1sockchuck writes "It was a bad week to be a piece of electrical equipment inside a major data center. There have been five major incidents in the past week in which generator or UPS failures have caused data center power outages that left customers offline. Generators were apparently the culprit in a Rackspace outage in Dallas and a fire at Fisher Plaza in Seattle (which disrupted e-commerce Friday), while UPS units were cited in brief outages at Equinix data centers in Sydney and Paris on Thursday and a fire at 151 Front Street in Toronto early Sunday. Google App Engine also had a lengthy outage Thursday, but it was attributed to a data store failure."

Read more of this story at Slashdot.

(Ed. Note: We recently gave the Boing Boing Video website a makeover that includes a new, guest-curated microblog: the "BBVBOX." Here, folks whose taste in web video we admire tweet the latest clips they find. I'll be posting periodic roundups here on the motherBoing.)

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More @BBVBOX: boingboingvideo.com

Ari Kuschnir of m ss ng p eces has co-directed what I am fairly certain is the first "pro" music video shot entirely on the new iphone 3GS: "Love Love Love," by Reyna Perez. My capsule review: I love love love. About the artist, and the making of:

Reyna Perez has embraced the concept of digital collaboration with her self-titled EP. She recorded each song in Brooklyn on acoustic guitar at a home studio and emailed the tracks to producer Michael Maurice (Curio Sound) in Denver. Over the course of 2 months, Maurice mastered her songs into full fledged productions using Logic software and his own instruments. "I've given them a warm analogue sound, without using any actual analogue equipment; it's a testament to the times, and I'm very happy with the results," says Maruice.

The final mixes arrived via ftp on Friday, June 17th, the same day the iphone 3GS hit the streets. Video producer Ari Kuschnir, Reyna's fiancee, purchased the iPhone after a two hour wait, made shorter by listening to the tracks. Hearing the new music and playing with 3GS, he had an idea. Why not debut Reyna with the first iPhone music video? "It became clear that the phone's camera quality was good enough to shoot a music video. It seemed fitting for the project."

Over the next few days, the plan and the team came together. Within a week, through a series of collaborations much like the mastering of Reyna's EP, the video was complete.

Here's the video, and here's Reyna on Facebook, and here she is on reverbnation.com.

BotScout writes "The nation's Social Security numbering scheme has left millions of citizens vulnerable to privacy breaches, according to researchers at Carnegie Mellon University, who for the first time have used statistical techniques to predict Social Security numbers solely from an individual's date and location of birth. The researchers used the information they gleaned to predict, in one try, the first five digits of a person's Social Security number 44 percent of the time for 160,000 people born between 1989 and 2003. A Social Security Administration spokesman said the government has long cautioned the private sector against using a social security number as a personal identifier, even as it insists 'there is no fool-proof method for predicting a person's Social Security Number.'" Update: 07/07 00:01 GMT by T : Reader angrytuna links to Wired's coverage of the SSN deduction system, and links to the researchers' FAQ at Carnegie Mellon, which says that the research paper will be presented at BlackHat Las Vegas later this month.

Read more of this story at Slashdot.

ChurchHatesTucker alerts us to the news that Pez, makers of the famous candy that comes in dispensers with the breakaway heads, is suing a Pez Memorabilia museum. The original article says it's for copyright violations, but I believe that's wrong. The lawsuit appears to be about trademark. The museum itself is not affiliated with the company that makes the candy (and, in the past, the museum changed its name to highlight the fact that it's Pez Memorabilia, to clarify that it wasn't associated with the actual candy company. However, at issue here is the giant (working) 7-foot mock Pez-like dispenser that is on display at the museum. The candy company seems particularly miffed that the Guinness folks declared it the "world's largest Pez dispenser" recently, with the candy company claiming this is false, since without a license, it's not really a Pez dispenser. Now, the trademark lawyers will rush to say that a company such as Pez needs to defend its trademark, lest it become generic. And that's true. But there are ways that such things can be handled without the company demanding the monument to Pez be destroyed. It's difficult to see what "harm" this 7-foot dispenser is doing to the Pez brand. In fact, just the opposite is likely. So why not just grant the museum a license and embrace the fact that there are fans so into your candy that they'd want to build a 7-foot monument to it? Otherwise you just look like a bunch of bullies.

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ChurchHatesTucker alerts us to the news that Pez, makers of the famous candy that comes in dispensers with the breakaway heads, is suing a Pez Memorabilia museum. The original article says it's for copyright violations, but I believe that's wrong. The lawsuit appears to be about trademark. The museum itself is not affiliated with the company that makes the candy (and, in the past, the museum changed its name to highlight the fact that it's Pez Memorabilia, to clarify that it wasn't associated with the actual candy company. However, at issue here is the giant (working) 7-foot mock Pez-like dispenser that is on display at the museum. The candy company seems particularly miffed that the Guinness folks declared it the "world's largest Pez dispenser" recently, with the candy company claiming this is false, since without a license, it's not really a Pez dispenser. Now, the trademark lawyers will rush to say that a company such as Pez needs to defend its trademark, lest it become generic. And that's true. But there are ways that such things can be handled without the company demanding the monument to Pez be destroyed. It's difficult to see what "harm" this 7-foot dispenser is doing to the Pez brand. In fact, just the opposite is likely. So why not just grant the museum a license and embrace the fact that there are fans so into your candy that they'd want to build a 7-foot monument to it? Otherwise you just look like a bunch of bullies.

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ChurchHatesTucker alerts us to the news that Pez, makers of the famous candy that comes in dispensers with the breakaway heads, is suing a Pez Memorabilia museum. The original article says it's for copyright violations, but I believe that's wrong. The lawsuit appears to be about trademark. The museum itself is not affiliated with the company that makes the candy (and, in the past, the museum changed its name to highlight the fact that it's Pez Memorabilia, to clarify that it wasn't associated with the actual candy company. However, at issue here is the giant (working) 7-foot mock Pez-like dispenser that is on display at the museum. The candy company seems particularly miffed that the Guinness folks declared it the "world's largest Pez dispenser" recently, with the candy company claiming this is false, since without a license, it's not really a Pez dispenser. Now, the trademark lawyers will rush to say that a company such as Pez needs to defend its trademark, lest it become generic. And that's true. But there are ways that such things can be handled without the company demanding the monument to Pez be destroyed. It's difficult to see what "harm" this 7-foot dispenser is doing to the Pez brand. In fact, just the opposite is likely. So why not just grant the museum a license and embrace the fact that there are fans so into your candy that they'd want to build a 7-foot monument to it? Otherwise you just look like a bunch of bullies.

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BotScout writes "British experts claim that a new laser treatment could save the sight of millions of people. The process is said to stop the onset of age-related macular degeneration, one of the most common forms of blindness, which leaves victims unable to read, drive or live independently. The technique rejuvenates the Bruch's membrane — a thin layer that lies behind the retina. The process takes just ten to 15 minutes and could be done by any ophthalmologist. While it does not cure sight loss, its inventor, Professor John Marshall, says it could prevent a generation from having to put up with declining vision in old age."

Read more of this story at Slashdot.

Recently, Smashing Guitar issued a limited commercial version of The Gristleizer, the custom audio effects unit that Throbbing Gristle used in the late 1970s to create uneasy listening music and define the industrial music genre. TG co-founder Chris Carter had made the first unit based on a design printed in Practical Electronics magazine. Now, Smashing Guitar has built a run of thirty Gristleizers in a stompbox form-factor. From the product description:

The pedal version, housed in a high-quality, heavy-duty Hammond 1590DD box, retains all the functionality of the tabletop design with the added convenience of footswitch operation. In essense, The Gristleizer is a synth module that works with any audio signal. The audio path is modulated by an LFO using four selectable waveforms (upslope, downslope, triangle, & square), functioning in one of two paths: VCA (voltage controlled amplifier) or VCF (voltage controlled filter). Ranging from light and sweet tremolo to extreme, raunchy ring mod, The Gristleizer is a 100% analog, hand-assembled unit built to last.

Gristelizer Stompbox (via @chris_carter)

D1gital_Prob3 writes with this excerpt from a story about David Myers, a Loyola professor who spent some time studying superhero MMO City of Heroes/Villains: "... he aimed the pointer at his opponent, the virtual comic book villain 'Syphris.' Myers, 55, flicked the buttons on his mouse and magically transported his opponent to the front of a cartoon robot execution squad. In an instant, the squad pulverized the player. Syphris fired an instant message at Myers moments later. 'If you kill me one more time I will come and kill you for real and I am not kidding.' ... As part of his experiment, Myers decided to play the game by the designers' rules — disregarding any customs set by the players. His character soon became very unpopular. At first, players tried to beat him in the game to make him quit. Myers was too skilled to be run off, however. They then made him an outcast, a World Wide Web pariah that the creator of Syphris — along with hundreds of other faceless gamers — detested."

Read more of this story at Slashdot.

Via Patti Scheindelman's New World Geek comes word of this nifty "Ikea hack," a chicken coop made from an Ikea bunk bed and storage unit.

Ikea home for chicks

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The DOJ is reviewing large American telecoms including ATT and Verizon over concerns the companies have abused the increasingly centralized market power they've gained in recent years, according to an item in the Wall Street Journal today:

The review of potential anti-competitive practices is in its very early stages, and it isn't a formal investigation of any specific company at this point, the people said. It isn't clear whether the agency intends to launch an official inquiry.

Among the areas the Justice Department could explore is whether wireless carriers are hurting smaller competitors by locking up popular phones through exclusive agreements with handset makers, according to the people. In recent weeks lawmakers and regulators have raised questions about deals such as AT&T's exclusive right to provide service for Apple Inc.'s popular iPhone in the U.S.

The Justice Department may also review whether telecom carriers are unduly restricting the types of services other companies can offer on their networks, one person familiar with the situation said.

DOJ Opens Review of Telecom Industry (WSJ.com)

For years, video games have been a convenient bogeyman/scapegoat for politicians to use in complaining about the sort of thing "kids these days" do on a daily basis. In the past, it's been other things -- from TV to music to comic books. But, these days, video games pop up an awful lot. So I guess it should come as no surprise at all that a recent study in Canada found that parents put much greater limits on how much time kids can spend playing video games than they do on TV or movies. Of course, this seems entirely backwards. Not that parents should let young kids just randomly play any video game, but if they're playing age-appropriate video games, you would think that would be a lot better than just sitting there watching TV with no interactivity whatsoever. Plenty of studies have shown that the interactivity of video games helps kids have better hand-eye coordination and (in some studies) problem solving skills. So why not encourage that? It's not examined in the study, but I'd guess that the constant complaining about these "awful video games" has an impact on a busy parent.

