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PMA 2010: More than a year after first showcasing it at the 2008 Photokina trade show, Sigma has re-announced the SD15 digital SLR. Successor to the SD14, it incorporates a 14MP Foveon X3 sensor, the same True II processor as the latest DPx models, and a larger 3.0" 460k dot LCD. Other features include SD card compatibility, ISO 100-1600 (50-3200 extended) sensitivity, 21 shot raw buffer at 3fps and 5 frame auto bracketing for HDR-enthusiasts.
PMA 2010: Last but not least of the lenses, we come to Sigma's upgrade for its popular 50-500mm ultra-telephoto zoom which now incorporates Optical Stabilisation - a hugely welcome addition to such a long lens. Again Sigma claims the OS offers up to four stops benefit, and works with Sony and Pentax SLRs as well as Canon, Sigma and Nikon models, with the stabilized viewfinder image aiding in focusing and composition. The all-new optical design uses 22 elements in 16 groups, including four SLD glass elements, but the filter size has grown to a whopping 95mm.
PMA 2010: Continuing our way through Sigma's bag of goodies, we come to the widest-angle rectilinear lens yet made for APS-C DSLRs, in the shape of the 8-16mm F4.5-5.6 DC HSM. Essentially an equivalent of the company's 12-24mm lens for full-frame, this features a disorientatingly-wide angle of view of 121 degrees for exaggerated perspectives. It has a built-in petal shaped hood, HSM focusing with full-time manual override, and a minimum focus of 24cm. Again, it will be available to fit Canon, Nikon, Pentax, Sigma and Sony SLRs.
PMA 2010: Sigma has announced the DP1x digital compact camera, a revised version of its DP1 large-sensor compact camera. Featuring the same sensor and wide angle lens as the DP1, it inherits the faster True II processor from the DP2 and a new AF algorithm for faster auto focus. It also shares the revised rear design of the DP2s, with a dedicated 'QS' (Quick Set) button and more visible labeling of controls.
PMA 2010: Sigma has released the DP2s compact camera with a 14MP FOVEON X3 CMOS sensor. With almost identical specifications to its predecessor, the DP2, it offers a new AF algorithm for faster autofocus, a Power Save mode and a slightly revised rear design with more visible labeling of the buttons. The camera will ship with the company's latest Photo Pro 4.0 raw processing software.
PMA 2010: Third on Sigma's long list of introductions is an image-stabilized fast standard zoom for APS-C SLRs. The 17-50mm EX DC OS HSM offers a slightly wider angle of view than the company's previous models in this class, and alongside optical stabilization also adds a hypersonic autofocus motor for users of all mounts (Canon, Nikon, Pentax, Sigma and Sony). It uses two elements made from Sigma's new 'FLD glass', plus two glass mold and one hybrid aspherical elements, to reduce aberrations. The minimum focus distance is 28cm across the entire zoom range, giving a maximum magnification of 0.2x, and the 77mm filter thread does not rotate on focusing.
PMA 2010: Sigma has announced the 85mm F1.4 EX DG HSM, a large-aperture short telephoto lens which is bound to pique the interest of budding portraitists. Featuring a hypersonic focus motor with full-time manual focus override, the lens uses a 9-blade diaphragm for attractive background blur, and has a minimum focus distance of 85cm. It comes with a lens hood adapter for ASP-C/DX users that extends the length of the hood to give more effective shading, and will be available in mounts for Canon, Nikon, Pentax, Sigma and Sony SLRs.
PMA 2010: Sigma has launched into PMA with a veritable salvo of interesting new products. First up is the APO 70-200mm F2.8 EX DG OS HSM, an image-stabilised fast telezoom with ultrasonic-type silent focusing that provides a direct alternative to recent arrivals from Canon and Nikon. The all-new optical design uses two elements made of Sigma's newly-developed 'FLD' glass (plus three of SLD glass) to reduce aberrations, a 9-blade circular aperture for attractive bokeh, and features full-time manual focus override. The Optical Stabilisation system promises up to four stops benefit when hand-holding, and like other recent Sigma lenses, can be used by owners of Sony and Pentax cameras (the lens will also be available in Canon, Nikon and Sigma mounts). Last but not least, a dedicated adapter that extends the length of the hood for APS-C users is supplied as standard.
