei's lenses, the 120mm F4 sports an 'Optics by Carl Zeiss' tag and is available in mounts for most DSLRs, but does it offer enough to justify the price tag?

Via Boing Boing Gadgets comes this model of Berlin's Oberbaum Bridge, being cut with a laser out of gingerbread. The builder hasn't completed the whole thing, but has put up an Instructable slideshow showing his progress thus far.
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[Image from Inventaholic]
Perry Kaye is a great inventor I met at Maker Faire Austin in 2007. Recently, we have had several conversations about the process for bringing a product to market. He has set up a site around the idea of inventing for regular people.
Invention is not always about money. For many of us inventing is primarily the quest for discovery and advancement. Fun seeking also plays a major roll. No, it's not always about profit. Because attempting to monetize every inventive product is silly. Superman does not require a Visa Card before he'll rescue you.
And right now, the World needs an ocean of Super-men/women (i.e. heroes) who help first and worry about money later. How do we inspire philanthropic inventaholics?

[Image from Inventaholic]
One of the great things that I recall from our conversations is the idea of having a process for creating designs that solve a problem.
By having a decent design, and a plan for making the design in various quantities, you can make your design in however many units you can sell. If you get an order for 20, run your plan for 10 twice. If you get an order for 4,000, run your plan for 1,000 four times. If you need more that that, hopefully you are making money off of it and can hire out for parts of the manufacturing process.
Well, you see, Perry is an Inventaholic. If you feel like you might or could be an Inventaholic, then make sure you come play with him at the Inventaholic Prototype Playground at Maker Faire.
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Photo credit: Paulino Figueirido
Unfortunately, popular belief has it that news coming from official, mainstream channels is superior in quality and reliability than news reported by a blogger or someone with a shaky camcorder. Traditional media keep being preached as the source of truth, but what they lack is exactly the essence of truth: validation.
How do you establish what is true form what is false? Mainstream media have a one-way dialogue with their audience: there's no way to check back what was told or written. Participatory journalism, on the contrary, finds its very strength in the continuous, ongoing validation process operated by a large community. You can easily share your opinion, agree / disagree with what is being said by taking advantage of new technologies and the web. This is why it is also called Participatory Journalism.
Participatory Journalism is: The act of a citizen, or group of citizens, playing an active role in the process of collecting, reporting, analyzing and disseminating news and information. The intent of this participation is to provide independent, reliable, accurate, wide-ranging and relevant information that a democracy requires.If you want to understand better the spirit behind citizen journalism, and why it might be a long step forward in the way you both produce and consume information online, this classic report is a must read. Here all the details:
by Chris Willis and Shayne Bowman
The venerable profession of journalism finds itself at a rare moment in history where, for the first time, its hegemony as gatekeeper of the news is threatened by not just new technology and competitors but, potentially, by the audience it serves.
Armed with easy-to-use web publishing tools, always-on connections and increasingly powerful mobile devices, the online audience has the means to become an active participant in the creation and dissemination of news and information. And it's doing just that on the Internet:
The Internet, as a medium for news, is maturing. With every major news event, online media evolve. And while news sites have become more responsive and better able to handle the growing demands of readers and viewers, online communities and personal news and information sites are participating in an increasingly diverse and important role that, until recently, has operated without significant notice from mainstream media.
While there are many ways that the audience is now participating in the journalistic process, which we will address in this report, weblogs have received the most attention from mainstream media in the past year.
Weblogs, or blogs as they are commonly known, are the most active and surprising form of this participation. These personal publishing systems have given rise to a phenomenon that shows the markings of a revolution - giving anyone with the right talent and energy the ability to be heard far and wide on the Web.
Weblogs are frequently updated online journals, with reverse-chronological entries and numerous links, that provide up-to-the-minute takes on the writer's life, the news, or on a specific subject of interest. Often riddled with opinionated commentary, they can be personally revealing (such as a college student's ruminations on dorm life) or straightforward and fairly objective (Romenesko).
The growth of weblogs has been largely fueled by greater access to bandwidth and low-cost, often free software. These simple easy-to-use tools have enabled new kinds of collaboration unrestricted by time or geography. The result is an advance of new social patterns and means for self-expression.