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suraj.sun writes to tell us that the RIAA has asked a federal judge to order the removal of what they are calling "unauthorized and illegal recordings" by Harvard University's Charles Nesson of pretrial hearings and depositions in a file-sharing lawsuit. "The case concerns former Boston University student Joel Tenenbaum, who Nesson is defending in an RIAA civil lawsuit accusing him of file-sharing copyrighted music. Jury selection is scheduled in three weeks, in what is shaping up to be the RIAA's second of about 30,000 cases against individuals to reach trial. The labels, represented by the RIAA, on Monday cited a series of examples in which they accuse Nesson of violating court orders and privacy laws by posting audio to his blog or to the Berkman site."

Read more of this story at Slashdot.

Podcast here.

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Guestblogger Marina Gorbis is executive director at Institute for the Future.

At the end of workshops at the Institute for the Future we often ask participants to sum up their experience in one word or one sentence. Applying the technique to myself, I would sum up my whole life in one phrase: From Odessa to the Future.

Right around my 50th birthday I found myself in a position of Executive Director of IFTF, a venerable 40-year old think tank in Palo Alto, California. An honor, for sure, but an honor that for me meant many hours of reflecting on an amazing arc one's life can take, an arc that in my case started in a three room (not three bedroom, three room) apartment I shared with my mother, sister, and grandparents on a street named after a radical and obscure left-wing German politician and historian Franz Mehring in a city most famous for its steps forever immortalized in Sergey Eisenstein's movie Battleship Potemkin. This arc has brought me to the heart of Silicon Valley and to the most unlikely of occupations--a futurist. Although in a funny way, my past may have given me the best training for a futurist, at least the kind of futurism we practice at IFTF. It taught me on a visceral level a lesson that we always try to impart on others: no one can predict the future. If you asked me or anyone around me 35 years ago what would I be, the most likely answer would've been an "engineer." A good bet since most educated Russian Jews are engineers, many of them here in Silicon Valley. I did spend one unhappy year studying naval engineering (this may explain my decision to emigrate at the age of 18). No one around me knew any futurists other than the gypsy fortunetellers regularly trolling the streets of Odessa. You can think of me becoming a futurist as one of those black swan events Nassim Taleb writes about.

My personal experience has also led me to wonder about the unintended consequences of most things we do or that happen to us. I have come to believe that Steven Johnson's apt book title Everything Bad is Good for You applies to many realms much beyond video games and popular culture. I am finding that many things we strive for or think are desirable are actually bad for us and vice versa, things that we thought were bad turn out to be good (unless they kill you, of course). Or to be precise, I don't think they are good or bad per se but that when we make judgments about something being good or bad, we simply cannot foresee the totality of consequences and that among this totality of consequences there are necessarily some good things and some bad.

Prosperity and abundance that we all strive for and that many people have come to America for bring with them huge environmental and oftentimes social costs; lower living standards are simply more sustainable. Abundance of opportunities leads to stress and tyranny of choice, which we experience on a daily basis, from our shopping experiences to the kinds of stressful choices our young people are facing when deciding on colleges or careers. Compulsory education turns many kids off learning. In contrast, kids deprived of educational opportunities, treasure schooling. Just read stories of Afghan girls who were banned from schools under the Taliban and how exalted they were at being able to go to one-room crammed schools. Compare it with kids in many American schools who think of going to school as a punishment. I often think of Solzhenitsyn who once remarked that the freest he ever felt was in the gulag. Who could've thought that in the most oppressive of places one can attain great spiritual freedom? By no means do I advocate depriving people of incomes or kids of schools. I also would not recommend taking spiritual vacations to the gulag. I just like to think about complexity of outcomes and possibilities that often go against the grain of conventional wisdom or clear-cut solutions. I guess this would make me a bad politician. But this is what I like to think about, write about, and debate about, and this is what I hope to engage the awesome Boing Boing community in conversations about.

The monkeys must grab the bags of money and not just shriek and go running all over the place, like they did in the practice run.

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An anonymous reader writes "Dow Jones is getting set to launch a new aggregator, akin to Google News, which will charge Web users for access to high-quality journalism. 'The Journal is one of the many newspapers you might buy in one place and with one payment [...] Watch for it,' said Dow Jones CEO Les Hinton. However, rather than posing a threat to Google News, Andrew Keen, author and entrepreneur, says the aggregator will use Google as a critical partner. The only people who should be worried about this new model, says Keen, 'are all those lucky consumers who, over the last 15 years, have been getting their news for free.'"

Read more of this story at Slashdot.

I'm pleased to introduce our next guestblogger, Marina Gorbis. Marina is executive director of Institute for the Future, a 40-year-old non-profit thinktank in Palo Alto where I'm a research director. IFTF helps companies, governments, foundations, and other organizations think about longterm future trends to make better decisions in the present. Marina a terrific thinker, an effective administrator, a generous person, and a humble soul. She's also very funny, a tad cynical, and a hardcore bluegrass fan -- all traits I appreciate in a friend and mentor. I'm delighted that Marina's agreed to spend some time with us. From Marina's bio:

A native of Odessa, Ukraine, Marina is particularly suited to see things from a global perspective. She has directed international programs and led international development projects for SRI (formerly Stanford Research Institute) in China, Japan, Vietnam, India, and Eastern Europe. Marina has also authored publications on international business and economics, with an emphasis on regional innovation and competitiveness.

In addition to serving as IFTF's Executive Director, Marina led the Technology Horizons Program for several years, focusing on the innovation at the intersection of new technologies and social organization. She has initiated a Global Ethnographic Network (GEN), a multi-year ethnographic research program which tries to develop an understanding of daily lives of people in Brazil, Russia, India, China, and Silicon Valley, in an attempt to integrate their voices into IFTF's forecasts. She has also led several major private client engagements at IFTF, the most recent being a global Science & Technology Forecast for the UK Government's Department of Science & Technology. She holds an M.P.P. from the University of California, Berkeley, a certificate in international business from the University of London, and a B.A. in industrial psychology, also from the University of California, Berkeley. California, Berkeley.

Marina Gorbis at IFTF

Back in May we wrote about a lawsuit questioning whether or not a blogger could use journalism shield laws to protect a source who sent her info she used for a blog post. The company the info was about is suing her for slander (which is odd, since slander is usually spoken, while libel is written). The woman, Shellee Hale tried to claim that she was protected under New Jersey's shield law, which allows a journalist to protect sources. In writing about this case originally, we pointed out that the judge in question clearly did not know much about the internet, and via his questions seemed positively perplexed that anyone would blog at all: "Why would a guy put all this stuff on a blog? Does he have nothing better to do?"

Thus, it should come as no surprise that the judge has now ruled that Hale is not protected by shield laws because she has "no connection to any legitimate news publication." This is troubling for a variety of reasons. First, it leaves open entirely to interpretation what exactly is a "legitimate news publication." The judge seems to think it only applies to old school media, saying: "Even though our courts have liberally construed the shield law, it clearly was not intended to apply to any person communicating to another person." Sure, but that doesn't mean that an individual who posts something in the pursuit of reporting isn't media as well. It looks like Hale will appeal this decision, and hopefully other courts will recognize that you don't have to work for a big media organization to be a reporter any more.

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Esther Schindler writes "Those hours you spent rolling dice in your youth weren't wasted according to my 10 Business Lessons I Learned from Playing Dungeons & Dragons. Playing fantasy role playing games did more than teach the rules of combat or proper behavior in a dragon's lair. D&D can instruct you in several skills that can help your career. Such as: 'One spell, used well, can be more powerful than an entire book full of spells' and 'It's better to out-smart an orc than to fight one.'" What other wisdom have you gained from your time sequestered with various RPGs?

Read more of this story at Slashdot.

Wouldya lookit that! I've won the Libertarian Futurist's Society's Prometheus Award for my novel Little Brother! As with all the other awards LB has been up for this year, I'm even more honored by the company I'm in than the award itself; this year's Prometheus nominees included Charlie Stross's Saturn's Children, Matter by Iain Banks, The January Dancer by Michael Flyn, Opening Atlantis by Harry Turtledove, and Half a Crown, the wrenching conclusion to Jo Walton brilliant Farthing/Ha'penny alternate history trilogy. And this year's Prometheus Hall of Fame winner was Tolkien's Lord of the Rings. These books and these writers are all incredibly humbling company to find oneself among.

The Prometheus will be given out at the WorldCon, and the award includes an actual, no-fooling gold coin. So yes, I'll be walking around the Montreal Worldcon with a pocket full of gold, don't tell anyone.

2009 PROMETHEUS AWARDS FINALISTS ANNOUNCED

Set your DVRs, VCR cat feeders, and Arduino-controlled doggie dish dispensers for 10:30pm tonight. The Discovery Science Channel will be running a segment about Maker Faire on their Brink program.

Brink: Science Channel

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One of our readers, going under the name "slogger," pointed out that a recent column by PC World writer David Coursey had some amazing factual errors in it -- though, by the time I read the original it had been "corrected" without any mention of the correction. Apparently, the big professional press not only doesn't need to fact check, it also can just "disappear" the false info when it comes to light and pretend it didn't happen. Except... PC World syndicates its content to other publications, and the San Francisco Chronicle republished the mistaken column in full.

The two big mistakes? First, claiming that The Pirate Bay sells $27 lifetime memberships, and second, that The Pirate Bay's founders are in jail. Neither is true. The second mistake remains in the "corrected without a correction notice" column at the time of this posting -- but perhaps it, too, will soon disappear. The actual column is a misguided rant by someone who doesn't quite understand how The Pirate Bay actually works and what it does (basically: he thinks "stealing" is evil and he'll never support the site even if it goes legit because he can't support the brand). But, considering that he can't get the basic facts right, perhaps it's not surprising that he doesn't understand the difference between "theft" and "infringement" -- and, more importantly, doesn't seem to understand the difference between search engines/trackers and actual infringing content. These are the sorts of basic tidbits of info you'd think that a famed tech reporter/columnist like Coursey (who's been around for ages) would take the time to get right. After all, aren't we told that the professional press is necessary because it's the bloggers who make up stuff?

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Martin John Callanan, artist-in-residence at University College London's Environment Institute, used satellite data to create a small 300mm terrestrial globe depicting cloud coverage from a single second in time. He first showed the work, titled A Planetary Order, last week at an event also celebrating the publication of Extraordinary Clouds, a new book by the UCL Environment Institute's writer-in-residence, Richard Hamblyn. The cloud-themed projects are profiled in a short video from the university. "UCL writer and artist-in-residence look to the skies"

Ars Technica has a great breakdown of the codec debate for the HTML 5 video element. Support for the new video element seems to be split into two main camps, Ogg Theora and H.264, and the inability to find a solution has HTML 5 spec editor Ian Hickson throwing in the towel. "Hickson outlined the positions of each major browser vendor and explained how the present impasse will influence the HTML 5 standard. Apple and Google favor H.264 while Mozilla and Opera favor Ogg Theora. Google intends to ship its browser with support for both codecs, which means that Apple is the only vendor that will not be supporting Ogg. 'After an inordinate amount of discussions, both in public and privately, on the situation regarding codecs for and in HTML5, I have reluctantly come to the conclusion that there is no suitable codec that all vendors are willing to implement and ship,' Hickson wrote. 'I have therefore removed the two subsections in the HTML5 spec in which codecs would have been required, and have instead left the matter undefined.'"