Steve Cooley designed a pretty deluxe hardware interface for controlling music software, better known as the Beatseqr. Since it's based on an Arduino Mega, the device can of course be reprogrammed to make use of onboard faders and LED buttons in a variety of ways. Beatseqr sends data out in the form hi-res OSC messages, which can be converted in software down to MIDI. Source code for the project is available on github and prebuilt versions of the hardware are now for sale on Maker's Market.
PMA 2010: Samples images from Nikon's 24mm F1.4 AF-S wide-angle prime lens. We're not sure if these are the world's first indepent sample shots with this lens but, given how hard it was to wrestle it away from the guys on the Nikon stand at the PMA Sneak Peek event, there can't be many others.
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Matt sez, "With that rocks-for-brains reporter in Boston trying to link campus shooter Amy Bishop's crimes to Dungeons & Dragons, I thought I'd take an opportunity to look at the good D&D has done for several writers I know. This is that article. By the way, I've been a D&D player for almost thirty years now, and have been a happier, more productive person for it."
And Cory adds:
I haven't played since my early 20s (late teens?) but D&D was an enormously positive influence on my life and imagination.
And I would add: Me too! D&D helped me as a writer, storyteller, project organizer, and was also one of my entrees into making. When I started with D&D, my friends and I were too poor for miniatures, so we made our own from clay, and our dungeons and scenery were constructed out of paper, cardboard, and foam. I got my first Dremel tool to help me make gaming components. And it was my first heavy, multi-application use for my first computers (writing scenarios, player handouts, drawing maps, keeping character databases, and hanging out on D&D BBSes).
Not to mention, as someone who has dyslexia, it helped me with my number/math skills and in seeing the utility of applying math to something that was hugely fun and creative.
Writers reminisce about Dungeons & Dragons
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PMA 2010: A splinter group from the dpreview.com editorial team has touched down in Anaheim to cover the announcements from the PMA 2010 show. We'll be wandering from stand-to-stand, bringing you pictures and insight about all the latest launches, including live blogging from some of the press conferences. Stay tuned over the next few days for all the latest news.
Pre-PMA 2010: Samsung has announced the WB2000 with full 1080p HD video recording. The camera comes with a 10MP CMOS sensor and offers P/A/S/M shooting modes, RAW capture and high-speed video recording at up to 1000 fps. It also features an 'advanced panorama' mode with object tracking, and a dual capture mode that allows users to capture stills whilst recording videos. A 3" AMOLED screen rounds off the specification.
Pre-PMA 2010: Samsung has released the WP10 waterproof ultracompact. It has been designed to operate underwater to a depth of up to 3 meters and features a dedicated Aqua mode, that optimizes camera settings for underwater photography. The 12MP camera comes with a 2.7" LCD, 5x (36-180mm equiv) internal zoom lens and 720p HD video recording.
Samsung has announced that it plans to roll-out five more lenses for its NX system in 2010. The new range includes a 20mm f/2.8 pancake, 60mm f/2.8 macro, 20-50mm compact zoom, 18-200mm superzoom and another version of the 18-55mm kit lens without image stabilization (O.I.S.). The lenses will be released through the course of this year.
Pre-PMA 2010: Samsung has released the EX1 premium image stabilized compact camera with a fast f/1.8 wide angle 3x (24-72mm equiv.) zoom lens. It comes with a 1/1.7 inch 10MP CCD sensor and a 3.0 inch multi-angle AMOLED display. The camera also offers full manual control, RAW capture, VGA video recording in H.264 format and a new faster DRIMeIII processor.