Blog-like communities like Slashdot.org have allowed a multitude of voices to participate while managing a social order and providing a useful filter on discussion.
Weblogs have expanded their influence by attracting larger circles of readers while at the same time appealing to more targeted audiences. "Blogs are in some ways a new form of journalism, open to anyone who can establish and maintain a Web site, and they have exploded in the past year,"writes Walter Mossberg, technology columnist for the Wall Street Journal.
"The good thing about them is that they introduce fresh voices into the national discourse on various topics, and help build communities of interest through their collections of links. For instance, bloggers are credited with helping to get the mainstream news media interested in the racially insensitive remarks by Sen. Trent Lott (R.-Miss.) that led to his resignation as Senate majority leader."Mossberg's description of weblogs as a new kind of journalism might trouble established, traditionally trained journalists. But it is a journalism of a different sort, one not tightly confined by the traditions and standards adhered to by the traditional profession. These acts of citizen engaging in journalism are not just limited to weblogs. They can be found in newsgroups, forums, chat rooms, collaborative publishing systems and peer-to-peer applications like instant messaging. As new forms of participation have emerged through new technologies, many have struggled to name them. As a default, the name is usually borrowed from the enabling technology (i.e., weblogging, forums and usenets).
The term we use - participatory journalism - is meant to describe the content and the intent of online communication that often occurs in collaborative and social media. Here's the working definition that we have adopted:
Participatory journalism: The act of a citizen, or group of citizens, playing an active role in the process of collecting, reporting, analyzing and disseminating news and information. The intent of this participation is to provide independent, reliable, accurate, wide-ranging and relevant information that a democracy requires.Participatory journalism is a bottom-up, emergent phenomenon in which there is little or no editorial oversight or formal journalistic workflow dictating the decisions of a staff. Instead, it is the result of many simultaneous, distributed conversations that either blossom or quickly atrophy in the Web's social network. While the explosion of weblogs is a recent phenomenon, the idea of tapping into your audience for new perspectives or turning readers into reporters or commentators is not. Many news organizations have a long history of tapping into their communities and experimenting with turning readers into reporters or commentators. In the early 1990s, newspapers experimented with the idea of civic journalism, which sought participation from readers and communities in the form of focus groups, polls and reaction to daily news stories. Most of these early projects centered around election coverage. Later, newspapers sought to involve communities in major deliberations on public problems such as race, development and crime. According to a report from the Pew Center for Civic Journalism, at least 20 percent of the 1,500 daily U.S. newspapers practiced some form of civic journalism between 1994 and 2001. Nearly all said it had a positive effect on the community. Civic journalism has a somewhat controversial reputation, and not everyone is convinced of its benefits. While civic journalism actively tries to encourage participation, the news organization maintains a high degree of control by setting the agenda, choosing the participants and moderating the conversation. Some feel that civic journalism is often too broad, focusing on large issues such as crime and politics, and not highly responsive to the day-to-day needs of the audience. Yet, the seed from which civic journalism grows is dialogue and conversation. Similarly, a defining characteristic of participatory journalism is conversation. However, there is no central news organization controlling the exchange of information. Conversation is the mechanism that turns the tables on the traditional roles of journalism and creates a dynamic, egalitarian give-and-take ethic. The fluidity of this approach puts more emphasis on the publishing of information rather than the filtering. Conversations happen in the community for all to see. In contrast, traditional news organizations are set up to filter information before they publish it. It might be collaborative among the editors and reporters, but the debates are not open to public scrutiny or involvement.
John Seely Brown, chief scientist of Xerox Corp., further elaborates on participatory journalism in the book The Elements of Journalism: "In an era when anyone can be a reporter or commentator on the Web, 'you move to a two-way journalism.' The journalist becomes a 'forum leader,' or a mediator rather than simply a teacher or lecturer. The audience becomes not consumers, but 'pro-sumers,' a hybrid of consumer and producer."Seely Brown's description suggests a symbiotic relationship, which we are already seeing. But participatory journalism does not show evidence of needing a classically trained "journalist" to be the mediator or facilitator. Plenty of weblogs, forums and online communities appear to function effectively without one. This raises some important questions:
In his 1996 book News Values, former Chicago Tribune publisher Jack Fuller summed it up well: "The new interactive medium both threatens the status quo and promises an exciting new way of learning about the world." This deftly describes both camps of opinion concerning participation by the audience in journalism.