Read more of this story at Slashdot.

In the Make: Online Toolbox, we focus on tools that fly under the radar of more conventional tool coverage: in-depth tool-making projects, strange or specialty tools unique to a trade or craft that can be useful elsewhere, tools and techniques you may not know about, but once you do, and incorporate them into your workflow, you'll wonder how you ever lived without them. And, in the spirit of the times, we pay close attention to tools that you can get on the cheap, make yourself, or refurbish.

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This week, we look at knives and multitools. Many of us remember getting our first pocket knives as kids -- the simple satisfaction found in whittling and carving, cooking on a campfire, or just semi-irresponsibly flinging it around. And the multitool, that knife with an identity complex -- it can't help but make you feel at least a little MacGyver-esque the first time you slot one onto your belt.

Since many of us use such tools every day -- it's our default tool -- it takes on a special place in our universe of important implements. In other words, knives and multitools are kind of personal. So, in that light, I empty my pockets (drawers, toolboxes) and show you my knife collection. And Sean Ragan shares some of his.

What knifes and multitools do you use? Tell us about them, what you like and don't like about them, in the comments.

Sebenza Chris Reeves Knives
I was sent one of these amazing knives to review when I was writing tool reviews for National Geographic Adventure and I cherish it. I don't know if I could bring myself to pony up over $300 for a pocket knife, but it is a gorgeous piece. It has a Zen-like quality to it; it's a very simply-constructed blade, but it's done with such impeccable craftsmanship and high-quality materials, oh and it has a titanium body, so it feels like air in your hand -- air that can make you bleed. My friend Peter Sugarman, who likes sharp objects, once said to me: "A good blade -- it WANTS to cut you." This must be a good blade 'cause I was bleeding moments after taking it out of the box (trying to get the feel of its one-handed opening).

Leatherman Wave I've had, and have been writing about, the Leatherman since their first classic tool. I got the Wave over ten years ago, use it all the time, and it's still in near-perfect shape. When I first got the tool, I didn't like the flexion in the two body pieces (when you're using the tools from inside the handles, and it still feels a little sloppy). I still don't like it. Don't know if they fixed that in subsequent editions. I know they updated the drivers to be reversible (flat and Phillips), in both the micro and full bit-sizes. The newer Waves also have rulers (8"/19cm) on the body, which is a nice addition.

Leatherman Squirts
We sell the Squirts in the Maker Shed and they;re admirable keychain multitools.

Squirt E4 (aka the "Make: bomb defuser")
This Squirt has wire-cutters (gauges 12-20) as the plier tool, with a needlenose tip. You wouldn't want this to be your only set of common tools, you wouldn't even want this to be your only multitool, but as a keychair/pocket tool, it's come in handy more than once. This is also a great tool for the dressed-up geek (or gearhead). You can't well-wear a Wave on your belt with your wedding n' funeral duds, but you can carry a Squirt in your pocket, in your purse, or on a garter holster for your Lady Derringer-types. The Maker Shed version has "Make: bomb defuser" laser-etched on one side of the body.

Squirt P4 (aka the "Make: Warranty Voider")
This Squirt has the same toolset as the E4, but with needlenose pliers. The Maker Shed version has "Make: warranty voider" etched on one side of the body.

Squirt S4 (aka the "i Craft: things")
The Maker Shed sells this scissors version of the Squirt with "i Craft: things" etched on the body.

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brothke writes "Books that collect chapters from numerous expert authors often fail to do more than be a collection of disjointed ideas. Simply combining expert essays does not always make for an interesting, cohesive read. Beautiful Security: Leading Security Experts Explain How They Think is an exception to that and is definitely worth a read. The books 16 chapters provide an interesting overview to the current and future states of security, risk and privacy. Each chapter is written by an established expert in the field and each author brings their own unique insights and approach to information security." Keep reading for the rest of Ben's review.

Read more of this story at Slashdot.

I've always found DIY prison culture to be absolutely fascinating. Inmates are makers by necessity. In 1999, photographer Marc Steinmetz created this fascinating series of photographs depicting DIY tech found in prisons. The series is titled "Escape Tools." From the artist's site:

(Above left), Rope Ladder with wooden rungs disguised as chess pieces; found and confiscated in an inmate’s cell in Wolfenbüttel prison, Germany, around 1993.

(Above right), Immersion Heater made from razor blades; found in a cell in ‘Santa Fu’ jail in Hamburg, Germany. Jailbirds use these tools to distil alcoholic beverages forbidden in prisons. Your typical inmate’s moonshine still includes a plastic can containing fermented fruit mash or juice, an immersion coil of some sort, a rubber hose, and a plastic receptacle for the booze.

Escape Tools (via Street Use)

Martin points us to a video interview with Hans Pandeya, the head of GGF, the supposed new owners of The Pirate Bay. To be honest, the interview seems somewhat incoherent, where he doesn't actually answer the questions, and does little to elaborate on the confusing business model he's talked about with others: But what I found most interesting about the interview is that Pandeya repeatedly notes that his shareholders will vote on the acquisition in August, and if the company cannot show a clear legitimate business model, he doesn't think they'll approve the acquisition. The questions try to dig down on this, and Pandeya doesn't really do much to answer them, but it certainly sounds like the company has a giant out. There are some other contradictions in Pandeya's statements, as well. At one point he implies that they'll have agreements in place with record labels in time for this vote, and if they don't, then people will vote against the deal -- but then says that it will take much longer to get those deals in place, and there's no way they'd be ready in time for the vote. The whole thing remains a bizarre mystery that is more confusing than enlightening... but I'm beginning to wonder if the deal will ever happen, in reality.

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Bestselling novelist Michael Stackpole says he's making great money selling fiction directly off his site; he doesn't worry about pirates, "People downloading my stories from the big torrent sites were never going to buy them anyway. It's no money out of my pocket." and "He even admitted to downloading some of his own books from bittorrent sites if he didn't already have a digital copy, saying it was far easier than scanning it in himself."

Rather than simply changing the method of delivering stories to readers, Stackpole believes digital formats will change the nature of the stories themselves. At the very least, authors should tailor their work to these new mediums. He cited what he referred to as "the commuter market," people who read two chapters per day on their half hour train ride to work. It's an ideal market for fiction broken into 2,500 word chapters, and could presage a resurgence of serial fiction. "It's kind of like a return to the Penny Dreadfuls," he said. "But the readers today are more sophisticated, so we as writers need to put more work into it."

It was interesting to hear the formulaic way Stackpole approaches writing. He described how the method of writing old pulp stories could easily be adapted for modern audiences by eliminating certain ubiquitous but unecessary subplots and adding a bit of character development. A serial detective story should be, "70 percent case, 30 percent soap opera," with a little more soap in a later story to satisfy readers interested in a character's developing personal life.

Even amidst all this embracing of change, Stackpole reassured his audience that digital formats were not sounding the death knell for paper books. "Cars did not kill off horses. Digital publishing will not kill off books. It _will_ change the way they are written and retailed."

The Best Way To Break Into Science Fiction Writing Is Online Publishing

More than 500 workers at Japan's, Keihin Electric Express Railway, must have their faces scanned each morning to determine their optimum smile. The "smile scan" analyzes a smile based on facial characteristics, from lip curves and eye movements to wrinkles. After the program scans you, it produces a smile rating that ranges from zero to 100 depending on the estimated potential of your biggest smile. If your number is sufficient, you can go about your day grinning like a maniac. If your smile number is too low the computer will give you a message such as, "lift up your mouth corners" or "you still look too serious". Every morning employees receive a print out of their daily smile which they are expected to keep with them throughout the day.

Read more of this story at Slashdot.

Wonkette has a post up about @AKGovSarahPalin's crazy late-night twitter bender. She's gonna have to give up that handle, no? Anyway, after you slog through all the crazy ungrammatical Palinglish rambling, the point seems to be that a "higher calling" has directed her to file anti-defamation lawsuits against a number of news websites for having reported the news that she quit her post as governor of Alaska (her "news conference" to that effect is embedded above). From Wonkette:

[A]fter crazily quitting her elected position as governor of Alaska, via an alarming backyard last-minute press conference void of any explanation , at the classic 4 p.m. hour of the Friday-Holiday news dump, Sarah Palin is now twatting on the twitter about how her Anchorage attorneys are going to SUE THE AMERICAN MEDIA, for saying "WTF?" Honestly, this is what Sarah Palin twatted on Saturday Night, July 4th, Independence Day, in America.

Her link goes to (of course) Scientologist nut and sub-literate weirdo Greta Van Susteren's blog on FoxNews.com, where Greta has helpfully (?) posted seven pages of legal threats from Palin's lawyers, although you can't actually read beyond the first vague page of whining bullshit, because Greta/Fox can't figure out how to operate the Internet.

But, from other websites, we gather Palin's lawyers plan lawsuits against MSNBC, the New York Times, the Huffington Post, the Washington Post, individual bloggers in Alaska, and other such anti-Palin forces such as "rain on your wedding day" and static cling.

Related reading: Anchorage Daily News article, hilarious. Vanity Fair article: It Came from Wasilla (and "Don't Blame Us"). (via @Andrew Baron)

On his excellent "nedslist" mailing list, Ned Sublette wrote this concise and spot-on appreciation of the official text of Palin's goodbye speech:

[W]hat Roland Barthes would have called the pleasure of this text has to be savored in full to draw out its pure nuttiness. It's hard to know what to appreciate more: the all-caps prepositions; the sentence fragments that begin the fifth and sixth paragraphs, the run-on sentences, the frequent exclamation points!, the quotation from her parents' refrigerator magnet, the basketball analogy, the proposed logic of quitting so as not to be a quitter, or the grammatically incorrect final sentence framing the misattributed punchline, which was actually said not by General Douglas MacArthur but by General Oliver P. Smith. I especially like the capital O of "Outside" in "Outside special interests," which reminds us that the world consists of two parts: Alaska, and Outside.

But what I most enjoy is the authenticity of this text; there can be no question that Governor You Betcha wrote it herself {wink}.

xp65 writes to mention that Ad Astra has successfully tested their VX-200 plasma engine at full power in superconducting conditions, the first time such an engine has been tested at those power levels. "The VX-200 engine is the first flight-like prototype of the VASIMR® propulsion system, a new high-power plasma-based rocket, initially studied by NASA and now being developed privately by Ad Astra. VASIMR® engines could enable space operations far more efficiently than today's chemical rockets and ultimately they could also greatly speed up robotic and human transit times for missions to Mars and beyond."

Read more of this story at Slashdot.

Last week we wrote about the RIAA's victory against Usenet.com, noting that it really wasn't that big a deal precedent-wise, given the rather specific circumstances involved in the case. Specifically, the company Usenet.com clearly destroyed evidence, which pretty much doomed the case, and on top of that engaged in activity that was egregious in terms of making it quite clear that it encouraged illegal activity through the use of its service. But, of course, the RIAA and its friends (as per usual) are having a field day claiming this is a big deal.