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Australian reader Ian Ross sent in pictures of his awesome workbench, which packs some interesting gear like nixie-tube test equipment.
It is the disorganised chaos of over 30 years of collecting discarded electronic devices. Some of the test instruments use lovely Nixie tubes and I also have a flat screen telly so I can escape to my sanctuary at night. The main workbench light is a surplus dental exam light which is excellent for working with small devices.Read more | Permalink | Comments | Read more articles in Toolbox | Digg this!
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The MintyBoost Parts bundle from the Maker Shed includes everything you need to make the RuntyBoost version of the MintyBoost! We include the MintyBoost kit 2.0, our Make Project tin, and even the AA batteries. Yes, the batteries are included too! All you need to do is some simple soldering, and a few minor mods of the project tin, and you will have a great portable charger.
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- (1) MintyBoost USB Charger Kit v2.0
- (1) Make Project Tin - Measures 3-3/4" long, 2-3/8" wide, 3/4" deep
- (2) AA Batteries. Yep, they're included!

If you have the Make: Electronics book, or just thinking of getting a copy - tonight I will be assisting Ladyada (Limor Fried) with Adafruit's weekly "Ask an engineer" LIVE video chat... Here are the details...
Tonight, Saturday 2/20/2010 - 10pm ET - "Ask an Engineer" - our weekly LIVE video chat! What is "Ask an engineer"? From the electronics enthusiast to the professional community - "Ask an Engineer" has a little bit of everything for everyone. If you're a beginner, or an seasoned engineer - stop in and see what we're up to! We have demos of projects and products we're working on, we answer you engineering and electronics questions and we have a trivia question + give away each week. This week we'll go through some of chapters of "Make: Electronics by Charles Platt" The book is geared towards ultimate-beginners and teaches electronics starting from basic core of analog to some digital to microcontrollers. You'll learn tools, prototyping soldering techniques, transistors, 555's, etc. while completing useful projects. A nice and tidy intro! This book is a good accompaniment to learning microcontrollers/Arduino in that it fills the necessary electronics theory and background.
Chat starts at 10pm ET (Saturday night 10pm ET 2/20/2010) on the dot (here and here)...
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Paramodel "tommy sushi" & "tommy ca". (Thanks, Francesco!)The series of sculptures featured on AZITO show the perfect merger discovered between TOMY toy cars, plastic food models used by restaurants, and the dishes accompanying those cuisines. Four carry enticing plastic sushi models, while another four carry Chinese food models. Strapped down to the toy cars, the plastic foods are readily docked onto the very dishes which would be used in their consumption. Yet, the cars cannot budge from the perimeter of the dish; the food cannot be consumed; and the viewer recognizes the paradox in having the exact collection of items needed for transporting food onto the table and into our mouths - and yet, not being able to perform either function. Enticing us with our own desires of play, eating, and mimicry, and then turning such impulses into plastic model visions, these eight sculptures beautifully capture the spirit of "Paramodel".
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So UVEX turned to verse:
Theoretically, a trademark claim is partly about protecting a company's name from "tarnishment," but it's hard to imagine how one could tarnish the IOC's reputation any further, between the naked greed, the unchecked bullying, the corruption and bribery, the doping, and the censorship. Oh, and the thousands of poor people inevitably evicted whenever the Olympics come to town. Is there any way the IOC's reputation could sink lower?Blonde Who Uses Our Stuff Wins Downhill (Last Name Rhymes With "Bonn")
There once was a lawyer from the IOC,
who called us to protect "intellectual property.""During the Olympics", she said with a sneer
"your site can't use an Olympian's name even if they use your gear.""No pictures, no video, no blog posts can be used..."
Even if they are old? "No!", she enthused.While Olympians chase gold the IOC pursues green.
Cough up millions, or your logo cannot be seen . . .
Blonde we like wins Downhill (Last name rhymes with "Bonn") (Thanks, Barry!)