It's not just the Internet that threatens the status quo of the news business. In their 2001 book The Elements of Journalism, Bill Kovach and Tom Rosenstiel make a compelling argument that the news business is undergoing "a momentous transition."
According to the authors, each time there has been a period of significant, social, economic and technological change, a transformation in news occurred. This happened in the 1830s-40s with the advent of the telegraph; the 1880s with a drop in paper prices and a wave of immigration; the 1920s with radio and the rise of gossip and celebrity culture; the 1950s at the onset of the Cold War and television.
The arrival of cable, followed by the Internet and mobile technologies, has brought the latest upheaval in news. And this time, the change in news may be even more dramatic. Kovach and Rosenstiel explain, "For the first time in our history, the news increasingly is produced by companies outside journalism, and this new economic organization is important. We are facing the possibility that independent news will be replaced by self-interested commercialism posing as news."Kovach and Rosenstiel argue that new technology, along with globalization and the conglomeration of media, is causing a shift away from journalism that is connected to citizen building and one that supports a healthy democracy. Clearly, journalism is in the process of redefining itself, adjusting to the disruptive forces surrounding it. So it's no surprise that discussions about forms of participatory journalism, such as weblogs, are frequently consumed by defensive debates about what is journalism and who can legitimately call themselves a journalist. While debating what makes for good journalism is worthwhile, and is clearly needed, it prevents the discussion from advancing to any analysis about the greater good that can be gained from audience participation in news. Furthermore, the debate often exacerbates the differences primarily in processes, overlooking obvious similarities. If we take a closer look at the basic tasks and values of traditional journalism, the differences become less striking. From a task perspective, journalism is seen as "the profession of gathering, editing, and publishing news reports and related articles for newspapers, magazines, television, or radio." In terms of journalism's key values, there is much debate. After extensive interviews with hundreds of U.S. journalists, Kovach and Rosenstiel say that terms such as fairness, balance and objectivity are too vague to rise to essential elements of this profession. From their research, they distilled this value: "The primary purpose of journalism is to provide citizens with the information they need to be free and self-governing." In the case of the aforementioned South Korean news site, we see that traditional journalism's basic tasks and values are central to its ethos. The difference essentially boils down to a redistribution of control – a democratization of media. "With OhmyNews, we wanted to say goodbye to 20th-century journalism where people only saw things through the eyes of the mainstream, conservative media," said Oh Yeon-ho, editor and founder of South Korea's Ohmynews.com. "The main concept is that every citizen can be a reporter," Yeon-ho says. "A reporter is the one who has the news and who is trying to inform others."
The most obvious difference between participatory journalism and traditional journalism is the different structure and organization that produce them.