The RIAA, for example, put out a blog post calling it a significant victory, ignoring just how specific the case was, and stating misleadingly:

The decision reinforces two basic points: If you mindfully operate an illegal service without compensating the artists and creators whose content you advertise, the law is not on your side. Further, given the abundance of reasonably-priced legal download services, why go to an illegal one?

Not quite on either count. What it actually notes is that if you destroy evidence, you're almost certainly going to lose, and if you choose to outright flaunt the law and encourage people to use your site for illegal purposes, you're probably going to be in trouble too. However, note the neat little lie that the RIAA uses in its words here, calling Usenet.com "an illegal service." That's not accurate at all. Various usenet services have been offered for many, many years and are not illegal. The problem here was that the operators encouraged people to download infringing content. The service itself was not illegal.

Meanwhile Billboard for some reason asked an entertainment industry lawyer with a long history of involvement on the entertainment industry's side on these cases to write up a report about this decision, and it's no surprise that -- while positioned as a news article, rather than an opinion piece -- this same misleading explanation comes through -- again, calling it a "significant win."

Still, there is one part of the ruling (which both articles above cite) that does seem like a major departure from previous case law, which is why I'd be surprised if it's allowed to stand. That's the fact that the judge ruled that Usenet.com wasn't just guilty of contributory infringement, but direct infringement because it maintains an "ongoing relationship" with users. It's hard to see how such a ruling lives on through an appeal. It seems that the judge was heavily influenced by the other two issues -- the destruction of evidence and the egregious encouragement of infringement -- and thus stretched the definition of direct infringement here as well. But if such a ruling is allowed to stand, it basically wipes out the Betamax "substantial non-infringing uses" ruling for any kind of online service, and also seems to go against a number of other recent rulings. That would be a plainly ridiculous interpretation of what the court said in the Betamax ruling, and if the entertainment industry really wants to hang their hat on that, they really ought to look back at the history of what happened to their industry post-Betamax. That's because the technology they fought so hard to kill helped prolong the life of the industry. The same would be true of more efficient means of internet distribution, though they refuse to consider that as a possibility.

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Joel Johnson, who led the launch of Boing Boing Gadgets and Offworld, is moving on to work on other projects. We're grateful for all of Joel's hard work and passion and we're eager to see what he does next. He is truly a unique signal worth paying attention to in a very noisy space.

Thanks for everything, Joel. We'll miss you.

- The Boingers

Pablo from Tor has the details on a cool new promo they're doing to promote my next book, Makers, which'll be published in the fall (HarperCollins UK will publish it in the UK, Australia, NZ, and other parts of the commonwealth). Makers tells the story of a group of hardware hackers who fall in with microfinancing venture capitalists and reinvent the American economy after a total economic collapse, and who find themselves swimming with sharks, fighting with gangsters, and leading a band of global techno-revolutionaries. The first 50,000 words of Makers were serialized on Salon some years ago under the title Themepunks.

Starting today around noon (Eastern Standard Tribe, of course), and throughout the rest of the year, Tor.com will be serializing Makers, Cory Doctorow's upcoming novel, which goes on sale from Tor Books in November.. We'll be serializing the entirety of the novel, with a new installment every Monday, Wednesday, and Friday, until the whole thing is finished, sometime in January 2010. Each installment of Makers will be accompanied by a new illustration by Idiots'Books (idiotsbooks.com), which will interconnect with the other illustrations in the series, and offer limitless possibilities for mixing and matching the illustrations in the series. In a week or so, after we've posted a number of tiles, we'll release a Flash game in which users will be able to re-arrange the illustration tiles on a grid and create their own combination of layouts.

I'm planning on repeating the tribute to booksellers I made with the free release of Little Brother, introducing every section of the serial with a little hymn to some bookstore or other; booksellers are clearly on the side of the angels (I speak as a former bookseller!).

However, I'm doing this one a little differently; rather than write up my favorite booksellers, I'm asking for your favorite bookstores -- in the comments for each section of the serial, I'd like you to write up testimonials for your favorite stores. I'll pick three every week to add to that week's installments, by way of spreading the love around.

Announcing Cory Doctorow's Makers on Tor.com

Cory Doctorow's Makers, Part 1 (of 81)

(Thanks, Pablo!)

These two amazing hot rods will be up for bid in September's Icons Of Speed & Style auction at the Petersen Automotive Museum in Los Angeles. Many of the vehicles look like rad Revell plastic model kits or Hot Wheels. That's because those scale models and Hot Wheels were based on some of these actual cars. From the auction listings:

1850 'Boothill Express' Custom Show Rod: Built by Ray Fahrner, Boothill Express is based on the 1850s funeral coach that reportedly carried James Gang member Bob Younger to his grave. Powered by a 426 cu. in. Chrysler Hemi with extra-tall Hilborn fuel injection stacks, it has been the subject of numerous scale models and is certainly one of the wildest and most iconic custom creations to come from the show rod era of the 1960s.

1965 Dodge "Deora" Concept Car: A radical design interpretation of the Dodge A100 forward-control pickup truck, the Deora’s striking lines were penned by California-based designer Harry Bradley and constructed in stunning detail by the Alexander Brothers of Detroit. Their unique creation was honored with the coveted Ridler Award in 1967, and it was pulled out of storage in 1998 before being fully restored back to show quality with the assistance of Harry Bradley himself. Immortalized by various Hot Wheels cars and AMT scale models, the Deora is one of the most recognizable and desirable 1960s Concept Cars.

Icons of Speed & Style auction

Marcus of Interactive Matter has produced what is almost certainly the smallest TV-B-Gone ever. Based on LadyAda's ATTINY85 implementation, Marcus's "µTVBG" uses all SMT components, including Osram SFH 4600 IR LEDs, and has a surface area of only half a square inch. Via Hack a Day.

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Al writes "A team of researchers from the University of California, Berkeley, have developed a new kind of flexible solar cell that could be far cheaper to make than a conventional silicon photovoltaics. The cells consist of an array of 500-nanometer-high cadmium sulfide pillars printed on top of an aluminum foil — the material surrounding the pillars absorbs light and creates electrons, while the pillars themselves transport the electrons to an electrical circuit. The closely packed pillars trap light between them, helping the surrounding material absorb more. This means the electrons also have a very short distance to travel through the pillars, so there are fewer chances of their getting trapped at defects and its possible to use low-quality, less expensive materials. '"You won't know the cost until you do this using a roll-to-roll process," says lead researchers Ali Javey. "But if you can do it, the cost could be 10 times less than what's used to make [crystalline] silicon panels."'"

Read more of this story at Slashdot.

Recently on Offworld we found a rapid-fire set of developments to kick off a long weekend, including the launch of TweetCraft which is, as you might imagine, World of Warcraft's first in-game Twitter client (above), and which ensures that you'll never have to leave the comfort and still irresistible allure of Azeroth. We also watched the first 17 minutes of Double Fine's hard metal adventure Brutal Legend, as narrated by LucasArts legend Tim Schafer, and saw indie devs Polytron finally officially announce that their debut game Fez is headed to Xbox Live Arcade in early 2010. We also found two pair of custom Legend of Zelda low-top sneakers, Donkey Kong played on the side of a building in Post-Its, a website completely devoted to the mis-uses of trains in games (!), an upcoming unmissable chiptune showcase in Montreal, and finally understood the gnawing wolf-at-the-door drama of spending $17,500 on a single NES game. And finally, our themed 'one shots' for the day: Wii Fit as an Atari 2600 game, and, even more wonderfully, an Atari 2600 version of A Clockwork Orange (and Dostoevsky and Kant and Proust [!]).

Hugh Pickens writes "Internet entrepreneur Mark Cuban writes that the problem with companies who have built their business around free is that the more success you have in delivering free, the more expensive it is to stay at the top. '"They will be Facebook to your Myspace, or Myspace to your Friendster or Google to your Yahoo," writes Cuban. "Someone out there with a better idea will raise a bunch of money, give it away for free, build scale and charge less to reach the audience."' Cuban says that even Google, who lives and dies by free, knows that 'at some point your Black Swan competitor will appear and they will kick your ass' and that is exactly why Google invests in everything and anything they possibly can that they believe can create another business they can depend on in the future searching for the "next big Google thing." Cuban says that for any company that lives by Free, their best choice is to run the company as profitably as possible, focusing only on those things that generate revenue and put cash in the bank. '"When you succeed with Free, you are going to die by Free. Your best bet is to recognize where you are in your company's lifecycle and maximize your profits rather than try to extend your stay at the top," writes Cuban. "Like every company in the free space, your lifecycle has come to its conclusion. Don't fight it. Admit it. Profit from it."'"

Read more of this story at Slashdot.

You've heard of speed dating, right? The system whereby single people meet other singles of the appropriate sex for a grand total of five minutes before moving on to someone else? It appears that Nicolas' Sarkozy's path to getting a "three strikes and you're off the internet" law passed in France involves something similar. As you may recall, Sarkozy's original law to force ISPs to kick file sharers off the internet for three accusations (not convictions) of copyright infringement was gutted as unconstitutional. The big concern was that a judge needed to be included in the process. But, Sarkozy -- who is married to a pop singer (bias?) -- has insisted this is a matter that needs to be addressed.

Michael Scott alerts us to the news that a new proposal has been put forth in France, and to deal with the whole "judge must decide" issue, it creates a special "fast track" for such cases, whereby a judge would be given a grand total of five minutes to decide such cases. Yes, you see, free society (which Sarkozy insists he's defending) apparently doesn't involve giving a judge ample time to consider whether or not it makes sense to completely cut someone off from the internet because they may have wanted to listen to a certain song without properly clearing the rights. Oh, did we mention that Sarkozy himself was recently caught violating copyrights? Would he have let a judge decide that case in just five minutes?

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The entryway of The Standard Grill, in Manhattan, is tiled with thousands of US pennies, set in a black matrix. Looks like between one and two dollar's worth of pennies per square foot, which is comparable to ceramic tile, price-wise, but a whole lot more interesting IMHO. Via NOTCOT.

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Instructables user Javin007 was disappointed with standard soda can stoves, so he decided to make a "penny stove" that's more sturdy and less prone to being blown out.

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Dustin Diaz's crafty clamp + tripod setup. The 3GS's improved camera with video makes this worth the effort. #

Frequent Slashdot contributor Bennett Haselton's essay this week is about "A Tennessee man is arrested for possessing a picture of Miley Cyrus's face superimposed on a nude woman's body. In a survey that I posted on the Web, a majority of respondents said the man violated the law -- except for respondents who say they were good at math in school, who as a group answered the survey differently from everyone else." Continue on to see how.

Read more of this story at Slashdot.