Reading this piece, you get the sense that the reporters struggled to winnow down the list of horrific abuses to fit the space -- the litany of absolutely nightmarish judicial behavior goes on and on and on and on.
In Tiny Courts of N.Y., Abuses of Law and PowerAnd several people in the small town of Dannemora were intimidated by their longtime justice, Thomas R. Buckley, a phone-company repairman who cursed at defendants and jailed them without bail or a trial, state disciplinary officials found. Feuding with a neighbor over her dog's running loose, he threatened to jail her and ordered the dog killed...
In the Catskills, Stanley Yusko routinely jailed people awaiting trial for longer than the law allows -- in one case for 64 days because he thought the defendant had information about vandalism at the justice's own home, said state officials, who removed him as Coxsackie village justice in 1995. Mr. Yusko was not even supposed to be a justice; he had actually failed the true-or-false test...
In Mount Kisco, people who asked for the court's sympathy were treated to sarcasm: Justice Joseph J. Cerbone would pull out a nine-inch violin and threaten to play. Mr. Cerbone phoned one woman and talked her out of pressing abuse charges against the son of former clients, state records show. But it took eight years, and evidence that he had taken money from an escrow account, before the State Court of Appeals removed him in 2004 after a quarter-century in office.
The commission twice disciplined the town justice, Paul F. Bender of Marion, for deriding women in abuse cases. Arraigning one man on assault charges, he asked the police investigator whether the case was "just a Saturday night brawl where he smacks her and she wants him back in the morning..."
In 11 years as justice in Dannemora, in the North Country, Thomas R. Buckley had his own special treatment for defendants without much money: Even if they were found not guilty, he ordered them to perform community service work to pay for their court-appointed lawyers, although defense lawyers and the district attorney had reminded him for years that the law guaranteed a lawyer at no cost.
"The only unconstitutional part," he told the commission before it removed him in 2000, "is for these freeloaders to expect a free ride."
Update: Here's a recent update on the situation. In summary: nothing's changed (thanks, Salugod!)
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Now we're getting into the thick, juicy part. I spent Friday in a flurry of tweeting and note-taking, bopping from one two-hour symposium to another. I was really pleased with myself for managing to pack in five different sessions—until I realized that I'd totally missed meeting Ron Howard, King of the Gingers, at a presentation on science and Hollywood. Whoops. Thanks to my science journalism colleagues, though, I am able to tell you this: Nobody ever worked out the physics behind turning a jukebox on just by hitting it.
Those disappointments aside, the day was chock full of fascinating facts. After the jump, I'll tell you about the science of superheroes, the best way to make electric cars profitable to own and why the advice many new parents get about preventing food allergies is probably wrong.
Hopeful Monsters
This session featured writers from "Heroes", the scientific advisor to "Watchmen" and a scientist studying the real-world evolution of the—relatively super—traits that turned single-celled organisms into animals, and people.
It's that last speaker, Nichole King, Ph.D., from the University of California, Berkeley, who brought up a really interesting point about the intersection between evolution and sci-fi. Evolution, as you know, is driven by random mutations in DNA, and most of those mutations have no visible impact at all. DNA changes, but nothing important happens to the overall organism.
Other changes in DNA lead to negative impacts—for instance, the mutations that lead to cancer. Finally, and luckily, some mutations are beneficial. But, King reminded me, they're very seldom only beneficial. The same innovative mutations that make an organism stronger are usually also associated with at least one biological trade-off. You may gain, but you also lose. And whether the mutation gets counted as "successful" depends a lot on how the benefits and detriments balance out.
Think about what that could mean for, say, the X-men? Should Warren Worthington III be dealing with the osteoporosis that must surely go along with his light, flight-ready bone structure?
The Real Benefit of Hooking Your Electric Car Up to the Grid
Vehicle-to-Grid is a relatively new concept. It can refer to a lot of different ideas but, generally, we're talking about enabling electric vehicles and utility companies to establish a close, personal relationship, built on two-way communication. Its theoretical potential was first studied in 1997. In 2008, researchers first hooked up an all-electric vehicle to the real, not just simulated, grid.