Clay Shirky, an adjunct professor at New York University who has consulted on the social and economic effects of Internet technologies, sees the difference this way: "The order of things in broadcast is 'filter, then publish.' The order in communities is 'publish, then filter.' If you go to a dinner party, you don't submit your potential comments to the hosts, so that they can tell you which ones are good enough to air before the group, but this is how broadcast works every day. Writers submit their stories in advance, to be edited or rejected before the public ever sees them. Participants in a community, by contrast, say what they have to say, and the good is sorted from the mediocre after the fact."Many traditional journalists are dismissive of participatory journalism, particularly webloggers, characterizing them as self-interested or unskilled amateurs. Conversely, many webloggers look upon mainstream media as an arrogant, exclusive club that puts its own version of self-interest and economic survival above the societal responsibility of a free press. According to Shirky, what the mainstream media fail to understand is that despite a participant's lack of skill or journalistic training, the Internet itself acts as editing mechanism, with the difference that "editorial judgment is applied at the edges … after the fact, not in advance." In The Elements of Journalism, Kovach and Rosenstiel take a similar view:
"This kind of high-tech interaction is a journalism that resembles conversation again, much like the original journalism occurring in the publick houses and coffeehouses four hundred years ago. Seen in this light, journalism's function is not fundamentally changed by the digital age. The techniques may be different, but the underlying principles are the same."What is emerging is a new media ecosystem, where online communities discuss and extend the stories created by mainstream media. These communities also produce participatory journalism, grassroots reporting, annotative reporting, commentary and fact-checking, which the mainstream media feed upon, developing them as a pool of tips, sources and story ideas. Scott Rosenberg, managing editor of Salon.com, explains,
"Weblogs expand the media universe. They are a media life-form that is native to the Web, and they add something new to our mix, something valuable, something that couldn't have existed before the Web. It should be obvious that weblogs aren't competing with the work of the professional journalism establishment, but rather complementing it. If the pros are criticized as being cautious, impersonal, corporate and herdlike, the bloggers are the opposite in, well, almost every respect: They're reckless, confessional, funky - and herdlike."Dan Gillmor, one of weblogging's most vocal defenders and a technology journalist and weblogger for the San Jose Mercury News, describes this ecosystem as "journalism's next wave." In a post to his weblog on March 27, 2002, Gillmor described the principles that define the current "we media" movement:
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Carlo Longino is an expert at the Insight Community. To get insight and analysis from Carlo Longino and other experts on challenges your company faces, click here.
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stamen and petals at ICFF 2009 (via Craft)
Nose BalloonThe balloon helps a kid put air pressure on their eustachian tubes from the pharynx, which opens them and helps keep the middle ear drained. Us grownups do the same thing easily by just closing our eyes, holding our noses and "pushing", like on air trips or while driving in mountains or scuba diving. But try to explain that push to a little kid!
My daughter uses the balloon with great gusto mornings and nights, and often she comments on the wind she then hears blowing inside her ears. That's when an obstructed tube opens and admits air into her middle ear.
Most strikingly, LM confabulated plausible answers to questions about both his personal life and public events, which would normally elicit from most people an answer of "I don't know". When the researchers asked him "Who won the Palme d'Or at the Cannes Film Festival in 1980?" he replied "Fernandel"; when asked what he had for dinner on Tuesday two weeks ago, he answered "Steak with french fries"; and when asked "Do you remember what you did on March 13th, 1985?" he replied "We spent the day at the Senart Forest."Confabulatory hypermnesia, or severe false memory syndromeLM thus has a "pure" amnesic syndrome, in that his impairment is not associated with other cognitive deficits which might interfere with memory function. He scored normally on short-term memory tests, and the evaluation revealed mild, diffuse neurodegeneration, rather than damage in a specific part of the brain. False memories are not uncommon in patients with Korsakoff's syndrome - indeed the condition is also referred to as amnesic-confabulatory syndrome. However, the confabulations of such patients are sometimes extraordinary, bizarre and verging on being delusional. LM's confabulations, on the other hand, were always plausible, and therefore quite unlike those reported in other Korsakoff's patients.

As we see more and more empty, abandoned street newspaper boxes, Posterchild converted this one into a lovely planter with a simply-shaped plywood insert.
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Google's Linux-based Android platform is attracting a lot of attention. The new version significantly improves the platform's reliability and could make it look a lot more appealing to carriers and handset makers. The availability of an experimental x86 port has caused some people to speculate that Android might have a place in the netbook market.Canonical developers aim to make Android apps run on Ubuntu

Star Trek Meerkat Bones McCoy Original Series
(Thanks, Dawn!)
There are, on this type of thinking, two kinds of reader: fans and the indifferent. Monocle's strategy is to find fans and then, boy, make money out of them. So, if you missed an issue, back issues cost double - because in the end it is only completists, eyeing an irritating lacuna on the bathroom shelf, who will want to buy. And they might as well pay up.Then, the Wall Street Journal covered five different magazines that are all coming up with creative ways to add value and give fans a reason to buy. Some of them are incredibly creative, often turning the "magazine" into a piece of artwork itself (i.e., something you want to posses and own, not something you read and toss out). For example, there's T-Post -- a magazine built into a t-shirt:
There are Monocle accessories - bags, pens and Lord knows what else - to buy and of course it is the fans that do, as they rather like being some sort of trans-national club, who fancy flying for a holiday in Costa Rica/Brunei/South Africa. And if you missed them in the magazine, you can head down to a Monocle shop. There is one off Marylebone High Street in London, with others in Los Angeles, or in Mallorca this summer, on the off chance that you happen to be in those locations at the crucial time.