Frequent Slashdot contributor Bennett Haselton's essay this week is about "A Tennessee man is arrested for possessing a picture of Miley Cyrus's face superimposed on a nude woman's body. In a survey that I posted on the Web, a majority of respondents said the man violated the law -- except for respondents who say they were good at math in school, who as a group answered the survey differently from everyone else." Continue on to see how.

Read more of this story at Slashdot.

Hugh Pickens writes "CNN reports that Netscape co-founder Marc Andreessen has raised $300 million to launch a new venture capital firm that aims to reinvent the way money is doled out in Silicon Valley while reflecting Andreessen's unwavering view that the Internet will soon take over all aspects of our lives and that online services won't merely supplement your TV viewing or newspaper reading, but will replace those activities altogether. Andreessen, on the board of Facebook and an angel investor in Twitter, says that technology moves so quickly that only the young can keep up with what the latest stuff can do. "So the 24-year-old coming out of Stanford will have a view of technology that the 29-year-old — who was 24 just five years ago — would never think of," say Andreessen. "We love that kind of thing." Andreessen thinks that when companies are acquired too quickly, innovation slows down and says that YouTube might have come up with a path to profitability faster if it wasn't a part of Google. "It is hard for big ones to out-execute up-and-comers," Andreessen says. "Our secret plan is to watch what gets acquired and fund the next company. A good template is to fund companies doing whichever the next-generation product would have been.""

Read more of this story at Slashdot.

Last week, in writing my review of Chris Anderson's new book, Free, I noted that Mark Cuban's initial critique of it was quite misguided, in that he made the quick (and flat-out incorrect) assumption that the story of "free" means that "everything is free," and thus it ignores costs. That's simply not true, and thus represents a big strawman that ignores the actual point of the book (though, to be fair to Cuban, it's a very common strawman found in many of the arguments against the book). Cuban has now taken a second shot at critiquing free, and I'd argue it's at least more interesting on a first pass, pointing out: when you succeed with Free, you are going to die by Free. That sounds like a worthwhile read, though I find it hard to believe. Here's the meat of Cuban's argument:

Lets look at the rule that eventually KILLS all freemium based content plays:

There will always be a company that replaces you. At some point your BlackSwan competitor will appear and they will kick your ass. Their product will be better or more interesting or just better marketed than yours, and it also will be free. They will be Facebook to your Myspace, or Myspace to your Friendster or Google to your Yahoo. You get the point. Someone out there with a better idea will raise a bunch of money, give it away for free, build scale and charge less to reach the audience. Or will be differentiated enough, and important enough to the audience to maybe even charge more. Who knows. But they will kick your ass and you will be in trouble.

I don't think anyone denies any of that. Except... here's the main problem that kills Cuban's point: this applies to any company, whether it uses free or not. What he describes is not unique to free. It's the story any company faces, and we're seeing how the companies that have "embraced" free have acted as that sort of "black swan" competitor to the companies that haven't. Look at what is happening in the recording industry or the newspaper industry, where they're struggling to understand new models.

Cuban tries to suggest that this is something special about the "free" space, but I can't fathom why it's any different than any company:

Its not that they can’t make money offering free. They can , have and will. The problem is that they know that its literally impossible to be the king of the mountain forever. But that won’t stop them from trying. And that is exactly what will kill them.

"Free" is just a price. If the cost of your product is $3 and someone figures out how to build a competitor for $1 (or free!) then you face the same problem. In fact, I'd argue you're better positioned to adjust if you understand the basic concepts behind free (which Cuban either doesn't, or he's bluffing for some odd reason), because it suggests you know what parts of the business to leverage as a resource, and which to charge for. So, I'm confused. What about what Cuban says is specific to "free" business models and why can't those who embrace "free" adapt if he seems to believe that others can?

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Michael Geist sez,

The Canadian Radio-television and Telecommunications Commission hosts long-awaited network management hearings this week, pitting Canada's telecom and cable companies against a broad range of consumer, creator, and technology groups in a fight that may help clarify whether Canada has - or should have - net neutrality laws.

My weekly column notes that as the Commission weighs the various claims, it would do well to consider the testimony it heard just a few months ago during the February new media hearings.

For example, Shaw Communications's network management submission states "traffic management is necessary to ensure that Shaw's customers continue to have access to fast, reliable and affordable service." It adds the "traffic shaping process uses deep packet inspection (DPI) technology to identify packets that are associated with P2P file-sharing applications and to slow those packets down, limiting the amount of available capacity P2P traffic consumes."

Yet when CEO Jim Shaw was asked about the prospect of identifying traffic during the new media hearings, he told the Commission, "we can only tell you how many bits are coming in or out. We don't know what kind of bit it is. It could be anything from an e-mail to a porno. We don't know that. We spend no time trying to figure out what bits are going to your house. We just don't know."

Perhaps foreshadowing the outcome of the net neutrality hearing, MTS Allstream acknowledged "when a commercial interest attempts to violate the principle of openness, as it is defined by the open culture movement, there tends to be a very dramatic and forceful rebuking."

CRTC Net Neutrality Hearings Open Amid ISPs' Conflicting Claims (Thanks, Michael!)

Just a reminder that the first in a series of HacDC/Dorkbot DC co-presented events is happening this Tuesday -- and we've added some presenters:

Schedule for next meeting (Co-presented with HacDC)

7 July, 2009
7 PM - 8 PM (ET)
ALWAYS FREE!

Location:
HacDC (Room TBA)
1525 Newton St NW
Washington DC 20010

Keith Sinzinger  :  Tubular Bells: Construction and Processing

Photo by Keith Sinzinger.

Fresh from having performed in the Baltimore Electronic Music Festival Keith will talk about how he conceived of, researched and constructed a set of tubular bells from scrap galvanized pipe. He'll also touch on some other ongoing musical construction projects. Following a Q&A session, he'll demonstrate the bells as he generally use them in performance, processed through a variety of electronic effects.

About Fast Forty
Keith calls this genre Intense Ambient: found sounds, altered electronics, scrap metal and other devices, blended to soothe and stimulate. His musical roots were developed in an industrial city (Cleveland), where he grew up in the virtual shadow of a Ford plant. He's also lived most of his years within a few blocks of railroads. His musical experiments tend to reflect these environmental influences.

DorkbotDC would like to thank HacDC, DC's hacker space, for arranging this talk and inviting us to co-present with them.

HacDC members Alden Hart (still aglow with kudos from his MAKE Magazine "LED Light Brick" project and blog mentions on MAKE, Boing Boing, and Boing Boing Gadgets) and Elliot Williams (HacDC president and teacher extraordinaire) will show us what they made for the recent Art-o-matic event.

More info here.

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From the MAKE Flickr pool

Flickr member lovro made clever use of a portable game board/case as an ESD safe wallet

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Lars Sobiraj submitted an interview with Daniel Schmitt of WikiLeaks. "He encourages all readers and warns his opponents — WikiLeaks has the means to make our society better, to create a world which stands united and strong against abuse — locally and nationally as well as globally. Modern, fast, world-wide technology makes it possible. In the interview, Daniel explains in detail how this will be done, with the help of WikiLeaks and all its supporters."

Read more of this story at Slashdot.

Wrap your fancy new iPhone in this soft, luxurious felt Gameboy iPhone pouch found at etsy.com.

You will love it, and your friends will be jealous because you are so much coooler xD

[via iphonesavior]

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Sony has filed a patent for a system that allows any object, from a coffee mugs to a book, to be mapped and used as a controller in a video game. Rob has more over at Boing Boing Gadgets. "Sony files patent on any-object motion control"

Legendary Fortean author John Keel has died. A personal influence on my own interest in anomalies and fringe theories, Keel is best known for his 1976 book The Mothman Prophecies, an investigation into strange phenomena that reportedly occurred around Point Pleasant, West Virginia, in 1966-1967. Of course, that book was made into a Hollywood film in 2002. However, The Mothman Prophecies just scratched the surface of Keel's experiences in the realm of high weirdness. Keel's friend and fellow Fortean author Loren Coleman has written an obituary over at Cryptomundo. "John A. Keel has died"

Sean Fargo writes "This article has benchmarks for the latest versions of Lucene, Xapian, zettair, sqlite, and sphinx. It tests them by indexing Twitter and Medical Journals, providing comparative system stats and relevancy scores. All the benchmark code is open source."

Read more of this story at Slashdot.

A couple years ago, there were stories about how there was a "run" on the virtual banks of Second Life. Later on, some reporters tried to suggest that the Second Life "credit crunch" was a predictor of the real world's credit crunch. That wasn't even close to true. Yet, with yet another story about a virtual world, we're once again hearing in-apt comparisons to the real world. The latest is a run on a bank in the game EVE Online. In this case, it looks like one of the guys involved in running the "bank" simply took some of the virtual currency out of the bank and exchanged it for real world cash (about $5k). The BBC headline calling it "billions stolen" is inaccurate, since it was only "billions" in the meaningless virtual currency. In the real world, it translated into not very much at all. The BBC article also calls it a "virtual version of the credit crunch." Again, this is quite inaccurate. In both the Second Life bank run and this bank run the problem was simply outright fraud by the "virtual banks" or those who run them. That's quite different than what has happened with the real world credit crunch, and it does little good to pretend otherwise.

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From the MAKE Flickr pool

Narwhalbot built a couple of monster VU meters for use at live shows, wall-mounting them at home between gigs - awesome, awesome.

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Hangtime writes "The world's most valuable source code could be in the wild. According to a report by Reuters, a Russian immigrant and former Goldman Sachs developer named Sergey Aleynikov was picked up at Newark Airport on July 4th by the FBI on charges of industrial espionage. According to the complaint, Sergey prior to his early June exit from Goldman copied, encrypted, and uploaded source code inferred to be the code used by Goldman Sachs to process in real-time (micro-seconds) trades between multiple equity and commodity platforms. While trying to cover his tracks, the system backed up a series of bash commands so he was unable to erase his history that would later give him away to Goldman and the authorities. So the question, where are the 32MB of encrypted files that Sergey uploaded to a German server?

Read more of this story at Slashdot.

Protozoan Flagellates from Jessica Field on Vimeo.

MAKE subscriber Rob Cruickshank sent us a link to the site of Canadian artist Jessica Field. Jessica makes these wonderful, funky little robo-critters, some BEAMish, others more sophisticated, with computer-control. I like how she "programs" failures/shortcomings into her robot creations. (Wait, don't most robots do that on their own?)

Jessica Field [Thanks, Rob!]

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I just caught a demo of the Tactable multitouch surface, which grew out of an MIT Media Lab project. It's an impressive product, a mid-sized table with a sharp projector set underneath the glass. It uses an array of moderate-resolution optical sensors to tell where it's being touched, and the sensors have variable focus, so they can sense 3D gestures over the surface as well as contact with the surface itself. The projector's good and bright, and the picture looked good in a well-lit room (albeit a darker corner of same). And being optical, the sensors can also recognize objects laid on the surface, reading bar-codes, text, shapes, etc. It opens up a myriad of possibilities for game design, some kinds of creative workflow (sound and video editing) and other situations where novel UIs are apt to unveil new possibilities.