I'd certainly heard of the idea before today, but mostly with the idea that doing this would enable consumers to sell electricity stored in the battery back to their utility companies. Easy peasy. You know, if you overlook the fact that buying electricity from and selling electricity to the same company, for the same price, isn't going to help anybody turn a payback on their initial investment in the car.
No, the real place where vehicle-to-grid power has considerable financial potential is frequency regulation, according to researchers from the University of Delaware, Oak Ridge National Laboratory and other institutions. If you're one of the companies that runs America's electrical grid system, you have to pay a lot of attention to keeping the flow of power humming along at a steady, reliable rate. In fact, you're legally obligated to have a certain amount of generator backup dedicated to ramping power production up and down, smoothing out the fluctuations in frequency.
But coal and other traditional power plants are slow moving beasties, trying to respond to what is, essentially, a zap-quick problem. Fleets of electric vehicles, plugged in and able to communicate with the electrical grid control systems, have the potential to be a better (and way more green) alternative. And, because utilities need that backup capacity—whether or not they're using it at any given moment—the price they'd pay a consumer to make an electric car part of that backup is much higher than the rate they'd pay just to buy excess power from the car's battery. Kind of the difference between a monthly membership fee at the gym, and a one-off charge to use the sauna for an hour.
So just how profitable is that. The calculations vary—and the impact is larger for fleets than individual cars—but a 2007 study done by Jasna Tomic, Ph.D., from the alternative transportation institute CALSTART, makes it appealing. Using utility rate numbers from 2003, a 250-vehicle fleet would have grossed more than $1 million in a year, and netted close to $700K.
A new perspective on childhood allergies
For years, parents have been told to put off introducing their babies to certain foods—things like milk, soy and peanuts—that tend to cause allergic reactions. The idea behind the advice was that, if you gave a baby's immune system a chance to mature before tossing a food trial at it, it might not be so likely to overreact.
But that theory is turning out to be wrong, according to a panel of European and American public health experts from organizations like the FDA and the British National Health Service Trust. There's no evidence that delaying the introduction of potentially allergenic foods does anything to reduce a child's likelihood of developing an allergy, they said. And, in fact, there's some evidence that delaying the foods may actually increase the risk of allergic reaction.
Why? Researchers can only speculate right now, but it might have to do with the fact that you can never completely eliminate environmental exposure to certain foods. Even if you stringently avoid peanuts, you might still come into contact with very, very minute amounts of the allergy-causing nut proteins. As it turns out, it's these small, rare, random exposures that are more likely to set the stage for developing a sensitivity to a particular food, rather than regular consumption.
Once they're ready to eat solids, your baby or toddler is better off being adventurous with new foods.
More to come tomorrow! Plus, over the next few weeks, I'll also be doing a few more in-depth stories, based on AAAS lectures and symposia.
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Wandering through the Make Flickr pool the other day, I saw what appeared to be custom made game controlling guitars. Taking a closer look, I saw that they were actually using Scratch Sensor Board controllers. The Scratch Board is a neat device with four inputs for custom built sensors. On the board itself are a potentiometer, light sensor, sound sensor and a push button. Your program can look for user generated input on each of these, which can change your program or game based on the sensor input.
Chris, whose photostream the picture was in told me a bit about the project:
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I'm enjoying SF based Kiriko Moth's work. You might remember seeing her work from the bee post :) I think Crabfu should hang out with Kiriko and maybe that robot octopus.
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MIT's The Tech has the results of a wide-ranging survey of the sex-lives of the university's undergraduates. It's not very scientific (the respondents were self-selected, and 60% of the student body didn't respond), but the charts and commentary are a fun read. I'm particularly taked by the idea of a taboo against "floorcest" (shagging someone whose room is on the same dorm floor as yours).