Now, some readers may snort with derision at this point. After all, it would not be hard for more demotic types to describe Monocle as pretentious, although this is in fact unfair. But it does not matter; if there are enough fans you can make good money from them, a strategy that never did Madonna much harm. The snorters - a majority for any publication if you think about it - are irrelevant.
It's the magazine you can wear.Other magazines include one where every issue is round and comes inside a designer frisbee, another where the magazine is made of unique and unusual materials (the latest one is "a book of black-and-white photographs that turn to color when exposed to the sun." Then there are magazines that blur the lines between magazines and objects, such as La Mas Bella and La Lata, which comes in a can you have to pry open.
Every six weeks, T-Post sends its 2,500 subscribers a new T-shirt: It has a true story printed on the inside, chosen to make readers think, while on the outside an artist interprets the story to create a stylishly unique piece of graphic clothing. The idea behind the magazine is that each design will provoke onlookers to comment -- and give the owner of the T-shirt the opportunity to spread the story printed on the inside.
(Red Bull) said coca leaf extracts were used worldwide as a natural flavouring, and that its own tests had found no traces of cocaine."Germany bans cola after drug test"
The illegal cocaine alkaloid - one of 10 found in coca and representing only 0.8% of the plant's chemical make-up - is chemically removed before use, as mandated by international anti-narcotics agencies.
"There is no scientific basis for this ban on Red Bull Cola because the levels of cocaine found are so small," Fritz Soergel, the head of the Institute for Biomedical and Pharmaceutical Research in Nuremberg, Bavaria, told Time magazine.
"And it's not even cocaine itself. According to the tests we carried out, it's a non-active degradation product with no effect on the body. If you start examining lots of other drinks and food so carefully, you'd find a lot of surprising things."
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I've spent much of the past week in a K'iche' Maya village in the highlands. One of the children there took this snapshot on my iPhone by accident, I'm pretty sure.
I love it. We were gathered around the wood hearth, trying to stay warm. I was watching the women of the household slap tortillas from corn grown in the nearby milpa. I'd offered the kids my iPhone -- a foreign, seemingly magical device (their dad described it in those words, anyway).
I was showing them how to play around with some apps. I didn't actually show much, they figured things out on their own. Their favorite apps, btw, were: Eno's "Bloom," and "Koi Pond" (Which I learned would be called "Uk'ob'al Kar" in the Kiche' language, that's how you'd say "small pond full of fish.")
I'm blogging the photo because -- I don't know. I loved the composition, the dreamy-floaty quality. It reminds me of a painting I saw in a famous person's home in LA a few weeks before I left the USA. I like it a lot more than most of the "real" photos I've "deliberately" taken on this trip with "good" cameras (yes, I love over-using quote marks).
Sometimes accidents, or chance creations in the hands of children, are better than things we might choose or control.
I'm heading back to the pueblo shortly, but here is another phone-snap of where I'm sitting and typing now. Guatemala is extreme beauty, and extreme suffering.

Over at the Mother Ship, they're having a drawing. Send a picture of your DIY project, any DIY project, and the randomly-chosen winner will receive 2 full adult weekend passes to Maker Faire.
County of San Mateo Declares May 30th & 31st Maker's Weekend
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Canon has announced a firmware update for its EOS 5D Mark II digital SLR enabling manual exposure when shooting videos. With the updated version, users will be able to manually adjust the shutter speed, aperture and ISO settings in the video mode. The new firmware will be available for download on 2 June 2009 from Canon's website.
Carlo Longino is an expert at the Insight Community. To get insight and analysis from Carlo Longino and other experts on challenges your company faces, click here.
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