One thing I really liked about it all is that it's just a PC running a bunch of commodity hardware -- a projector, some sensors -- with cool software on the back-end. This is invention-by-recombination at its finest, and it means that the price and performance of the surfaces are tied to the broader markets for optical sensors, PCs and projectors, which points to a rosy future. The company's business model is building and selling the things, simple enough, so they don't make any pretense about top-s33kr1t stuff within.

Tactable

New research suggests that anxiety triggers the release of a scent that causes other humans who smell it to empathize with you. This may have evolved to help speed up spread of fear within a population so groups can get away quickly from dangerous situations. To run the experiment, University of Dusseldorf psychologist Bettina Pause and her colleagues had students undergoing brain scans sniff absorbent pads taken from the armpits of other students just before a final exam and, separately, while they were exercising. Pleasant.

None (of the sniffing students) perceived a difference between the two types of sweat, but the pre-exam sweat had a different effect on brain activity, lighting up areas that process social and emotional signals, as well as several areas thought to be involved in empathy...

A previous experiment found that sweat from skydivers activated anxiety circuits in sniffers' brains.

Fellow students smell your exam fear

Il-Gu Cha's Trace of Time clock incorporates a whiteboard-esque erasable face and an eraser built into the hour hand - See a video of it in action here. [via Tinker.it]

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Finding Oz by Evan I. Schwartz is a new book that tells the story behind the story of The Wizard of Oz and its creator L. Frank Baum. Smithsonian magazine gives a taste of the tale in a brief profile of Baum, who wrote his masterpiece in 1898, at the age of 40. Apparently, Baum was so convinced of his manuscript's magic that he framed the pencil he had used to write it. From Smithsonian:

With his skepticism toward God—or men posing as gods--Baum affirmed the idea of human fallibility, but also the idea of human divinity. The Wizard may be a huckster—a short bald man born in Omaha rather than an all-powerful being—but meek and mild Dorothy, also a mere mortal, has the power within herself to carry out her desires. The story, says Schwartz, is less a “coming-of-age story … and more a transformation of consciousness story.” With The Wizard of Oz, the power of self-reliance was colorfully illustrated.

It seems appropriate that a story with such mythical dimensions has inspired its own legends—the most enduring, perhaps, being that The Wizard of Oz was a parable for populism. In the 1960s, searching for a way to engage his students, a high-school teacher named Harry Littlefield, connected The Wizard of Oz to the late-19th-century political movement, with the Yellow Brick Road representing the gold standard—a false path to prosperity—and the book's silver slippers standing in for the introduction of silver—an alternate means to the desired destination. Years later, Littlefield would admit that he devised the theory to teach his students, and that there was no evidence that Baum was a populist, but the theory still sticks.

Frank Baum, the Man Behind the Curtain (Smithsonian)
Finding Oz: How L. Frank Baum Discovered the Great American Story (Amazon)

Francesco Fondi, of the Japanese site Hobibox, sent us a link to this story (on the Italian site Hobby Media) about Giulio B, an Italian narc jailed in Spain (are you still with us?), who attempted a prison break using this small dirigible. The site's in Italian, but I gather the R/C craft was supposed to fly into the prison, with the payload of tools seen in the last image. A narc in prison? I bet he's anxious to float out of there.

Italian criminal tries to escape from Spanish jail using a Radio Controlled Dirigible!

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As plenty of people have been pointing out, if The Pirate Bay goes away/changes/shuts down/whatever, there are a ton of sites ready and eagerly waiting to take it's place. But JJ King makes an even bigger point: the whole of The Pirate Bay is not a lot of data, such that it would be rather easy to just copy the entire site and recreate it. In fact, it seems likely that others are probably making use of this fact already, and there may be multiple "copies" of The Pirate Bay quickly being set up. So, even if the site goes away, all it will really do is further splinter the sites that upset the entertainment industry -- but it will hardly stop them or even slow them down.

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(Ed. Note: We recently gave the Boing Boing Video website a makeover that includes a new, guest-curated microblog: the "BBVBOX." Here, folks whose taste in web video we admire tweet the latest clips they find. I'll be posting periodic roundups here on the motherBoing.)

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More @BBVBOX: boingboingvideo.com

With budget cuts in the works for everyone these days NASA has decided to float an alternate plan for returning to the moon that is just a little bit cheaper than the current proposal. Of course the new option would be very reminiscent of the old Apollo space capsule instead of the tricked out shuttle currently planned. "Officially, the space agency is still on track with a 4-year-old plan to spend $35 billion to build new rockets and return astronauts to the moon in several years. However, a top NASA manager is floating a cut-rate alternative that costs around $6.6 billion. This cheaper option is not as powerful as NASA's current design with its fancy new rockets, the people-carrying Ares I and cargo-lifting Ares V. But the cut-rate plan would still get to the moon."

Read more of this story at Slashdot.

Just Posted: Our in-depth review of the Olympus E-620. The E-620 takes most of the features from the semi-pro E-30 and fits them into a body only slightly larger than the E-420, making it the most powerful entry-level Four Thirds camera yet. It has been a little overwhelmed by the buzz about E-P1, but does the little DSLR deserve a second look? Find out in our full review.

White-label video publishing and distribution platforms allow professional web publishers to move beyond zero-cost video sharing sites like YouTube and onto services which guarantee faster transcoding, HD video quality, the option to schedule both VOD and scheduled programming, CDN-based distribution, ad management and integration as well as private labeling and personalization of your video player. Photo credit: Liubomyr Feshchyn and Christophe Testi mashed up by Robin Good If you are looking for solutions that would allow you to set up a professional web TV channel of some kind, one for which you have a budget to spend and hope to sell advertising and sponsorship for, you have no choice but look for a professional white-label video publishing and distribution service. The traditional free video sharing sites like YouTube, are great for uploading and distributing at zero cost your favorite video clips. Much less exciting is the moment when you want to start controlling the ads that are displayed on your video clips, or you want to set up a day-by-day video programming schedule while monitoring and analyzing traffic, views and clickthroughs. This is why to move from amateur video sharing to professional video publishing you really need to consider seriously whether you have a budget to support the costs that such pro video distribution services require. The video services I review here have all some kind of monthly or yearly fee that is clearly not within the reach of the typical blogger or independent video-maker. On the other hand what's the use of publishing tens of video clips and having hundreds of thousands of video views on YouTube if this provides very little return in terms of visibility and revenue for your business or web site? The times are ripe for serious and economically capable video publishers to step up significantly above the generic, amateur Internet video publisher, and to strengthen their online video presence by providing extra quality, reliability, speed and monetization options which are so critical to their own future survival. In this MasterNewMedia guide I have selected, reviewed and compared for you the best private-label video publishing and distribution platforms available out there, while paying particular attention to their key traits, strengths and weaknesses. This is an area that will see fast growth and many new entrants in the near future due to the increasing demand for quality video channels and the need for many video sharing sites to start earning back their rapidly escalating bandwidth and storage costs. If you are into video publishing or are considering the move from amateur to professional video publishing, this guide can help you get a comprehensive view of this new market and of the traits and features that characterize the first group of providers competing to get your attention. Here all the details:

Professional White-label Video Publishing Platforms Comparison Table

Professional White-label Video Publishing Platforms

• Brightcove
  
  Brightcove is an on-demand video platform to distribute and monetize your online video inventory. The web-based Brightcove Studio lets you create branded videos with your logo and monetize your clips trough advertising campaigns. Brightcove players are fully customizable to match the layout of your web pages and also maintain optimal quality whatever device or internet connection video you choose. Videos can be re-distributed and embedded across any website, even using widgets. Videos streamed are encoded with H.264 and VP6 codecs and range from low-quality till HD. You can also program video broadcasting using playlist creation facilities. You keep total control over the ads you show with your videos by choosing ad units, insertion points, frequency, relevance. You can also integrate your ad servers and ad networks to serve ads with your videos. Custom reports are generated by Brightcove to help you track the performance of your clips. To get a price quote (on an annual contract basis) you have to contact Brightcove sales.
  http://www.brightcove.com/
  
  
  
  
  
  
• Livestream
  
  Livestream is an online video platform that broadcasts live and on-demand videos. The premium account is priced at $350 and allows you to have a white-label channel to deliver videos with your own brand logo or watermark. Using a web-based interface, you can fully customize the size and look of your video player and also configure the redistribution of your videos; allow only specific audiences to view your clips or even disable sharing if you prefer. A list of ready-made templates for your channel is available and the integrated user chat allows broadcasters and their audience to communicate in real-time. Videos are encoded with Sorensen Spark (Flash 7) specifications and HD is supported. You can create a video playlist with the Autopilot feature to broadcast your videos 24/7 automatically. For optimal video encoding Livestream recommends around 700Kbps of upstream bandwidth. Livestream also provides an analytics tool that tracks and reports the performance of your videos. Advertising is supported and your ads are integrated inside channels using overlays that can be either served by you or by integrating ad servers and ad networks into your video production workflow.
  http://livestream.com/
  
  
  
  
  
  
• Watershed
  
  Watershed is the white-label version of Ustream interactive broadcasting platform. Watershed allows you to publish and distribute ad-free, branded videos to your audience both on web pages or mobile phones. Live streaming broadcasting is also supported. The video player is fully customizable and your videos can be password-protected or limited in number of views from your web-based Administrator control panel. HD videos are supported. You can also interact live with your audience via text chat, real-time polls or co-hosted broadcast feeds. Watershed does not support self-served or third-party-served ads on your videos. Reports are generated to take care of the performance of your clips. No video programming. Two pricing options are available: monthly-based plans starting from $49 and a pay-as-you-go pricing model that charges for monthly or hourly views by a single user. No encoding info provided.
  http://watershed.ustream.tv/
  
  
  
  
  
  
• Glomera
  
  Glomera is a web TV platform that helps you broadcast live and on-demand videos with your own logo. You can pull video from YouTube to broadcast inside your channel or create niche-targeted compilations to redistribute on third-party websites. Video channels are fully customizable to match the look of any web page. The scheduling feature lets you organize your web TV programs in a daily, weekly, or season-long programming. HD videos are supported and videos are encoded using FLV specifications. Web TV channels you build with Glomera Premium account are ads-free and you cannot serve third-party ads. The reporting feature allows you track the performance of your clips. Glomera Premium account is priced at $199/year. You can also purchase additional interactivity options for your channels like: rating, comments, on-demand video list, guide-programming, and more.
  http://www.glomera.com/
  
  
  
  
  
  
• Ooyala
  
  Ooyala has developed Backlot, a scalable video platform with content syndication controls and monetization features. Video quality is preserved to match your syndication relationships (web pages, video-sharing sites, mobile devices, or other). Backlot video player supports overlays with our logo / watermarks and is fully customizable. You can arrange your clips in playlists and program the broadcast with no operation needed from your side. Videos are encoded in H.264 format and HD video is supported. A video metrics report is generated to help you monitor the performances of your videos. Backlot manages also ad insertion points, frequency and the different ad units like pre-roll, post-roll, mid-roll and interactive which are served with your clips. Third party ad servers and ad networks are also supported. Prices depend on the campaign; more info contacting Ooyala sales department.
  http://www.ooyala.com/
  