Sex@MIT: The Survey
(via MeFi)
<img src="http://craphound.com/images/willythewizard.jpeg" class="right" align="right" What these lawsuits teach us:Rowling's being sued for plagiarism again1. The plaintiffs haven't paid much attention to other works in the genre.
2. Non-writers think it's the ideas, rather than the execution, that makes a book. They've got that backward.
3. People who aren't accustomed to having a lot of ideas of their own have a very poor grasp of the odds that others might independently come up with the same ideas. <br clear="all"
Wednesday's Dork Tower comic contemplated the possibility of a Warren Ellis alarm clock. I'd buy one, or at least download one for my Android phone!
DORK TOWER, Wednesday, February 17, 2010
(via Forbidden Planet)
Roger Ebert: The Essential Man (Thanks, Hal!)Ebert keeps scrolling down. Below his journal he had embedded video of his first show alone, the balcony seat empty across the aisle. It was a tribute, in three parts. He wants to watch them now, because he wants to remember, but at the bottom of the page there are only three big black squares. In the middle of the squares, white type reads: "Content deleted. This video is no longer available because it has been deleted." Ebert leans into the screen, trying to figure out what's happened. He looks across at Chaz. The top half of his face turns red, and his eyes well up again, but this time, it's not sadness surfacing. He's shaking. It's anger.
Chaz looks over his shoulder at the screen. "Those fu -- " she says, catching herself.
They think it's Disney again -- that they've taken down the videos. Terms-of-use violation.
This time, the anger lasts long enough for Ebert to write it down. He opens a new page in his text-to-speech program, a blank white sheet. He types in capital letters, stabbing at the keys with his delicate, trembling hands: MY TRIBUTE, appears behind the cursor in the top left corner. ON THE FIRST SHOW AFTER HIS DEATH. But Ebert doesn't press the button that fires up the speakers. He presses a different button, a button that makes the words bigger. He presses the button again and again and again, the words growing bigger and bigger and bigger until they become too big to fit the screen, now they're just letters, but he keeps hitting the button, bigger and bigger still, now just shapes and angles, just geometry filling the white screen with black like the three squares. Roger Ebert is shaking, his entire body is shaking, and he's still hitting the button, bang, bang, bang, and he's shouting now. He's standing outside on the street corner and he's arching his back and he's shouting at the top of his lungs.
I haven't played since my early 20s (late teens?) but D&D was an enormously positive influence on my life and imagination.
Writers reminisce about Dungeons & Dragons (Thanks, Matt!)
Jay Lake, the author of ten novels including his most recent, Green, told me that D&D became a big part of his life as boarding school student."At boarding school, if you're good and fast with homework, and deeply socially and athletically inept otherwise, there's not a lot to do. I'd been to seven schools in nine years on three continents when I hit Choate Rosemary Hall," said Lake. "I possessed the kind of poor social skills that are almost hip today, but were a recipe for meat-grinder misery in the 1970s when too-smart, too-isolated kids didn't have ready access to the kind of virtual retreats we have today in gaming, programming and online life. Geek culture at the teen level didn't exist yet, except as a special class of victimhood. Combine that with a raging case of clinical depression, and I was a disaster waiting to happen."
Dungeons & Dragons provided a constructive way to pass the time for Lake and his friends.
"The alternate worlds and wild imagination of D&D gave me and my fellow misfits an outlet, and we had dozens upon dozens of hours per week to spend on it. Where else were we going to go? We lived in our high school. Think about that for a minute. Six or eight ferociously bright kids-Choate is one of the most academically competitive schools in the nation-with nothing to do but make things up to amuse one another, and D&D providing the framework."
Although those years have since passed, Lake still credited the game with providing a foundation he has built upon as a successful writer.