  
  
  
  
  
• Vmix
  
  Vmix provides web-based video and image publishing solutions to distribute and monetize your content. You can brand your clips, serve ads with your videos and also track the performance of your channels. Videos are encoded in H.264 / FLV and distributed at optimal resolution to websites, mobile phones and portable devices using customizable players, widgets and applications. Vmix has support for HD videos too. A list of ready-made templates is available. Your audience can also interact with your videos using ratings, sharing, or video / text commenting tools. Scheduled playlists are automatically created to operate your video channel without human input. You can customize ad-serving procedures on your videos using different ad units (pre-roll, post-roll, overlays and also animated ad units), insertion points and frequency. You can bring your own ad server / ad network to serve ads inside your video clips. Pricing is subjected to distribution campaign you choose; more info on Vmix corporate website.
  http://vmix.com
  
  
  
  
  
  
• PermissionTV
  
  PermissionTV offers a web-based solution to manage and monetize your online video inventory. You can choose between different player solutions that are freely customizable and redistributable on any web page. Viewers can interact with your video content by clicking on graphics, surveys or advertisement overlays and pop-ups. You can also create video playlists and deploy niche-targeted channels to your audience. Ad networks integrate with your videos to serve contextual ads using pre-roll, post-roll and mid-roll ad units. No info is provided about the encoding codec used for your videos, but HD is supported. No programming feature available. Pricing details available upon request to PermissionTV sales department.
  http://www.permissiontv.com/
  
  
  
  
  
  
• Twistage
  
  Hosted video platform Twistage allows you to create customizable video players with your own logo to embed on any website. Twistage integrates with your existing content management system (e.g. a blogging platform) or content delivery network. Videos are delivered to match the internet connection requirements of viewers; the video platform promises "uninterrupted delivery regardless of your site's traffic demands". No information is given on the encoding codec used and HD is not supported. Video player is fully customizable to match the look of any web page. You can create a video playlist to broadcast your videos in sequence. Ads on your videos are served using different ad units: pre-roll, post-roll, mid-roll, overlay and in-page banner advertising. You can also bring your ad server or ad network to provide your ads. Analytics reporting allows you to track the earnings and spread of your videos on the web, but also which portions of your videos are the most viewed. No programming features. A free trial is available. Contact Twistage sales department for pricing options.
  http://www.twistage.com/
  
  
  
  
  
  
• Castfire
  
  Castfire allows white-label video publishing so you can distribute and monetize your own videos using your logo / watermark. You can take control of the video production workflow and customize your player, ad serving procedures, viral redistribution, and much more through a web-based interface. A single video upload automatically generates multiple video formats to match your distribution needs and maintain good quality either on mobile phones, iPods, media box sets, HD-compatible TVs and more. Videos are encoded complying with H.264 specifications. Castfire has partnered with the automated video distribution service TubeMogul and allows you to distribute your clips on multiple video-sharing sites and also track precisely the performance of your video. You can also schedule and broadcast your videos without any user input. Ads can be served by third-party ad networks or ad servers using pre-roll, mid-roll and post-roll units. Prices depend on the distribution campaign you choose; contact a Castfire representative for more details.
  http://www.castfire.com/
  
  
  
  
  
  
• Delve
  
  Delve provides a online video solution to manage, publish, measure, and monetize your video content. With a web-based management tool you can create an embeddable player that matches the look of your website and is freely redistributable over any web page. The player also auto-adjust the video quality for best results with every internet connection. Codec used to encode videos is H.264 and HD is supported. You can offer your users the ability to search inside your videos for topics of interests; a heatmap shows the portion of video that corresponds to a specific topic. Delve also provides analytics features to track the performance of your clips, but you can also use Google Analytics to monitor your video content. No video programming though you can broadcast video playlists. Advertising capabilities include the integration with ad servers and ad networks. Ad units options you can choose to serve your videos are pre-roll, post-roll and "random". You can also set the frequency your ads are served and specify the ad insertion points. A 30-days trial is available yo test the service. For pricing options, you have to contact the sales department at Delve.
  http://www.delvenetworks.com/
  
  
  
  
  
  
• VideoBloom
  
  The Premium plan of VideoBloom ($299) allows you to deliver and monetize online videos with your brand logo using a dedicated player. The player is fully customizable and you can also redistribute and embed your videos on any website or social media page. Videos are encoded using MPEG4 specifications, also in HD format. VideoBloom claims that your videos are deployed to match the different internet connection speeds of your viewers while maintaining optimal video quality. Video playlists are available to broadcast niche-targeted compilations. No video programming. You can use different ad units to monetize your videos: pre-roll-post-roll, overlays, skin ads (for your video player) and companion ads. The analytics tool measures the popularity of your video on the web as well as your earnings through a web-based dashboard.
  http://www.videobloom.com/
  
  
  
  
  
  
• MonetizeMedia
  
  A live streaming and on-demand video publishing platform, Monetize Media allows you to distribute and monetize your video assets. Through a web-based interface you can arrange your video, organize playlists and insert advertising inside your clips. You cannot schedule playlist broadcasting for the time being, but you can pull videos from most popular video sharing sites to add to your custom channels. HD videos are supported. You have a list of ready-made video players at your disposal that you can also customize and scale to match perfectly any web page or mobile device. All video players offer chat, ratings, comments, social network sharing, social media tags, and RSS functionalities. Video players also detect the connection of your viewers to auto-adjust video resolution. You can set your videos for public or private access. Monetize Media supports online ad units such as banner, in-stream, overlay and pre-roll ads. Ad network integration is allowed to serve third-party ads. You can deploy your video on a pay-per-view basis and receive payments using your PayPal account. Performance reports are available to track the popularity and monetization goals of your videos. No encoding info is provided. Gold plan is priced at $1199/month plus a one-time setup charge of $500. A free trial is available to test the service.
  http://www.monetizemedia.com/
  
  
  
  
  
  
• BitGravity
  
  BitGravity is a content delivery network that provides delivery of on-demand video and live streaming broadcasts. The service takes care of distributing your videos but is not aimed to monetize your video assets with advertising campaigns. Codec used for videos is H.264 and HD is supported. There is no custom video player provided, but customers are free to modify the API of the Flash player to match their production needs. No video programming or analytics features. For further info you have to contact a BitGravity representative.
  http://www.bitgravity.com/
  
  
  
  
  
  
• GizmoUTube.TV
  
  GizmoUTube.TV is a white-label video platform that allows you to broadcast either on-demand and live streaming shows. GizmoUTube.TV provides a customizable video player which supports HD, interactive video search and redistribution on third-party websites. Videos are encoded in Flash H.264 and VP6 formats. Ad integration is not supported for the time being. For $1999/year you get a .TV domain name and 1GB of storage space per month. Expenses for bandwidth traffic are managed by Bits On The Run and payed separately. No programming available. More info on corporate website.
  http://www.gizmovideo.com/gizmoutube.tv/
  
  
  
  
  
  
• The FeedRoom
  
  The FeedRoom is an online video platform that helps you create and distribute niche-targeted video channels out of your online video inventory. Different customizable video players are available to help you find the correct matching with the look of your website. Players are also scalable, redistributable and allow user interaction with rating and commenting features. HD videos are supported. Reporting functions tell you who is tuning in, what and how much they are watching, and an understanding of which sources are driving traffic to your site. With The FeedRoom you can also monetize your video assets by offering online subscription, pay-per-view programming or by integrating advertising features. The platform has support for all popular ad formats, including in-stream pre-rolls, post-rolls and banners, as well as contextual targeting ads. You can also rely on ad networks partnered with The FeedRoom to serve third-party ads on your videos. No programming feature and no encoding info is available. You need to contact the company for available pricing solutions.
  http://www.feedroom.com/
  
  
  
  
  
  
• BestTV
  
  BestTV provides fully customizable Internet TV channels to distribute and monetize your video content. You can either broadcast white-label live streaming shows and on-demand videos on PCs, set-top boxes or mobile phones. You have also the option to create targeted playlists but not schedule a playlist to be broadcast without user input. HD videos are supported. You can monetize your video assets using both subscriptions and advertising options. Regarding advertising, you can employ pre-roll, post-roll and banner ads while setting ads frequency and capping to achieve optimal results. Ad networks can be integrated to serve third-party ads with your video content. Detailed reports are available to track your advertising campaigns and video performances. No encoding info is provided. To get a quote for BestTV solutions contact a company representative.
  http://www.best-tv.com/
  
  
  
  
  
  
• Kaltura
  
  Kaltura is an open source online video platform that allows you to manage, distribute and monetize your online video inventory using open standards. You can also import third-party video content from other websites or video-sharing sites, add your videos and create custom playlists to engage your audience. You can schedule your playlist for broadcasting without input and also take advantage of advanced features like: remix and annotate your videos, add text slides, translations, and much more. When you have your content ready, your video is encoded using FLV codec (HD supported) and then published using a customizable widget player that matches the look of your website. Powered by Gyga, your widget player is freely redistributable on any website or social media sites. You can even offer viewers to download your video player for offline viewing or broadcast private shows. Kaltura has partnered with ad networks to help you show ads with your video content that comply with IAB standards. Detailed statistics and analytics of your online video offering are also generated for your video campaigns. Contact Kaltura sales department for price quites.
  http://corp.kaltura.com/
  
  
  
  
  
  
• KIT digital
  
  KIT digital provides solutions manage, publish and monetize your online video assets. Videos can be offered on-demand on websites or mobile devices and you can put your own logo to represent your company. Video players offered by KIT digital can be fully customized, redistributed and shared on any web page. No info on HD support or video encoding. To capitalize on your video inventory you can serve ads with your content, even integrating your ad networks. Ad units accepted are: pre-roll, post roll, companion banners and flash overlay ads. Alternative revenue channels supported are: subscriptions, DTO (download to own), VOD (video on demand), and PPV (pay per view), pay per click and pay-as-you-view (per second / per frame). Detailed reports are generated to track your earnings and the performances of your videos. No video programming. Contact KIT digital for pricing info.
  http://www.kitd.com/
  
  
  
  
  
  
• SOFTing K.iTV
  
  K.iTV from SOFTing is designed to assist content providers with all key functions associated with managing online video: content uploading, cataloging, tracking and maintenance, advertising, analysis, billing and paying. You can either offer on-demand or live content. Once uploading your content you can take advantage of fully customizable video players that also allow you to create scheduled playlists to broadcast without any input from the user. A list of ready-made templates is available if you do not have specific customization needs. Advertising is supported with most common ad units: pre-roll, post-roll, in-stream, image & flash banners. Third-party ad network integration is not supported. Other monetization strategies include billing and subscriptions. Contact SOFTing support for pricing details.
  http://eng.eu-softing.com/
  
  Originally prepared by Robin Good and Daniele Bazzano for MasterNewMedia, and first published on July 6th, 2009 as "Professional White-label Video Publishing Platforms: Guide To The Best Services".

I'm hoping the comments here don't turn into a political snowball fight that does no one any good. Personally, I don't care much about "politics" or political parties, and there are few things I could care less about than why Sarah Palin resigned from her job as Governor of Alaska. However, what does interest me is the news that apparently her lawyers sent a letter threatening to sue the press for writing anything defamatory about Palin, specifically mentioning some of the speculation found on various blogs about why she suddenly quit. It's difficult to understand the thinking behind sending such a letter. People will speculate -- it's what they do, and it's perfectly legal. Defamation is declaring something that's patently false as fact, and I don't see any mainstream news sources doing that. But, speculating on the reasons why it might have happened isn't defamation. Even worse, as Jay Rosen notes, in sending such a threatening letter, Palin's lawyers have just "legitimized the story." Now the press has even more to cover, in that they can simply report on the legal threat, and explain the "speculative" stories behind it. Pre-threatening the press not to report on some speculation found on blogs seems like a sure-fire way to get coverage of that story you're trying to suppress.

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What do you do when someone at work has a Desktop Onager? Maybe it's time to get your own desktop Desktop Trebuchet and start a mini war. Or maybe you want to build one so you can hurl mini cows at any invading knights? Then again, that might not be a good idea since both of these weapons can really fire their projectiles quite fast!

More about the Desktop Trebuchet

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bfire writes to tell us that marketing firm uSocial has decided to apply a new monetization scheme to the Twitter service by providing packages of followers for purchase. "According to the firm, a single Twitter follower could be worth $0.10 a month. It is selling followers in various packages, starting at 1,000 for $87, which is delivered in seven days, and going all the way up to 100,000 followers at a cost of $3,479, delivered over a year." This is just the latest in a number of different exploits and problems of the Twitter universe as individuals try to subvert a popular tool into a self serving device.

Read more of this story at Slashdot.

Dustin sez, "Musician Guillaume Estace plays a rendition of the famous "Cantina Theme" from Star Wars IV on a Chapman Stick, a guitar-like instrument designed solely for finger-tapping. It's really cool the way it lets him play the bass and melody simultaneously - I want one!" This is my wife's ringtone (the original, not the Chapman Stick version) and so I hear it a lot; this guy does a GREAT job with it!

Star Wars "Cantina Band" on Chapman Stick (Thanks, Dustin!)

FranCois sez, "I help to run the San Francisco Zine Fest [ed: Aug 22-23, SF County Fair building], this is our 9th year... we have a really great set of zine and comics creators from the Bay Area and Beyond, like Joey Sayers (thingpart), Theo Ellsworth (Capacity), and Special Guest Andy Hartzell (Fox Bunny Funny), we host hands-on workshops and panels, and I think your readers would find a lot of awesomeness there!"

San Francisco Zine Fest (Thanks, FranCois!)

The Manchester International Festival is putting together a touring, educational steampunk show based on the difference engine, Charles Babbage's mechanical computer. Oh, to live in Manchester!

Travelling from past to future through a landscape of machines and ideas Walk the Plank and Thingumajig Theatre have created an interactive journey through the courtyard of Manchester's Town Hall. The audience will help inventor and mathematician Charles Babbage find the clues to repair his Difference Engine; solve the spider's riddles, hidden in the worldwide web; persuade the counting madman to open the gates to the Hall of Shadows...and discover the secret workings of the steampunk arcade.

Alongside the show, a programme of engagement with six local schools is being led by The Centre for Urban Education. As part of the Creative Partnerships 'Enquiry' programme, children, young people and their teachers are working with creative practitioners to explore their ideas. They will develop a new creative learning resource based on the themes of the performance and linked to the science, technology, history, engineering and maths curricula.

The Difference Engine...a steampunk adventure (Thanks, Ed!)

Clay Shirky sez, "While googling around for instructions on deleting my Facebook profile, I discovered a form of digital graffiti which is one part last-ditch strategy to three parts _cri de coeur_: accounts renamed by frustrated LinkedIn users desperate to get off the service. I have no idea how common this is, but in just two searches, I came across a Mr. Delete This Account from the San Francisco area, who turns out to have company, as there are three other Mr. Delete This Account's on the service (San Diego; Enid, OK; and Liege, Belgium). There are also two users named Delete My Profile, four named Delete This Profile, and no fewer than ten named Unsubscribe Unsubscribe (the Humbert Humbert of the 21c.) There is also some unintentional hilarity on individual profile pages -- one of the Unsubscribe Unsubscribes is a Relationship Manager, while a user with the first name of 'delete delete delete' and the last name of 'delete delete delete' is a Hospitality Professional in Australia. LinkedIn is very solicitous about asking "Would you like to add delete delete delete delete delete delete to your network?" Um, no."

This was how I got rid of my LinkedIn account in the end, and why I never signed back up again.

(Thanks, Clay!)

My new Locus column, "Cheap Facts and the Plausible Premise," explores what it means for science fiction when the cost of knowing something falls to zero, and when the difference between knowing something can be done and doing it narrows away to nothing.

Tell someone that her car has a chip-based controller that can be hacked to improve gas mileage, and you give her the keywords to feed into Google to find out how to do this, where to find the equipment to do it -- even the firms that specialize in doing it for you.

In the age of cheap facts, we now inhabit a world where knowing something is possible is practically the same as knowing how to do it.

This means that invention is now a lot more like collage than like discovery.

Cheap Facts and the Plausible Premise

Tim O'Reilly predicts the imminent demise of the Kindle ebook reader unless it makes the move to open standards and abandons DRM and proprietary formats. I've been trying to get someone at Amazon to answer my basic questions about the "DRM-free" option for authors and publishers ("Does the EULA prohibit a reader from moving a DRM-free file to a non-Kindle?" "Is there a patent or other restriction that prevents competitors from making readers or converters for the DRM-free files?" and "Can DRM-free files be remotely downgraded, the way that the DRM'ed files have had their read-aloud functionality taken away after the fact?") and been totally stonewalled, as have O'Reilly.

Kudos to Tim for a great editorial and especially for the use of "strategy tax" -- what a great phrase!

So we sold GNN to America Online in June 1995. Big mistake. Despite telling us that they wanted to embrace the Web, they kept GNN as an "off brand," continuing to focus on their proprietary AOL platform and allowing Yahoo! ( YHOO - news - people ) to dominate the new online information platform.

So it was with a feeling of deja vu that I listened in mid-2007 to the promises of Amazon about the potential of its new proprietary e-book platform. While no payment is required to participate, there are clearly onerous restrictions that could limit the growth of the market: a proprietary file format, and the requirement that the e-books only be sold by Amazon.com.

The file format was a problem for us from the get-go: Amazon's Kindle file format doesn't provide support for tables or for so-called monospaced fonts, two formatting features that we use heavily in our line of technical books. And there is a viable alternative: Epub, the open format from the International Digital Publishing Forum, is based on the Web's native format, HTML, and provides full table and font support. This is the first "strategy tax" paid by those who embrace proprietary platforms: They can't support the needs of every niche and must prioritize their support for mainstream needs.

Why Kindle Should Be An Open Book (via /.)

Chris Anderson's stirring Wired editorial "Tech Is Too Cheap to Meter: It's Time to Manage for Abundance, Not Scarcity" accompanies the launch of his new book Free: The Future of a Radical Price, asking technologists to consider what it means to manage abundant hard drives, networks, and processors, rather than scarce ones. (You can also get a free downloadable audiobook from the link)

Perhaps the best example of a glorious embrace of waste is YouTube. I often hear people complain that YouTube is no threat to television because it's "full of crap"--which is, I suppose, true. The problem is that no one agrees on what the crap is. You may be looking for funny cat videos and think my favorite soldering tutorials are of no interest. I want to see funny videogame stunts and couldn't care less about your cooking tutorials. And clips of our own charming family members are of course delightful to us and totally boring to everyone else. Crap is in the eye of the beholder.

Even the most popular YouTube clips may totally fail in the standard Hollywood definition of production quality, in that the video is low-resolution and badly lit, the sound quality awful, and the plots nonexistent. But none of that matters, because the most important thing is relevance. We'll always choose a "low-quality" video of something we actually want over a "high-quality" video of something we don't.

A few months ago it was time for my kids to choose how to spend the two hours of "screen time" they're allowed on weekends. I suggested Star Wars and gave them a choice: They could watch any of the six movies in hi-def on a huge projection screen with surround sound audio and popcorn. Or they could go on YouTube and watch stop-motion Lego animations of Star Wars scenes created by 9-year-olds. It was no contest--they raced for the computer.

It turns out that my kids, and many like them, aren't really that interested in Star Wars as created by George Lucas. They're more interested in Star Wars as created by their peers, never mind the shaky cameras and fingers in the frame. When I was growing up, there were many clever products designed to extend the Star Wars franchise to kids, from toys to lunch boxes, but as far as I know nobody thought of stop-motion Lego animation created by children.

Tech Is Too Cheap to Meter: It's Time to Manage for Abundance, Not Scarcity

(Image: Rodrigo Corral)

Wired has an amusing writeup that accurately captures the most recent ridiculous addition to Bugatti's automobile catalog. The $2.1 million Veyron sports over 1,000 horsepower, a 16-cylinder engine, and a top speed of 245 mph. The guilty conscience comes for free. "That same cash-filled briefcase could buy seven Ferrari 599s or every single 2009 model Mercedes. You could snap up a top-shelf Maybach and employ a chauffeur until well past the apocalypse. Hell, in this economy, $2.1 million is probably enough to make you a one-man special-interest group with some serious Washington clout."

Read more of this story at Slashdot.

Looking to live simply and in harmony with the land they would raise their children on, one couple in Wales set out to build a hand crafted house on a modest budget.

The basic construction is a series of vertical posts in an oval, the tops of which are connected with horizontals. This ring of horizontal pieces makes what is conventionally referred to as a roofplate or wallplate. The horizontals are 'tennoned' into the posts although a simpler alternative is to 'half lap' the horizontals and use a metal bar / big nails to fix the joint on top of the post.

Their site has lots of details about the construction, theory behind the build and ideology surrounding their choices. The photos page has full sized images of all the pictures on the site.

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Well, the inevitable hacking of Apple's latest flavor of iPhone has happened. Named "purplera1n," the tool will only allow installation of unauthorized applications instead of a full unlock. "The purplera1n jailbreak will free your iPhone from the limitations imposed on it by AT&T and Apple. After jailbreaking, a user will be able to customize the iPhone with home-screen wallpapers and third-party ringtones. But the biggest advantage of jailbreaking is the support of unapproved apps such as iBlackList (blacklists and whitelists for contacts) and many others."

Read more of this story at Slashdot.

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