"Those three years playing D&D at boarding school did more to ground me in storytelling, plot construction, and sheer, raw imaginative throughput than any other single activity of my life. Today I'm a successful fantasy and science fiction novelist with ten novels and over two hundred short stories in print or on the way. I might have gotten to this point by a different path, but it would not have been the same journey,"
Skip forward about two minutes into this launch video of the Atlas V rocket on Feb 14, 2010, for the moment when it goes supersonic while passing through a layer of ice-crystals, creating a visible sonic boom in sun-dog form. Breath-taking.
Sonic Boom Meets Sun Dog 720p (Thanks, Fipi Lele!)
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With the self-stabilizing and precise controlling technology from the ARES Lab, the motion of the pixels is adaptable in real time. The Flyfire canvas can transform itself from one shape to another or morph a two-dimensional photographic image into an articulated shape. The pixels are physically engaged in transitioning images from one state to another, which allows the Flyfire canvas to demonstrate a spatially animated viewing experience.Flyfire
Flyfire serves as an initial step to explore and imagine the possibilities of this free-form display: a swarm of pixels in a space.
Some people whose names you may know or computers you may have used all had dinner together last week.
Photo above: Apocalyptic shit-disturber John Cusack eats the final grape at the namedrop alpha table, drawing heated commentary from Microsoft Chairman Bill Gates, who sources say did not get a single grape.
(L-R, for reals, EDGE 2010 dinner: Jared Cohen, US State Department; Dave Morin, Facebook; John Cusack, actor/writer/director/thinker; Dean Kamen, Inventor, Deka Research; Bill Gates, Microsoft, Gates Foundation; Arianna Huffington, The Huffington Post; Michael Shermer, Skeptic Magazine. Not shown in this photo, but huddled around the same table, were Peter Diamandis, George Church, and me. )
Here's the photo gallery for this dinner, hosted by John Brockman and EDGE to herald "the Dawing of the Age of Biology." Let the jpeg record show that I managed to get up close and personal with Marissa Mayer and Nathan Wolfe, then later with Danny Hillis.
More about the big ideas discussed, after the jump.
John Brockman, in presenting the theme for this 2010 edition of the annual EDGE dinner, wrote:
In the summer of 2009, in a talk at the Bristol (UK) Festival of Ideas, physicist Freeman Dyson articulated a vision for the future. He referenced The Age Of Wonder, by Richard Holmes, in which the first Romantic Age described by Holmes was centered on chemistry and poetry, while Dyson pointed out that this new age is dominated by computational biology. Its leaders, he noted, include "biology wizards" Kary Mullis, Craig Venter, medical engineer Dean Kamen; and "computer wizards" Larry Page and Sergey Brin, and Charles Simonyi. He pointed out that the nexus for this intellectual activity — the Lunar Society for the 21st century — is centered around the activities of Edge.
All the scientists mentioned above by Dyson (with the exception of Simonyi) were present at the dinner. Others guests who are playing "a significant role in this new age of wonder through their scientific research, enlightened philanthropy, and entrepreneurial initiative" included Larry Brilliant, George Church, Bill Gates, Danny Hillis, Nathan Myhrvold, Jeff Skoll, and Nathan Wolfe.
EDGE: "The Edge Dinner: A New Age of Wonder, Where the Dawning of the Age of Biology Was Officially Announced." (Thank you, John Brockman / EDGE.org)
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Doug McKee of Bellingham, WA carves skateboards that look like birds, insects, and sea creatures.
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In this video, "Jankworks," makes a joyful noise by flicking, banging, twanging, tapping, and triggering various pieces of old tech (drives, phone bells, typewriters, cassette players, etc). Jankworks writes:
I loved the pictures of Mark Tilden's workshop and it reminded me on the many times, while working on some project, that the clutter and tangle of tools and parts threatens to overtake everything. The link I've sent you goes to an, ahem, experimental 'music' video I made, using the junk and media components assembled on my shelf, to introduce sound. Yeah, it doesn't make much sense to me either, but it was fun (and challenging) to create. Thought you might enjoy.Read more | Permalink | Comments | Read more articles in Music | Digg this!
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